Jumat, 31 Oktober 2014

## Ebook The Big Bang: Third Edition, by Joseph Silk

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The Big Bang: Third Edition, by Joseph Silk

Our universe was born billions of years ago in a hot, violent explosion of elementary particles and radiationæthe big bang. What do we know about this ultimate moment of creation, and how do we know it?

Drawing upon the latest theories and technology, the new edition of The Big Bang, is a sweeping, lucid account of the event that set the universe in motion. Award-winning astronomer and physicist Joseph Silk begins his story with the first microseconds of the big bang, on through the evolution of stars, galaxies, clusters of galaxies, quasars, and into the distant future of our universe. He also explores the fascinating evidence for the big bang model and recounts the history of cosmological speculation. Revised and updated, the new edition features all the most recent astronomical advances, including:

• Photos and measurements from the Hubble Space Telescope, Cosmic Background Explorer Satellite (COBE), and Infrared Space Observatory
• The latest estimates of the age of the universe
• New ideas in string and superstring theory
• Recent experiments on neutrino detection
• New theories about the presence of dark matter in galaxies
• New developments in the theory of the formation and evolution of galaxies
• The latest ideas about black holes, worm holes, quantum foam, and multiple universes

A marvelous introduction to scientific cosmology, The Big Bang takes readers on a spectacular journey spanning time and space.

  • Sales Rank: #2530462 in Books
  • Brand: Brand: Times Books
  • Published on: 2000-12-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.98" h x .99" w x 5.68" l,
  • Binding: Paperback
  • 512 pages
Features
  • Used Book in Good Condition

Review
"Joseph Silk, one of the most productive cosmologists of our era, has updated his well-regarded book [with] the latest news from the cosmological front."
—Donald Goldsmith, astronomer and author of The Runaway Universe

"Brings a classic right up to date . . . The clearest and most comprehensive of its kind"
—Andrew Liddle, Professor of Astrophysics, University of Sussex

"Silk writes with clarity and authority about a field of deep interest to us all and to which he has made major scientific contributions over the years"
—Bruce Partridge, Haverford College

"A grand, sweeping tour of the Universe. Modern cosmological theories are lucidly explained by an astronomer who was instrumental in constructing them."
—Emory Bunn, Physics Department, Bates College

"This wonderfully detailed book gives an excellent flavor of the complex and rapidly changing field of cosmology."
—Michael Rowan-Robinson, Imperial College of Science, Technology, and Medicine, Physics Department

About the Author
Joseph Silk is the Head of Astrophysics and Savilian Professor of Astronomy in the Department of Physics at the University of Oxford. Previously, he was a tenured professor at the University of California at Berkeley, where he researched theoretical astrophysics. He has received several awards for his contributions to astronomy, and is currently a Fellow of the American Association for the Advancement of Science, the American Physical Society, and of the Royal Society, United Kingdom. He is the author of several books, including A Short History of the Universe, Cosmic Enigmas, and The Left Hand of Creation, written with John D. Barrow. He lives in Oxford, England.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Great textbook of cosmology.
By A Customer
This may not be one of the easiest books to read, but it is definetely one of the most informative and up-to-date on the subject. The theories of universe creation, galaxy and star formations, etc., as well as the supporting evidence are presented in full. Speculations on the future, as well as alternative theories to the big bang are briefly covered as well.
The book's difficulty and the fact that it resembles a textbook is the only reason why I downgraded my recommendation from 5 stars. Silk wastes no time and space, and pummels you with facts and theories from the onset, with little in between. The textbook feeling is also conveyed through the author's completely objective tone throughout. This may even seem frustrating to some, especially in the early chapters when Silk presents dozens of competing theories and observations, without even a hint as to which is more likely or which he himself supports. Nevertheless, he does proceed to elaborate on all the major theories and specifies which currently carry the most support in the scientific community and why.
Overall, I highly recommend the book, especially to those who are not new to at least the basic ideas of cosmology. Others will need to be a bit patient as the reading is quite dense -- Silk packs about a 1000 pages of info into 400 pages of text; inevitably you may need to re-read certain parts at times in order to follow the logical flow and development of presented theories. I found the observational data to be too technical sometimes as well, and just took the author's word that it supports the theory forementioned.

3 of 12 people found the following review helpful.
More opaque than the Big Bang itself
By Michael Selby
I've read quite a few books on astrophysics, cosmology, etc., and this is one of the most poorly written books I've come across. It's too bad, because the writer is trying to be current and thorough. But he doesn't know how to write clearly, his grammar is terrible, he skips steps in his explanations, jumps all over the place, and leaves you wondering "what in the heck is this guy trying to say??". Not recommended.

5 of 5 people found the following review helpful.
UNDERSTANDING THE BIG BANG
By Mead C. Whorton Jr.
Joseph's Silk's The Big Bang is one of the finest science books ever written for the educated reader. If you have ever wondered how the universe was born and how it evolved, this book is an invaluable key to understanding these questions. Mr. Silk's prose is very understandable and he clearly explains the myriad topics of modern cosmology. After sketching the origins of modern cosmology; he takes the reader on a dazzling journey which covers evidence for the big bang, the first millisecond of the universe and the primeval fireball, cosmological models, formation of stars, origin and evolution of the galaxies, origin of the heavy elements, the future of the universe, and alternatives to the big bang. The book contains mathematical notes to assist the perplexed/inquiring reader, a detailed glossary, and suggestions for further reading. In addition, the book is richly illustrated with numerous black and white photographs, charts, and diagrams. My favorite diagram is the one on page 98 which depicts alternative big bang models. And on page 96, Mr. Silk clearly lays out the Friedmann equation which is the fundamental equation of big bang cosmology. There is also a center section of beautiful color photographs. And best of all, Amazon offers the book for only $13.95; a bargain at today's prices. I have read several introductory works on cosmology and the big bang but this one stands alone. In summary, this is an excellent expository work on cosmology and the modern big bang theory. If you have any interest in this topic at all, you must have a copy of this book.

See all 9 customer reviews...

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** Get Free Ebook Before John Was a Jazz Giant: A Song of John Coltrane, by Carole Boston Weatherford

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Before John Was a Jazz Giant: A Song of John Coltrane, by Carole Boston Weatherford

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Before John Was a Jazz Giant: A Song of John Coltrane, by Carole Boston Weatherford

Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John's own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly rich hymn to the childhood of jazz legend John Coltrane.

Before John Was a Jazz Giant is a 2009 Coretta Scott King Illustrator Honor Book and a 2009 Bank Street - Best Children's Book of the Year.

  • Sales Rank: #540830 in Books
  • Brand: Weatherford, Carole Boston/ Qualls, Sean (ILT)
  • Published on: 2008-04-01
  • Released on: 2008-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.18" h x .34" w x 8.47" l, .69 pounds
  • Binding: Hardcover
  • 32 pages

Review

“Weatherford's evocative poem traces Coltrane's influences simply and stunningly. Qualls's muted palette of rich hues suggests the smoky jazz moods he would create.” ―School Library Journal

“Even children who are unfamiliar with jazz in general and John Coltrane in particular may find their interest piqued.” ―Horn Book

“Will echo with contemporary children, who will recognize the music in their daily lives.” ―Booklist

“This is as much a subtle invitation for children to listen to their own worlds as it is a Coltrane biography.” ―Bulletin of the Center for Children’s Books

About the Author

CAROLE BOSTON WEATHERFORD wrote the Caldecott Honor book Moses: When Harriet Tubman Lead Her People to Freedom. She lives in North Carolina.

SEAN QUALLS illustrated the widely acclaimed biographies The Poet Slave of Cuba and Dizzy. He lives with his family in Brooklyn, New York.

Most helpful customer reviews

13 of 15 people found the following review helpful.
There are giants in the sky
By E. R. Bird
Picture books about jazz are the oddest little critters, aren't they? There are a surprising number of them, first of all. Sometimes I think that all the rock and roll, blues, and opera picture books combined can't compare in number to the sheer amounts of jazz-related texts that cross library doorsteps every year. Much of this, I suspect, has much to do with illustrators feeling a kinship with that particular style of music. If jazz is an improvisational art, then it must burn in the bones of many an illustrator to bring that very concept to life. So it is that Chris Raschka comes out with his Charlie Parker Played Be Bop and Mysterious Thelonious titles while Walter Dean Myers and his son extol the multiple virtues of Jazz itself. Sean Qualls has always taken a bent that I find more practical. First he illustrated Jonah Winter's great picture book biography of Dizzy Gillespie Dizzy and now, with author Carole Boston Weatherford by his side, he has John Coltrane dead in his sights. "Before John was a Jazz Giant" won't answer any child's questions about what jazz is or why John Coltrane is important. At its core, it's just a simple story of a boy growing to love music and how that affects him later when he's an adult. And in a sense, that's a concept for a jazz picture book that really makes a lot of sense.

The very first words on the page are, "Before John was a jazz giant," and there stands a man blowing on his horn, commanding a room. But long before any of that, the boy called John heard music every day in a different way. It came to him in, "hambones knocking in Grandma's pots," or "Grandpa's Sunday sermons." The sounds that filled John's life weren't always happy of course. "... he heard birds warbling at sunrise, the sobs of kinfolk at family funerals." But eventually he would pick up a horn. And eventually he would breathe, "every sound he'd ever known into a bold new song." The crux of the matter is this. "Before John was a jazz giant, he was all ears." Backmatter giving factual information about John's life and work includes an Author's Note, a list of CDs for Selected Listening, and some books for Further Reading.

Kids doing reports on John Coltrane will flip immediately to the back of the book and use the information found in the one-page Author's Note. Even so, there's no Timeline here. Just a brief biography, a list of recordings, and some references to some books on the subject. What Weatherford seems to be aiming for here, though, is a kind of Ben's Trumpet but with scant concentration on the means by which John would eventually become a jazz giant. This is a story about how your family, your world, your experiences inform you and turn you into a "giant". Here's a page that offers up a good example of this: "Before John was a jazz giant, he heard steam engines whistling past, Cousin Marry giggling at jitterbuggers, and Bojangles tap-dancing in the picture show." You are the sum of your parts. And Weatherford works in elements of John's little known young life without lingering. The Author's Note tells us that his grandmother, grandfather, aunt and father all died around the same time. So, in turn, the book mentions "the sobs of kinfolk at family funerals," and you know that that was a part of his existence too. This is a story of the impressions received over a young life. What happened after he grew up is fodder for another writer.

I do say with certainty that this is my favorite of artist Sean Qualls' work. According to the publication page he used a combination of acrylic, collage, and pencil to create the illustrations here. The result is an interesting combination of swirls and perfect concentric circles. As with many jazz books, how do you render an audible concept visible? In this particular case, our first view of John is as an adult. A white circle gives all the appearance of a spotlight, highlighting only his head and shoulders. Beneath in silhouette is the saxophone. Its keys are red and from it pours music that looks more smoke than sound. Circles also burst forth. In fact, there are circles all over this book. Wherever there is sound, there are circles. The phonograph spits musical notes and circles. The tapping of pots and pans makes smaller filled-in spheres of a different hue entirely. Music here is all smoke rings and bubbles, overlapping, changing their colors when they mix with one another. It's not a bad way to look at the music, really. And because Qualls works it in so seamlessly, I'd bet good money that a lot of people won't even notice that those ubiquitous circles are there.

This is certainly one of Qualls' more expressive books as well. Silhouettes get their due. I was pleased with the images of jitterbuggers as they dance against a rather mod backdrop of Rothko-esque red and orange squares. Bojangles too is just a black outline against the white of a spotlight. And I loved the callbacks. Who doesn't like callbacks, after all? Any illustrator that can reward you for reading and then rereading a book is an illustrator worth knowing. In this book, when at last John picks up his instrument and blows you see images from his life. The church where his mother sang. The train that would run past his home. Even the very birds that may have flown over the funerals he attended. In Dizzy Qualls was all about the boy and how the world reflected him. With this book, the world informs his boy character, and the result is mod and angular, full of shapes and circular patterns and colored flames that lick off the performers' bodies. Extra points too for having a different image on the actual book than is seen on the book jacket.

Libraries will put this book in their biography sections because John Coltrane's name is in the title. The Dewey decimal cataloging record is 788.7 which instead puts it in the music section. But I would ask everyone to consider this a great picture book. Its back matter will be useful to kids doing reports, but I like the idea of putting it amongst the other stories in the collection. Put a book in a biography section and it will only be looked at when someone wants to do a report. Put a book in a picture book section and maybe someday a pair of curious hands will pull it down, look through it, and find something to read and to love. And unlike a book like Chris Raschka's "John Coltrane's Giant Steps", this strikes a balance between a man's music and a man's life that kids will definitely dig. Jazz done young, done right.

4 of 4 people found the following review helpful.
The sounds swirling around John Coltrane later turned him into a revolutionary jazz composer!
By Deb
When John Coltrane was a boy and way before he became famous he heard musical sounds coming from his own house. He listened to "hambones knocking in Grandma's pots, Daddy strumming the ukelele, and Mama cranking the phonograph." These weren't jazz sounds, but may well have been the kinds of sounds that John later tuned into those tunes that made him a jazz giant. Sounds whirled around him and he listened.

"Before John was a jazz giant,
he heard big bands on the radio
and a saxophone's soulful solo,
blue notes crooning his name."

Sean Qualls's soulful and thoughtful artwork, especially the wide-eyed depiction of Coltrane as a boy, brings a lot to the poetic tale. In the back, under the Author's Note, there is a clear, concise mini biography of John Coltrane, a revolutionary jazz composer and saxophonist. There are additional musical and book recommendations. A combination lesson of `listen and learn' after reading this book would be a fun classroom activity!

2 of 2 people found the following review helpful.
The Greatness of Sound
By M. A. Noeth
Greatness just appears - or so it seems... An awe-struck world may stop in disbelief at the existence of a genius. However, the genius knows. Stopping is the last thing one should ever do.

Always moving, geniuses do not just pop out of thin air. They study, and they learn; they create themselves. The world is full of mundane things. Kitchen pots clang. Trains whistle. People laugh, and they cry. Beauty is difficult to hear. However, the genius is "all ears."

Open this book. Pulsing brilliance will pour forth - filling your world, your breath. Alliteration, rhythm, and illustration unite into mastery. You will hear and see music.

Art does travel a long way. Suddenly though, it appears, and the ordinary becomes a greatness never heard before. Look. Listen. John Coltrane is alive.

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~ Free PDF This Land Is Their Land: Reports from a Divided Nation, by Barbara Ehrenreich

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This Land Is Their Land: Reports from a Divided Nation, by Barbara Ehrenreich

America in the ’aughts—hilariously skewered, brilliantly dissected, and darkly diagnosed by the bestselling social critic hailed as “the soul mate”* of Jonathan Swift

Barbara Ehrenreich’s first book of satirical commentary, The Worst Years of Our Lives, about the Reagan era, was received with bestselling acclaim. The one problem was the title: couldn’t some prophetic fact-checker have seen that the worst years of our lives—far worse—were still to come? Here they are, the 2000s, and in This Land Is Their Land, Ehrenreich subjects them to the most biting and incisive satire of her career.

Taking the measure of what we are left with after the cruelest decade in memory, Ehrenreich finds lurid extremes all around. While members of the moneyed elite can buy congressmen, many in the working class can barely buy lunch. While a wealthy minority obsessively consumes cosmetic surgery, the poor often go without health care for their children. And while the corporate C-suites are now nests of criminality, the less fortunate are fed a diet of morality, marriage, and abstinence. Ehrenreich’s antidotes are as sardonic as they are spot-on: pet insurance for your kids; Salvation Army fashions for those who can no longer afford Wal-Mart; and boundless rage against those who have given us a nation scarred by deepening inequality, corroded by distrust, and shamed by its official cruelty.

Full of wit and generosity, these reports from a divided nation show once again that Ehrenreich is, as Molly Ivins said, “good for the soul.”

—*The Times (London)

  • Sales Rank: #445559 in Books
  • Published on: 2008-06-24
  • Released on: 2008-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.09" h x .87" w x 6.18" l,
  • Binding: Hardcover
  • 256 pages

From Publishers Weekly
When a hospital employee whose hospital-supplied insurance doesn't cover her hospital-incurred bill finds her wages garnished, where's a political satirist to go for material? Feisty, fearlessly progressive Ehrenreich offers laughter on the way to tears in 62 previously published essays that show the rich getting richer and poor getting poorer. She investigates pockets of poverty among undocumented workers, military families and recent college graduates. Ehrenreich's reach is capacious, encompassing not only unemployment, health insurance and inflation, but corporate spying, cancer studies, marriage education, the abstinence training business and Disney's Princess products. Her passion, compassion and wit keep these excursions lively and timely—even when yesterday's headlines provide the immediate provocation, e.g., JetBlue's snow snafu. The vignettes go down a bit like eating peanuts—too many at one time palls, but they're not unhealthy, unless you have an allergic reaction to Ehrenreich's message: America is being polarized between the superrich few and the subrich everyone else. Entertaining Ehrenreich certainly is, but she raises a hard, serious question: How many 'wake-up calls' do we need, people...? (May)
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From Booklist
Despite long national claims to being a classless society, the U.S. has a growing gulch between the haves and have-nots and what used to be the middle class. Ehrenreich, author of Nickel and Dimed (2001) and Bait and Switch (2005), catalogs the many ways that the rich are getting richer and the rest of us are getting poorer. The new top of the polarized social order has “pay in the tens of hundreds of millions, a private jet and a few acres of Nantucket,” and the new bottom is virtual slavery—captive domestics, sweatshop workers, and sex slaves exploited by their employers. She details the huge compensation gaps between CEOs and other management, top-ranked professors and adjunct professors, law firm partners and temp lawyers. In separate sections, Ehrenreich analyzes how wealthy individuals and corporations maintain the gap by engineering social, political, and economic policies that continue to disadvantage the middle class and poor, and our accommodation to it. Ehrenreich’s sharp analysis and engaging writing make the litany of misery enlightening, if not more bearable, reading. --Vanessa Bush

Review
"For those who truly do care about what America has to offer "the huddled masses...yearning to breathe free" in a post-9/11 world, This Land Is Their Land is essential [listening]. ---San Francisco Chronicle

Most helpful customer reviews

126 of 136 people found the following review helpful.
A Wake-Up Call for America
By Roy E. Perry
America is in big trouble, asserts Ehrenreich. Greed is in the saddle and rides roughshod over democratic principles. The rich are getting richer; the poor are getting poorer; a once-healthy middle class has become an endangered species.

Whether writing of "Chasms of Inequality," "Meanness on the Rise," "Strangling the Middle Class," "Hell Day at Work," "Declining Health," "Getting Sex Straight," or "False Gods," Ehrenreich pulls no punches, gives no quarter, takes no captives.

The most serious threats to a deep morality, argues Ehrenhreich, are not abortionists, stem cell researchers, or matrimonially minded gays, but those who wage an unnecessary war and ruthlessly oppress the poor.

George W. Bush, Dick Cheney, Condoleezza Rice, and Pat Robertson will hate this book. Many grossly overpaid corporate CEO's and HMO bigwigs won't care much for it either.

One need not be a devotee of Karl Marx's Das Kapital to perceive (unless one is willfully blind) the dark underside of capitalism, which thrives on the cynical creed: "Every man for himself and the devil take the hindmost!"

Is Ehrenreich's book agitprop or solid sociopolitical criticism? The reader's reaction will depend on his or her political stance. I believe This Land Is Their Land is right on point: a devastating critique of capitalism run amok. It's a wake-up call concerning the looting and fleecing of America.

If Ehrenreich sounds angry, outraged, and fighting mad, it's because she is. Hers is a righteous indignation against those who are destroying everything that moral and compassionate people hold dear.

Like an ancient prophet, she issues scathing indictments against plutocrats who trample on the poor. In her book one hears the thunderous voice of Amos: "Let justice roll on like a mighty river and righteousness like an everflowing stream."

An excerpt from the book: "How many 'wake-up calls' do we need, people--how many broken lives, drowned cities, depleted food pantries, people dead for lack of ordinary health care? We approach the end of the first decade of the twenty-first century in a bleak landscape cluttered with boarded-up homes and littered with broken dreams. . . . Why don't we dare say it? The looting of America has gone on too long, and the average American is too maxed out, overworked, and overspent to have anything left to take. We'll need a new deal, a new distribution of power and wealth, if we want to restore the beautiful idea that was 'America.'"

57 of 62 people found the following review helpful.
Depressing, but a must read book
By Lesa Holstine
When I told my husband that Barbara Ehrenreich's This Land is Their Land was a depressing book, he said that's because it's true. He told me not to read reality-based books if it's going to depress me.

Barbara Ehrenreich is the bestselling author of Nickel and Dimed, and Bait and Switch. She can call this book satirical commentary, but it's sad that her points about our government, our health care system, and our work force are actually right on target. Early on, she says that we've changed from a country where we felt we were all in it together, to one where the philosophy is closer to "I've got mine." She actually says, "Let the environment decay, the infrastructure crumble, the public hospitals close, the schools get by on bake sales, the workers drop from exhaustion - who cares?" We're now a nation of the haves and the have-nots, and more and more of us are becoming have-nots.

Ehrenreich points out that people are out of work, losing their homes, losing their health care, and no one is speaking up. Why aren't people complaining? We're letting our government and our businesses, such as Wal-Mart, control the country. And, they do a very good job of distracting us from the bad conditions in this country by pointing us in the direction of side issues, such as gay marriage and pro-life and pro-choice disagreements. She isn't the first one to say that illegal immigration is the latest distraction. "But it wasn't a Mexican who took away your pension or sold you on a dodgy mortgage." We're afraid for our jobs. We're afraid to lose our houses and our health care. It's not the first time in our country's history that a minority group has been selected as a scapegoat to distract us from the actual social conditions in this country.

The dictionary defines satire as "The use of irony, sarcasm, ridicule, or the like, in exposing, denouncing, or deriding vice, folly, etc." Barbara Ehrenreich successfully uses sarcasm to do all of those things. She exposes the vices, follies and deceit behind our business practices, our health care practices, and our employment. She does a wonderful job in ridiculing our fascination with business success books, when the only people getting rich are the authors of those trite books. We could all take lessons from This Land is Their Land in denouncing the wrongs in this country.

I hope that Barbara Ehrenreich's This Land is Their Land is as successful as Nickel and Dimed. It's another important book, by a very important author. This book needs to be read, and discussed. Most of all, we need to take some action to change ourselves, and our country, before it's too late.

19 of 20 people found the following review helpful.
Sad But True
By Rae
Barbara Ehrenreich uses sarcasm, anecdotes and humor to discuss the current major problems facing average Americans: The rich getting richer at the expense of the middle and lower classes; corporate greed and how it has created the loss of good paying jobs while making life hell for those still working; the lack of adequate health care for millions; and the way our government uses fear to distract us from these basic quality of life issues.

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Selasa, 28 Oktober 2014

* Free PDF The Witch's Guide to Cooking with Children, by Keith McGowan

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The Witch's Guide to Cooking with Children, by Keith McGowan

I love children. Eating them, that is. So begins this laugh-out-loud adventure in which a misunderstood genius brother and a tricky younger sister--Sol and Connie--go up against a brilliant witch who dines on children--sometimes with candles lit and fine wine, other times snacking from a plate in the glow of primetime TV. Called "funny and subversive" by USA Today and "a literary treat" by The New Yorker, this story blends humor and adventure, adds sibling arguments while mixing well, seasons with riddles, and goes down in a single, surprising gulp. Afterward, for dessert, READ THE CONTINUING ADVENTURES OF SOL AND CONNIE, The Witch's Curse.

  • Sales Rank: #2317766 in Books
  • Brand: Henry Holt and Co
  • Model: FBA-|306137
  • Published on: 2009-09-01
  • Released on: 2009-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.79" h x .75" w x 5.55" l, .66 pounds
  • Binding: Hardcover
  • 192 pages

From School Library Journal
Grade 5–8—A modernized version of Hansel and Gretel, with a few creepy, cannibalistic references. Sol, 11, and Connie, 8, move to Schoneberg with the man they believe is their father (he is their father's twin) and their stepmother. The children soon discover that the neighbor's pet dog has a habit of digging up human bones, and that "Dad" has a great motive for wanting them gone. The story alternates between the siblings' dawning understanding that nothing in the town is as it seems and the journal of their neighbor, a witch, in which she reminisces fondly about her past meals, including a Silence of the Lambs moment in which she enjoys one child "cooked with capsicum and washed down with a fine mead." Highly stylized illustrations do much to enhance the story. Readers of Dan Greenburg's "Secrets of Dripping Fang" series (Harcourt) may enjoy this tale. Readers of Donna Jo Napoli's The Magic Circle (Puffin, 1995), a more psychological Hansel and Gretel variant told from the witch's point of view, will find this is a very different retelling.—Kathleen Meulen Ellison, Sakai Intermediate School, Bainbridge Island, WA END

Review
"This book, one of this year's Texas Bluebonnet Award selections, retells Hansel and Gretel with a sly, dark Lemony Snicket twist." --Gift Guide, Dallas News

“Fans of Lemony Snicket's best-selling A Series of Unfortunate Events should love Keith McGowan's beguiling debut, a modern version of the Grimm Brothers' chilling tale of Hansel and Gretel.” ―USA Today

“A semisweet literary treat for the kiddies . . . Keith McGowan's re-telling of Hansel and Gretel's misadventures, "The Witch's Guide to Cooking with Children," retains the disturbing vibe of the original, but spices it up with some seriously cerebral humor that will delight and challenge the inquisitive youngster.” ―The New Yorker, "Book Bench" section

“Oooooh. That witch from Hansel and Gretel is back and she very well may be living right…next…door. In a conspiracy of lunacy, a whole town seems to be in cahoots with chaos to get those two little urchins to succumb to being the entree on the witch's table. This updated book is still deliciously naughty.” ―Kiwi magazine

“McGowan makes a strong debut. . . Shades of Roald Dahl and Lemony Snicket hover over McGowan's tale, but up-to-date touches . . . make it especially accessible and appealing for thrill-seeking readers.” ―Publishers Weekly

“Evoking Roald Dahl's The Witches, McGowan's edgy debut novel incorporates magic, clever references to the original tale, a cast of diverse characters, and Snicket-esque narration. The witch's interspersed journal entries, including the opening chapter, ‘How to Cook and Eat Children: A Cautionary Tale by the Witch Fay Holaderry,' breezily, and ominously, set the book's dark tone. Periodic shadowy illustrations add unsettling eeriness to this open-ended story that will likely draw fans of shivery, suspenseful mysteries.” ―Booklist

“Readers know what's in store for Sol and Connie right from the riveting opening line. . . . Tanaka's occasional full-page views of grim, heavy-lidded figures add a suitably gothic tone. Yum.” ―Kirkus Reviews

“McGowan's modern retelling of the Hansel and Gretel plot is nuanced, fascinating, and gratifyingly dark without being graphic or horrific.” ―The Bulletin of the Center for Children's Books

“A modernized version of Hansel and Gretel . . . Highly stylized illustrations . . . enhance the story.” ―School Library Journal

From the Author
KEITH MCGOWAN has worked most of his life as an educator. He helped run an elementary afterschool program, volunteered for a year as a teacher in Haiti, and tutored students who were unable to attend school full time. An avid traveler, Keith began writing The Witch's Guide to Cooking with Children, in Himachal Pradesh, India, staring at the Himalayan mountains, and continued working on it in Boston, New Orleans, Chicago, and Vienna, Austria, where he now lives with his wife. In 2010, he received the James Thurber Residency, offered to one children's book author each year in honor of American author and humorist James Thurber. The Witch's Guide to Cooking with Children was also named a 2010 ALA Notable Children's Recording.

Most helpful customer reviews

15 of 15 people found the following review helpful.
Cute and clever
By PCG
My 10 year old daughter and I both read this book. Being fans of Roald Dahl's "The Witches," we couldn't wait to find out what happens to the children in "The Witch's Guide to Cooking with Children." We weren't disappointed. The children must out-think the witch, who is appropriately nasty, deal with mean and rather dull parents, and use their personal strengths to escape from the witch's cauldron. I found the witch's diary entries hysterically funny, as did my daughter. This would be a fun book for an elementary-aged child to read.

9 of 10 people found the following review helpful.
an excellent book
By MetalheadMissy74
I read this all the way through and really enjoyed it. It has a certain Hansel and Gretel element to it. I was great about a brother and sister who try to figure out a mystery to their next door neighbor the fact she could be a witch. This story takes Sol and Connie the two main characters on many adventures mystery solving. You will be suprized as this book has lots of twists and curves in it. I enjoyed it and could read it a couple times over it's that good

11 of 14 people found the following review helpful.
good read for kids
By Amazon Customer
A friend gave me a copy of this book. I had it sitting on the table, where my son (9 years old) found it and read it cover to cover in one afternoon and evening; I picked it up and read it that night. I recommend it both as an engaging read for kids, and as an interesting rethinking -- with modern motives -- of a classic fairy tale.

The premise -- a modern update of Hansel and Gretel, is told both from the witch's point of view, and from the point of view of the two would be victims.

I found that the opening diary entries from the which drew me right in. They go over the witch's "favourite recipies", and also explain the reasons parents decided to get rid of their kids: for in this version of the story, the witch is a service provider to get rid of unwanted kids.

This portrayal of the witches motives -- in the "banality of evil" vein -- is perhaps the author's most interesting novelty in this retelling of the story. Although it might disappoint readers who are looking for a manichaean struggle between GOOD and EVIL in their fairy tales, both my son and I found this refreshing. It gives the an interesting calm to the book, and allows the author to develop the interplay between the two children and the counterpoint between them and the witch.

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Minggu, 26 Oktober 2014

~ PDF Download Oso polar, oso polar, ¿quĂ© es ese ruido? (Brown Bear and Friends) (Spanish Edition), by Bill Martin

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Oso polar, oso polar, ¿quĂ© es ese ruido? (Brown Bear and Friends) (Spanish Edition), by Bill Martin

Polar Bear, Polar Bear, What Do You Hear? is the companion book to the classic Brown Bear, Brown Bear, What Do You See? Bill Martin's simple, rhythmic text invites young listeners to chant along with the sounds of the animals in the zoo, from braying zebras to trumpeting elephants. Eric Carle's vibrant and imaginative illustrations are the perfect match for the playful text, keeping children enthralled reading after reading.

This new Spanish translation brings Bill Martin and Eric Carle's book to a whole new audience. Spanish-speaking and bilingual children will now be able to share the joy and magic of the delightful Polar Bear and his friends at the zoo.

  • Sales Rank: #162312 in Books
  • Brand: Henry Holt and Co
  • Model: MM-9780805069020
  • Published on: 2002-09-01
  • Released on: 2002-09-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 7.07" h x .65" w x 4.91" l, 1.00 pounds
  • Binding: Hardcover
  • 28 pages

Review

“Teachers will smile with delight when they see this wonderful book, and students are sure to utter the familiar request, 'Have you got another one like this one?'” ―School Library Journal, starred review

“Carle's characteristically inventive, jewel-toned artwork forms a seamless succession of images that fairly leap off the pages, and educator Martin, ever tuned in to what children like best, has assembled a thoroughly rowdy menagerie.... A visually and aurally splashy work, this is a splendid successor to Brown Bear , one that no fan of that popular bruin will want to be without.” ―Publishers Weekly

Language Notes
Text: Spanish (translation)
Original Language: English

About the Author

Bill Martin, Jr. (1916-2004) was an elementary-school principal, teacher, writer, and poet. His more than 300 books, among them the bestselling classics Brown Bear, Brown Bear, What Do You See?; Polar Bear, Polar Bear, What Do You Hear?; Panda Bear, Panda Bear, What Do You See?; and Chicka Chicka Boom Boom, are a testament to his ability to speak directly to children. Martin held a doctoral degree in early childhood education. Born in Kansas, he worked as an elementary-school principal in Chicago before moving to New York City, where he worked in publishing developing innovative reading programs for schools. After several years, he devoted himself full-time to writing his children's books. He lived in New York until 1993, when he moved to Texas. He lived in the east Texas woods, near the town of Commerce, until he passed away in 2004.

Eric Carle is one of America's leading children's book illustrators. In addition to the classic children's books he created with Bill Martin, Jr., he is author and illustrator of The Very Hungry Caterpillar.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Fun book about animal sounds
By Midwestern Mom
We have five Eric Carle books (some English some Spanish) and this is my 18-mo-old's favorite. I think he likes the repetition and rhythm. He brings it to me all the time. The illustrations are simple, colorful and inviting.

From book:

"Oso polar, oso polar, que es ese ruido?

Es un leon que ruge en mi oido.

Leon, leon, que es ese ruido?

Es un hipopotamo que resopla en mi oido.

Hipopotamo, hipopotamo, que es ese ruido?..."

2 of 2 people found the following review helpful.
One of few English-language books that translates well into Spanish
By Tiffany de Berry
The simple rhymes of this classic book lend themselves well to translation (unlike, say, Goodnight Moon, whose rhymes are central to its greatness and unequalled in translation).

The animal sounds lose very little of their poetry in the translated version and the only complaint I have is the repetition of gruñir to represent both the growling of the polar bear and the snarling of the leopard (though I can't imagine what verb could have been substituted).

1 of 1 people found the following review helpful.
Good use of repetition for early readers
By E. WIe
This book was well translated. The story still rhymes in the Spanish version and the use of repetition is good for young children as they start to learn to read. The classic Eric Carle illustrations are vibrant and colorful. We read this book often as we work on teaching our children reading and Spanish.

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Sabtu, 25 Oktober 2014

* PDF Download Devil's Game: How the United States Helped Unleash Fundamentalist Islam (American Empire Project), by Robert Dreyfuss

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Devil's Game: How the United States Helped Unleash Fundamentalist Islam (American Empire Project), by Robert Dreyfuss

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Devil's Game: How the United States Helped Unleash Fundamentalist Islam (American Empire Project), by Robert Dreyfuss

"The most clear and engaging history of the deadly, historic partnership between Western powers and political Islam."―Salon.com

Devil's Game is the first comprehensive account of America's misguided efforts, stretching across decades, to dominate the strategically vital Middle East by courting and cultivating Islamic fundamentalism.

Drawing on extensive archival research and interviews with dozens of policy makers and CIA, Pentagon, and foreign service officials, Robert Dreyfuss follows the trail of American collusion from support for the Muslim Brotherhood in 1950s Egypt, to links with Khomeini and Afghani jihadists, to longstanding ties between radical Islamists and the leading banks of the West. The result is as tragic as it is paradoxical: originally deployed as pawns to foil nationalism and communism, extremist mullahs and ayatollahs now dominate the landscape, thundering against freedom of thought, science, women's rights, secularism―and their former patron.
Chronicling a history of double-dealing, cynical exploitation, and humiliating embarrassment that continues to this day, Devil's Game reveals a pattern that, far from furthering democracy or security, ensures a future of blunders and blowback.

  • Sales Rank: #639696 in Books
  • Brand: Dreyfuss, Robert
  • Published on: 2006-10-03
  • Released on: 2006-10-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .89" w x 5.50" l, 1.20 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. One of the CIA's first great moments of institutional reflection occurred in 1953, after American covert operatives helped overthrow Iran's left-leaning government and restored the Shah to power. The agency, then only six years old, had funded ayatollahs, mobilized the religious right and engineered a sophisticated propaganda campaign to successfully further its aims, and it wanted to know how it could reapply such tradecraft elsewhere, so it commissioned an internal report. Half a century later, the most prescient line from that report is one of caution, not optimism. "Possibilities of blowback against the United States should always be in the back of the minds of all CIA officers," the document warned. Since this first known use of the term "blowback," countless journalists and scholars have chronicled the greatest blowback of all: how the staggering quantities of aid that America provided to anti-Marxist Islamic extremists during the Cold War inadvertently positioned those very same extremists to become America's next great enemy. (Indeed, Iran's religious leaders were among the first to turn against the United States.) Dreyfuss's volume reaches farther and deeper into the subject than most. He convincingly situates America's attempt to build an Islamic bulwark against Soviet expansion into Britain's history of imperialism in the region. And where other authors restrict their focus to the Afghan mujahideen, Dreyfuss details a history of American support—sometimes conducted with startling blindness, sometimes, tacitly through proxies—for Islamic radicals in Egypt, Israel, Saudi Arabia and Syria. At times, the assistance occurred openly through the American private sector, as Dreyfuss describes in a fascinating digression on Islamic banking. But ultimately, too few government officials were paying attention to the growth and dangers of political Islam. A CIA officer summarizes Dreyfuss's case when he says, "We saw it all in a short-term perspective"—the long-term consequences are what we're facing now. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In an effort to thwart the spread of communism, the U.S. has supported--even organized and funded--Islamic fundamentalist groups, a policy that has come back to haunt post-cold war geopolitics. Drawing on archival sources and interviews with policymakers and foreign-service officials, Dreyfuss traces this ultimately misguided approach from support for the Muslim Brotherhood in Egypt in the 1950s, the Ayatollah Khomeini in Iran, the ultraorthodox Wahhabism in Saudi Arabia, and Hamas and Hezbollah to jihads in Afghanistan and Osama bin Laden. Fearful of the appeal of communism, the U.S. saw the rise of a religious Right as a counterbalance. Despite the 9/11 terrorist attacks and the declared U.S. war on terrorism in Iraq, Dreyfuss notes continued U.S. support for Iraq's Islamic Right. He cites parallels between the cultural forces that have promoted the religious Right in the U.S and the Middle East and notes that support from wealthy donors, the emergence of powerful figures, and politically convenient alliances have contributed to Middle Eastern hostilities toward the U.S. A well-researched and insightful book. Vanessa Bush
Copyright © American Library Association. All rights reserved

Review

“Eye-opening, original, and important.” ―Chalmers Johnson, author of The Sorrows of Empire

“Crisp, lively . . . Provides a concise and readable account of the evolution of America's partnerships with radical Islamic groups and regimes.” ―The American Conservative

Most helpful customer reviews

75 of 84 people found the following review helpful.
Blowback
By Gianmarco Manzione
Anyone interested in learning about the true dynamics behind Hamas's reportedly "shocking" victory in recent Palestinian elections may want to pursue this book's many stirring revelations about Hamas's roots. Dreyfuss reports that Israeli intelligence--particularly the Mossad--not only endorsed but participated in the creation and development of Hamas as an organization that could be used to defeat the PLO. "In the early 1980s", Dreyfuss writes, "Israel supported the Islamists on several fronts. It was, of course, supporting the Gaza and West Bank Islamists that, in 1987, would found Hamas . . . They were trying to defeat Arab nationalism with Muslim zealots." Hamas's recent electoral victory was hardly the surprise that mainstream media reported it to be. In reality, it was a rather predictable response to a gradual increase in support for Hamas over recent years inspired by the marginalization of Arafat and the PLO by Bush and Sharon (conspicuously absent from Dreyfuss's analysis, however, is that corruption within the Fatah party also contributed to Hamas's surge in popularity). As Dreyfuss's book documents, "in 1996, only 15 percent of Palestinians backed the Islamists", but, by 2002, that support had risen to 42 percent.

Contrary to what some may think, "Devil's Game" helps readers understand that Islamic fundamentalists are adamantly opposed to Arab nationalist movements such as Arafat's PLO on religious grounds. This includes opposition to the creation of a Palestinian state, a concept of far less importance to Islamists than their agenda of "first Islamizing Palestine and the Arab world." Admittedly, one cannot help but wonder whether Dreyfuss shoots himself in the foot here, given that a major contention of his introduction is that peace between Palestinians and Israelis would end much of the current strife between east and west. Dreyfuss's analysis opens the door to another possibility--though apparently without the author's comprehension: perhaps Islamist assertions that tensions between Israel and Palestinians motivates their campaign of terror is actually a front designed to perpetuate their fundamentalist indoctrination of the region. The PLO's association with movements to "modernize" the Arab world by allowing for a comparatively more secular society provoked the bitter and vengeful disdain of Islamists. While the PLO sought to "secularize" The Islamic University in Gaza, for example, the Muslim Brotherhood from which Hamas emerged fought violently to "preserve its Islamist character".

Reading Dreyfuss's book within the context of Hamas's recent triumph further enhances the allure of this absorbing read. It becomes especially amusing, for instance, to listen to Israeli officials denounce Hamas as a terrorist organization in the wake of their recent democratic victory--as if they didn't know what Hamas was back when they found it convenient to shake hands with them. Israeli officials continue to brilliantly manipulate Islamists to their advantage, as evidenced by Sharon's strategically-timed visit to the Haram al-Sharif/Temple Mount in 2000 just when a "comprehensive deal" was about to be achieved between Barak, Arafat and Clinton. The temple visit was calculated to destroy these negotiations by inciting Islamists into violence, and it worked with stunning and terrifying success.

The CIA translated the Islamists' violent resistance to nationalism in the Arab world as vehement anti-communism that could be used to stave off the USSR's influence in the region. The U.S. routinely supported Islamist movements from the early stages of the Cold War era on into much more recent years, forging relationships with any fundamentalist group or leader that American intelligence viewed as a tool against communism, despite knowledge of their involvement in terrorism or human rights abuses. The cataclysmic flaw in this policy became especially apparent after the U.S. left Afghan freedom fighters out to dry when the USSR withdrew from battle there. An entire force of CIA-trained Jihadists was abandoned without any regard for where they would invest their acquired skills, leaving a wasteland of warlords to reign over an Afghanistan that would soon give birth to the Taliban and bin-Laden's Al-Qaeda organization, which absorbed much of the suddenly unemployed freedom fighters into a militantly anti-western army whose influence spread across many nations. "We knew exactly who these people were, and what their organizations were like, and we didn't care" says a Rand corporation expert on political Islam. While Dreyfuss's notably balanced investigation into this topic tends not to explicitly link 9/11 to the history of American policy in the mid-east, it is fairly difficult for the reasonable reader to conclude otherwise. Even Dreyfuss cannot help but indulge in the ominous observation that the consequences of this environment "would become painfully obvious on September 11, 2001." Such a conclusion is consistent with the kind of "blowback" which, as Dreyfuss's narrative suggests, was an inevitable consequence of American ignorance, avarice, arrogance and fear.

While Dreyfuss consistently characterizes America's approach to fundamental Islamist movements as a naive policy based on an ignorant underestimation of the fundamentalist movement, the boundless strategic and corporate advantage behind Western and Israeli support for Islamic fundamentalism over the past 60 years suggests that they knew exactly what they were doing and simply did not care about possible consequences. It may not be a matter of ignorance, but rather a matter of willful near-sightedness without any regard for future implications of current policies. Such "near-sightedness" appears to have been motivated in no small part by an American Cold War strategy that favored the interests of international corporations in the Arab world, including funds for the dissemination of Islamist propaganda and visits to Eisenhower's Oval Office by Muslim fundamentalist organizer and likely U.S. intelligence agent Said Ramadan, provided by such companies as Aramco, Exxon, Mobil, Texaco, U.S. Airlines, Pan Am, TWA and Chevron. You do the math.

Two perfect--if not essential--companion pieces to Dreyfuss's excellent book are Chalmers Johnson's "Blowback" and "the Sorrows of Empire", which further explore the motives behind American exploits in the mid-east while documenting their tragic ramifications for global stability.

27 of 32 people found the following review helpful.
Thought-Provoking!
By Loyd Eskildson
Devil's Game" is an account of our efforts over six decades to cultivate the Islamic right in an effort to dominate the Middle East. Dreyfuss contends that this is greatly to blame for the emergence of Islamist terrorism in the 1990s.

In the 1950s, the enemy was not only Moscow, but also Third World emerging nationalists in Egypt and Iran. Thus, the CIA tried to overthrow Nassar, despite his immense popularity, because of his independence vs. the Cold War, and worked with the Muslim Brotherhood - a member even tried to assassinate Nassar. Meanwhile, in Iran the CIA got the most political ayatollahs to support an overthrow of the elected government (it had nationalized oil assets) and restore the Shah (the U.S. got 40% of oil rights in return); what was not recognized at the time was the key importance of a young ayatollah involved - Khomeini's mentor, as well as Khomeini himself. In the '60s Arab socialism spread from Egypt to Algeria, Syria, Iraq, and Palestine. To counteract this seeming threat the U.S. joined with Saudi Arabia to export its Wahhabi religious right and Muslim Brotherhood factions. Even after the Iranian revolution of '79, the U.S. failed to recognize that Islamism was a dangerous force.

Carter's inauguration alarmed the Shah and encouraged Iranian opposition groups - both due to U.S. pressures and memories of Kennedy's earlier thoughts of replacing the Shah with a less authoritarian regime. Sensing blood the clergy began to mobilize the wealthy landed population against land reform, the Shah was overthrown, and soon we were in the midst of the 444-day hostage crisis.

Dreyfuss's most stunning account, however, involves the CIA's assistance to Afghan rebels PRIOR to the Soviet's invasion, and that it was INTENDED to provoke that reaction. Then, to help insure that the Soviet military was then bled to death, the CIA helped train insurgents, sent billions to Pakistan for allocation to insurgents, and even allowed recruiting within the U.S. The Afghanistan insurgency also led to the development of strong funding from private sources within Saudi Arabia, as well as the government's matching U.S. support. Regan's CIA Director Casey then got Saudi Arabia to increase oil production, driving prices down from $28/barrel to $10 - effectively shutting off Russia's source of foreign currency. Finally, Casey pushed the Saudi-Pakistan alliance to launch propaganda, sabotage, and guerilla activity into the Soviet Union's Muslim republics (a dangerous tactic, to say the least - could have led to retaliation against Pakistan). During the multi-year war, another long-term result was that most Afghan moderate leaders were killed.

Dreyfuss concludes that only by rapidly withdrawing from Iraq and Afghanistan, reducing our reliance on the Gulf, and reversing U.S. support for Israel can the U.S. undercut the resentment and hatred fueling Islamism.

11 of 12 people found the following review helpful.
Shows that playing with fire is not a good idea
By William Podmore
Robert Dreyfuss, an American journalist who covers national security for Rolling Stone magazine, has written a splendid book, part of the very useful American Empire Project. He shows how the US state has followed the British Empire's example of funding and backing right-wing fundamentalist Islamic activist groups to defeat Arab nationalism.

From 1885 on, the British state fostered a pan-Islamic alliance against Russia and the Ottoman Empire. It also backed Ibn Saud, leading to the creation of Saudi Arabia, the Hashemites, who became kings of Iraq and Transjordan, the Muslim Brotherhood, an Islamic fundamentalist party, and Haj Amin, the mufti of Jerusalem.

After World War Two, the US state took over Britain's role. In the 1950s it used the Muslim Brotherhood against President Nasser of Egypt and Prime Minister Mossadegh of Iran. From 1957 on, it allied with Saudi Arabia, whose money funded Islamist banks and madrassas across the world. In the 1970s, the US state used fundamentalists in Jordan and Israel against Syria and the PLO. From 1973 on, it funded the mujehadin in Afghanistan, including Osama bin Laden.

Dreyfuss shows that Al Qa'ida is not an existential threat to the USA. It has no access to weapons of mass destruction and since 9/11 it has not fired a shot in the USA. Bush inflated the threat from Al Qa'ida to create a pretext for US expansion into the Middle East and Central Asia. Dreyfuss argues that the US state could have destroyed Al Qa'ida without attacking Afghanistan and Iraq. He maintains that the war on terror was the wrong response to 9/11. It has not led to democracy or security but to tyranny, war and reaction.

The US state is now supporting Iraq's Islamists and still backs the feudal autocracy of Saudi Arabia. As usual, it is backing the worst people in every country, and the worst people back it. Instead, we need to back a Palestinian state and get the USA to withdraw its military presence from the Middle East.

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Jumat, 24 Oktober 2014

> PDF Download An Army at Dawn: The War in North Africa, 1942-1943, Volume One of the Liberation Trilogy, by Rick Atkinson

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An Army at Dawn: The War in North Africa, 1942-1943, Volume One of the Liberation Trilogy, by Rick Atkinson

An Army at Dawn: The War in North Africa, 1942-1943, Volume One of the Liberation Trilogy, by Rick Atkinson



An Army at Dawn: The War in North Africa, 1942-1943, Volume One of the Liberation Trilogy, by Rick Atkinson

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An Army at Dawn: The War in North Africa, 1942-1943, Volume One of the Liberation Trilogy, by Rick Atkinson

WINNER OF THE PULITZER PRIZE AND NEW YORK TIMES BESTSELLER

"A splendid book... The emphasis throughout is on the human drama of men at war."―The Washington Post Book World

The liberation of Europe and the destruction of the Third Reich is an epic story of courage and calamity, of miscalculation and enduring triumph. In this first volume of the Liberation Trilogy, Rick Atkinson shows why no modern reader can understand the ultimate victory of the Allied powers without a grasp of the great drama that unfolded in North Africa in 1942 and 1943.

Opening with the daring amphibious invasion in November 1942, An Army at Dawn follows the American and British armies as they fight the French in Morocco and Algiers, and then take on the Germans and Italians in Tunisia. Battle by battle, an inexperienced and sometimes poorly led army gradually becomes a superb fighting force. At the center of the tale are the extraordinary but flawed commanders who come to dominate the battlefield: Eisenhower, Patton, Bradley, Montgomery, and Rommel.

Brilliantly researched, rich with new material and vivid insights, Atkinson's vivid narrative tells the deeply human story of a monumental battle for the future of civilization.

  • Sales Rank: #34423 in Books
  • Brand: Atkinson, Rick
  • Published on: 2007-05-15
  • Released on: 2007-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x 1.31" w x 5.56" l, 1.31 pounds
  • Binding: Paperback
  • 736 pages

Amazon.com Review
In An Army at Dawn,, a comprehensive look at the 1942-1943 Allied invasion of North Africa, author Rick Atkinson posits that the campaign was, along with the battles of Stalingrad and Midway, where the "Axis ... forever lost the initiative" and the "fable of 3rd Reich invincibility was dissolved." Additionally, it forestalled a premature and potentially disastrous cross-channel invasion of France and served as a grueling "testing ground" for an as-yet inexperienced American army. Lastly, by relegating Great Britain to what Atkinson calls the status of "junior partner" in the war effort, North Africa marked the beginning of American geopolitical hegemony. Although his prose is occasionally overwrought, Atkinson's account is a superior one, an agile, well-informed mix of informed strategic overview and intimate battlefield-and-barracks anecdotes. (Tobacco-starved soldiers took to smoking cigarettes made of toilet paper and eucalyptus leaves.) Especially interesting are Atkinson's straightforward accounts of the many "feuds, tiffs and spats" among British and American commanders, politicians, and strategists and his honest assessments of their--and their soldiers'--performance and behavior, for better and for worse. This is an engrossing, extremely accessible account of a grim and too-often overlooked military campaign. --H. O'Billovich

From Publishers Weekly
Atkinson won a Pulitzer Prize during his time as a journalist and editor at the Washington Post and is the author of The Long Gray Line: The American Journey of West Point's Class of 1966 and of Crusade: The Untold Story of the Persian Gulf War. In contrast to Crusade's illustrations of technomastery, this book depicts the U.S. Army's introduction to modern war. The Tunisian campaign, Atkinson shows, was undertaken by an American army lacking in training and experience alongside a British army whose primary experience had been of defeat. Green units panicked, abandoning wounded and weapons. Clashes between and within the Allies seemed at times to overshadow the battles with the Axis. Atkinson's most telling example is the relationship of II Corps commander George Patton and his subordinate, 1st Armored Division's Orlando Ward. The latter was a decent person and capable enough commander, but he lacked the final spark of ruthlessness that takes a division forward in the face of heavy casualties and high obstacles. With Dwight Eisenhower's approval, Patton fired him. The result was what Josef Goebbels called a "second Stalingrad"; after Tunisia, the tide of war rolled one way: toward Berlin. Atkinson's visceral sympathies lie with Ward; his subtext from earlier books remains unaltered: in war, they send for the hard men. Despite diction that occasionally lapses into the melodramatic, general readers and specialists alike will find worthwhile fare in this intellectually convincing and emotionally compelling narrative.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
A former staff writer and editor for the Washington Post, Atkinson (The Long Gray Line) here offers the initial volume in a trilogy concerning the liberation of Europe during World War II. The invasion of North Africa was the first joint military operation conducted by the Allies, and it influenced many future decisions. Using battlefield reports and archival material, Atkinson tells a fascinating story of the North African campaign that is hard to stop reading, even though one knows the outcome. He includes the perfect combination of biographical information and tactical considerations, and eyewitness accounts give readers an idea of what the average soldier must have endured. Similar in scope to Stephen Ambrose's Citizen Soldiers or Cornelius Ryan's The Longest Day, this book will have wide appeal for both public and academic libraries. Mark Ellis, Albany State Univ. Lib., GA
Copyright 2002 Cahners Business Information, Inc.

Most helpful customer reviews

238 of 247 people found the following review helpful.
Brilliant, compulsively readable, and well balanced
By David J. Loftus
I read the first two pages of the prologue to this hefty volume and I was HOOKED! Mr. Atkinson writes beautifully, sensitively, and fairly about this huge, complex historical era.
The first of a projected three volumes about the U.S. role in the World War II liberation of Europe, _An Army at Dawn_ deals with the North Africa campaign, which many general readers have tended to neglect in favor of Italy, Normandy, and beyond. Atkinson admirably addresses this problem.
Somehow, the author has found just the right mix of detail -- from personal notes out of soldiers' diaries and letters home, to the reparations paid to Algerians for traffic fatalities caused by Allies -- versus big picture aspects, from the British and American political maneuverings at Casablanca to the larger troop movements and battle strategy. I got a kick out of the references to GI passwords in various battles, jokes and ditties (although it's not clear whether Atkinson realizes the couplet quoted on p. 526 is from Spike Jones's wartime hit, "Der Fuehrer's Face"), as well as the graver tales of of triumph and tragedy.
Don't let the size of this tome intimidate you (541 pages of text, 83 pages of notes, 28 pages of bibliographical source listings) -- because the book reads smoothly and compulsively. And there are plenty of excellent maps sprinkled throughout the book, at just the right places.
The author does not spare us the details of Allied political and personal squabbles (particularly British condescension toward American battleworthiness and courage -- not altogether undeserved, but not fair, either), absurdities, and atrocities.
Hard core historians may quibble with some of Atkinson's judgments, or even his facts, but I can't imagine anyone writing a more excellent account for the general reader. General Fredendall is said to be "unencumbered by charisma." With excellent intelligence, Ike's team decided there would be no German offensive on the eve of Kasserine Pass, which was "measured, reasonable, and wrong."
Don't take my word for it: Read those first two pages, and I guarantee you'll want to read this book (and await the other two volumes breathlessly) too.

100 of 105 people found the following review helpful.
An Excellent account of the War in North Africa
By David W. Nicholas
Rick Atkinson has been writing military history for about a decade now. He started with books on West Point (which covered Viet Nam rather thoroughly) and the Gulf War, and now he's turned his sights on World War II. He definitely has a modern appraisal of war: the one previous reviewer who complains about Atkinson not recounting any acts of "selfless heroism" by U.S. troops is basically correct. The difference is in focus, though, not that Atkinson doesn't want to portray American soldiers as brave. He doesn't recount any instances of selfless heroism on the part of Germans, Italians, or British soldiers either. To Atkinson, war is a nasty, merciless, vicious, bloody mess, where mistakes cost lives, and almost everyone makes these mistakes, at least starting out.
For one thing, while the book does concentrate a good deal on the front-line soldiers and their ordeals, it spends more time concentrating on the command structure of the U.S. Army, and its compatriots and opponents. While he doesn't name *every* regimental commander, he sure names a lot of them, and the division commanders in the American army at least are described in some detail. Theodore Roosevelt, Jr., son of the first president Roosevelt and cousin of the second one, gets a wonderful portrait that makes you sympathize with him, and almost gives you the feeling you know him, though he died in 1944. The author's particular favorite among the generals (he's said this in an interview) is Terry de la Mesa Allen, the commander of the 1st Infantry Division (and Gen. Roosevelt's boss), but even he isn't spared when he makes an unwise attack and loses several hundred casualties.
There are things the book doesn't cover, that's true. It makes almost no mention of the technical difficulties American troops had when first confronting the Axis armies, and almost no mention of the inferiority of early equipment like the Stuart tank or early tank destroyers. When later equipment arrives (the M-10 Wolverine for instance) you only know it when the American army has some destroyed. Atkinson, however, is much more interested in the people, and especially the leaders, than he is in the gizmos.
I thoroughly enjoyed this book. It's not that long (less than 600 pages of text) and the narrative flows wonderfully. There are numerous anecdotes that are priceless: Italian soldiers surrendering carrying dirty pictures in their pockets along with the address of a cousin who lives in Detroit or Brooklyn, Patton complaining at Casablanca that the president's Secret Service agents all smelled of liquor, Ernest Harmon (the second commander of the 1st Armored Division in the campaign) is described as a cobra without the snake charmer. The narrative flow is wonderful, the maps illustrate the action well. The only quibble I did have was wondering which actions involving the British Army he was choosing to include, or exclude. Never could tell what his criteria was. That aside, and the note about the author not wanting to emphasize heroism, this is an extraordinary and compelling book, perhaps the best on World War II in a decade, perhaps even longer.

155 of 167 people found the following review helpful.
A Brilliant Synthesis
By Bruce Loveitt
This book will be the definitive work, from the American point of view, on the war in North Africa, covering the period when the United States got involved (November 1942) up until the German surrender in Tunisia (May 1943). Mr. Atkinson effectively sets the stage by showing the sorry state the U.S. military had fallen into prior to the decision to invade North Africa. He points out that in September 1939, when Germany invaded Poland, the U.S. Army had ranked seventeenth in the world in size and combat power, just behind Romania. When 136 German divisions conquered Western Europe in the Spring of 1940, our War Department reported that we could only field five divisions! Mr. Atkinson writes, "Equipment and weaponry were pathetic. Soldiers trained with drainpipes for antitank guns, stovepipes for mortar tubes, and brooms for rifles...Only six medium tanks had been built in 1939.....This in part reflected an enduring loyalty to the horse...The Army's cavalry chief assured Congress in 1941 that four well-spaced horsemen could charge half a mile across an open field to destroy an enemy machine-gun nest without sustaining a scratch." This sort of information helps you to appreciate what had to be overcome in order for us to play our part in the expulsion of the Axis forces from North Africa! Mr. Atkinson doesn't fail to show us what other problems had to be overcome...Eisenhower having to learn "on the job" how to be Supreme Commander; having to build and then hold together the Allied coalition...this was very difficult, as many top men in the British military had nothing but disdain for Eisenhower's abilities and also for the abilities of the American troops (and many of the top American brass, such as Eisenower, Bradley and Patton were Anglophobic, so it worked both ways!); the administrative and logistical nightmares....the actual amphibious landings, getting supplies to the troops, coordinating the actions of the British and American forces, etc.; plus the number one problem of building an effective fighting force, made up of officers who hadn't been in battle since WWI (and that was a type of battle that had little relevance in the current situation!) and green troops that had never experienced combat. So, as Mr. Atkinson states, North Africa was the place where U.S. forces (and their superiors) learned to integrate and coordinate their actions both with themselves and with their Allies; and on a more basic level, where we learned how to hate and kill the enemy. North Africa prepared us for what we had to do later on in Italy and, of course, after June 6th, 1944. Mr. Atkinson is very evenhanded in his account. He doesn't hesitate to point out the mistakes made by both the British and the Americans. Eisenhower, Patton, Montgomery, Alexander, etc. all come in for their share of criticism as well as being praised, when praise it due. One thing that really surprised me was the sheer level of backbiting that went on...the nasty comments made by the British about the Americans, and vice-versa. The author is also very good at pointing out the numerous strategic and tactical errors made on the various battlefields. Mistakes were made by not only the top brass, but also by people in charge at lower levels. Very basic errors were made....such as not sending out reconnaisance units, initiating tank attacks without proper artillery or air support, etc. Many brave men were sent to their deaths in useless and ill-conceived actions. Sometimes just the sheer confusion of the battlefield was responsible, or just plain error....planes bombing their own men or artillery falling short, etc. Another area where Mr. Atkinson excels is in the "thumbnail" sketch of the numerous personalities that are integral to the story. The writing is sharp, witty and, quite often, eloquent. Here are just a few sentences concerning General Patton: "More than a quarter-century had gone by since his first intoxicating taste of battle and fame, during the Punitive Expedition to Mexico in 1916, when he had briefly become a national hero for killing three banditos and strapping their bodies to his automobile running boards like game trophies.....At the age of fifty, upon reading J.F.C. Fuller's classic 'Generalship: It's Diseases and Their Cures,' Patton had wept bitterly because eighty-nine of the one hundred great commanders profiled were younger than he. Now, when he was fifty-six, his hour had come round." Mr. Atkinson is also very good at describing the nuts and bolts of the various battles. The descriptions are clear, vivid and exciting. Some readers with a strong interest in the military aspects may be a bit disappointed in the maps. They are few and, barely, adequate. But this is a minor quibble. A more serious criticism might be that there is very little here concerning the view from the German and Italian side. But I don't think such criticism would be fair, because Mr. Atkinson's intent was never to show the war in North Africa from all points of view. He wanted to show the difficulties involved in the U.S. becoming an effective fighting force, the animosity that had to be overcome so that the Americans and British could start to form an effective alliance and, lastly, to set the stage for volume II of his "Liberation Trilogy"- the Allied invasion of Italy in 1943. He has accomplished what he set out to do, and he has done so brilliantly.

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