Selasa, 29 Desember 2015

# Download Ebook American Road: The Story of an Epic Transcontinental Journey at the Dawn of the Motor Age, by Pete Davies

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American Road: The Story of an Epic Transcontinental Journey at the Dawn of the Motor Age, by Pete Davies

A fascinating account of the greatest road trip in American history.

On July 7, 1919, an extraordinary cavalcade of sixty-nine military motor vehicles set off from the White House on an epic journey. Their goal was California, and ahead of them lay 3,250 miles of dirt, mud, rock, and sand. Sixty-two days later they arrived in San Francisco, having averaged just five miles an hour. Known as the First Transcontinental Motor Train, this trip was an adventure, a circus, a public relations coup, and a war game all rolled into one. As road conditions worsened, it also became a daily battle of sweat and labor, of guts and determination.

American Road is the story of this incredible journey. Pete Davies takes us from east to west, bringing to life the men on the trip, their trials with uncooperative equipment and weather, and the punishing landscape they encountered. Ironically one of the participants was a young soldier named Dwight Eisenhower, who, four decades later, as President, launched the building of the interstate highway system. Davies also provides a colorful history of transcontinental car travel in this country, including the first cross-country trips and the building of the Lincoln Highway. This richly detailed book offers a slice of Americana, a piece of history unknown to many, and a celebration of our love affair with the road.

  • Sales Rank: #326920 in Books
  • Brand: Brand: Henry Holt and Co.
  • Published on: 2002-07-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.48" h x 1.06" w x 5.84" l,
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In his newest book, Davies (Inside the Hurricane; The Devil's Flu) offers a play-by-play account of the 1919 cross-country military caravan that doubled as a campaign for the Lincoln Highway (so named for the one Republican the corporate leaders of the day figured most Americans would embrace). The potential here is extraordinary. Using the progress of the caravan and the metaphor of paving toward the future versus stagnating in the mud, Davies touches on the industrial and social factors that developed the small and mid-sized towns that line the highways and byways of the nation. But instead of allowing the story of the caravan to anchor a series of more engaging essays on the people, politics and development of the lands it connects, the author insists on a day-to-day narrative of breakdowns, muddy roads and ice cream socials (the convoy left just days after Prohibition became law). Officers attend fancy dinners, enlisted men "dance with local girls," and the arrival of two miles' worth of dusty and cantankerous machinery is the greatest moment in every life in every town. Eisenhower, a future military legend and U.S. president, makes an early cameo as a young, frustrated officer who takes part in the convoy in the hopes of reinvigorating a stalled army career. Even this little twist fails to engage the reader, as Ike becomes yet another faceless character in a tale paced not unlike the caravan it chronicles slow.
Copyright 2002 Cahners Business Information, Inc.

From Booklist
In 1919, a military convoy of 81 vehicles set out to travel the Lincoln Highway--a line drawn on the map--from Washington, D.C., to San Francisco. Essentially a PR ploy to dramatize the need for good roads, the "First Transcontinental Motor Train" delivered. Trucks foundered in mud, crashed through wooden bridges, and got beaten to pieces on byways barely better than trails. Modern motorists will be surprised to learn just how bad things were back then, but the story behind the undertaking is equally interesting. Automobile and tire manufacturers, who stood to gain if newly car-crazy citizens had smooth roads to travel, managed to drive the government their way; the grueling journey captured the American imagination and spurred road building to a fervor. Davies' research is thorough and his writing able, though readers may get a bit dazed by the large cast of characters. But the author, who is British, seems swept up in the romance of automotive endeavor himself; some reflection on where all these good roads have taken us would have been a welcome addition. Keir Graff
Copyright © American Library Association. All rights reserved

Review
“Davies recounts these treacherous travels in a brisk and readable style . . . he has put history, sociology, politics, and human nature into well-tuned balance.” —The Boston Globe

“Thoroughly absorbing and often amusing . . . American Road is a fascinating social history of a vanished age and of America’s breathtakingly swift transformation into a mobilized society.” —Bill Bryson, A Book-of-the-Month Club Judge’s Selection

“A first-rate story.” —Richmond Times Dispatch

“A crackerjack book, a dandy slice of Americana . . . Davies has researched and written well. His anecdotes do not merely amuse, but also illustrate the points being made.” —Chicago Sun-Times

Most helpful customer reviews

0 of 0 people found the following review helpful.
I love Davies style of writing and straight forward presentation
By JR
I love Davies style of writing and straight forward presentation. I've read a number of his works and this one doesn't disappoint. You will probably most likely enjoy this if you are into the history aspect through a storied perspective.

6 of 6 people found the following review helpful.
Epic Journey
By Brian D. Rubendall
"The American Road" is a fascinating historical work that chronicles an event that was of monumental importance that has been most forgotten in the public consciousness. In the summer of 1919, a U.S. Army convoy left Washington, D.C., bound for San Francisco. Two months later it arrived at its destination having fought incredible obstacles and hardships along the way. In doing so, the convoy dramatically pointed out to a nation just emrging from the first World War and entering the automobile age the need for good roads.
Author Pete Davies does a decent job of resurrecting the memory of The First Transcontinental Motor Train. He describes the trip in detail and recounts the contribution of its most colorful participants, including a young lieutenant colonel named Dwight D. Eisenhower. The event was a spectacle all along the route, and even generated controversy between communities either included or left off the right of way. For most of the journey, the convoy followed the "Lincoln Highway," a privately funded project that was the first bicoastal road, but in 1919 in many places was actually little more than a line on the map.
As a work of history, "American Road" completes its mission well enough. Author Davies is a decent storyteller and he does a good job of setting the historical context and showing how the event was crucial to the development of America's national road system. The book's main drawback is that Davies chose to focus much of his attention on the relatively unintersting local political controversies along the route and not enough on the stories of individual soldiers in the convoy. Even the colorful "Ike" gets only a scant few pages of coverage in total. Also underutilized is the author's accounts of what the route looks like today, which are sprinkled in here and there without much rhyme or reason. On the plus side, the book contains a generous helping of photographs and a helpful route map on the inside covers.
Overall, a decent historical work that serves to rekindle the memory of the dawn of the American motor age.

3 of 3 people found the following review helpful.
Ike's Excellent Adventure
By Bruce Crocker
American Road by Pete Davies is the story of the first large group road trip ever taken in the United States. Between July and August 1919, the Army sent a truck convoy from Washington, D.C. to San Francisco along the then largely unpaved Lincoln Highway. Ike was there as a young officer. The truck and tire companies were there assuring good product placement. The Good Roads Movement was there. American citzens were cheering [and booing] and Congress was watching. This was the point in history where highways became a Federal concern. Try to imagine the United States without Route 66 or I-80 and you'll know why this period was a pivotal point in road trip history.
American Road is history woven around the travelogue format. As the truck convoy progresses across the country, we learn about the Army's switch to truck transport, the Good Roads Movement, the early history of the auto and tire industries, how the different states were handling their highways, about life in small American towns, and that Ike was a prankster among other things. Even though the transitions aren't always seemless, American Roads is a smooth and comfortable read.
I enjoyed American Roads a lot. My biggest complaint [and it's a small, whiny complaint] is that the book skips from McKeesport, Pennsylvania to Wilkinsburg, Pennsyvania and fails to mention the towns in between. I lived ON US 30 [the old Lincoln Highway] between 1976 and 1981 in Forest Hills, Pennsylvania and still have family there, and I wouldn't characterize the area as a place that has the "look of a place whose future has been and gone already." I remember the Lincoln statue in Wilkinsburg. I recommend this book to anyone interested in history, especially the history of US highways, and anyone who enjoys a good travelogue and a good road trip.

See all 33 customer reviews...

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Minggu, 27 Desember 2015

!! Download Ebook The Writer's Book of Hope: Getting from Frustration to Publication, by Ralph Keyes

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The Writer's Book of Hope: Getting from Frustration to Publication, by Ralph Keyes

In 1889, the editor of the San Francisco Examiner, having accepted an article from Rudyard Kipling, informed the author that he should not bother to submit any more. "This isn't a kindergarten for amateur writers," the editor wrote. "I'm sorry, Mr. Kipling, but you just don't know how to use the English language." A century later, John Grisham was turned down by sixteen agents before he found representation-and it was only after Hollywood showed an interest in The Firm that publishers began to take him seriously.

The anxiety of rejection is an inevitable part of any writer's development. In this book, Ralph Keyes turns his attention from the difficulty of putting pen to paper-the subject of his acclaimed The Courage to Write -to the frustration of getting the product to the public. Inspiration isn't nearly as important to the successful writer, he argues, as tenacity, and he offers concrete ways to manage the struggle to publish. Drawing on his long experience as a writer and teacher of writing, Keyes provides new insight into the mind-set of publishers, the value of an agent, and the importance of encouragement and hope to the act of authorial creation.

  • Sales Rank: #899045 in Books
  • Brand: Brand: Holt Paperbacks
  • Published on: 2003-10-01
  • Released on: 2003-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.50" l, .70 pounds
  • Binding: Paperback
  • 240 pages
Features
  • ISBN13: 9780805072358
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
To be clear: this is not a guide on how to write a book (Keyes covered that in his last volume, The Courage to Write). Rather, it's a tool for writers who have found their courage and now need hope: that their work is good, that it will be published despite the inevitable rejections, that readers will actually buy it. "Frustration is the natural habitat of writers at every level," writes Keyes, a trustee of the Antioch Writers' Workshop, and his goal here is to lead writers out of the darkness of despair and into the light of reassurance. Keyes offers useful advice on coping with "discouragers" (they "can be dispatched by understanding their motives and by putting them to work as goads"); "exorcising excuses" ("I have no talent"); and "rites of rejection." He introduces writers to the strange habits of the "publishing tribe" (they are, he says, slaves to the opinion of their peers), and offers many anecdotes from the experiences of A-list writers such as Ann Patchett and Tony Hillerman. Writers seeking reasons to hope should get a boost from this gently reassuring handbook.
Copyright 2003 Reed Business Information, Inc.

Review
“A perfect companion for every writer. Keyes gives you solid information you can put to use while he bolsters the faith you need to keep going.” ―Judith Appelbaum, author of How to Get Happily Published

About the Author

Ralph Keyes is the author of ten books and numerous articles for Newsweek, Harper's, GQ, and other publications. A writing teacher for over thirty years, Keyes is a trustee of the Antioch Writers' Workshop. He lives in Yellow Springs, Ohio.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Winnie
Perfect

16 of 16 people found the following review helpful.
Encouraging and Informative
By Ron Atkins
Keyes does a great job presenting the case for finding hope in the writing process. This book specifically discusses: dealing with anxiety, frustration and despair, overcoming the discouragers in your life, exorcising excuses for not writing and pursuing a career in writing, the rites of rejection, the nature of publishers and editors, and how to keep hope alive.

Years ago I had a basketball coach who taught "if you're not getting at least four fouls in a game, you're not playing defense." He didn't like fouls, but his point was, in the process of playing the game aggressively, fouls are going to happen. Fouls are not necessarily indicators of defeat, they are indicators of effort. Likewise, Keyes' approach to rejection is that all successful writers deal with rejection. In his book he provides numerous examples, including Nobel and Pulitzer prize winners, of authors who face rejection even after winning critical acclaim. Rejection is a fact of life, Keyes say, learn to deal with it. Easily stated, but it still hurts. According to Keyes, writers who have not experienced rejection are not sending out enough material; and, writers who don't learn to accept rejection as part of the writing process, are doomed to quit writing altogether.

Keyes is the author of another book titled "The Courage to Write," which I highly recommend. Similar books by other authors which I would also recommend for the aspiring writer include: "On Becoming a Novelist," by John Gardner, and "The Forest for the Trees," by Betsy Lerner.

Ron Atkins is the author of two children's books, Abby and the Bicycle Caper, and his upcoming (January 2005) Abby and the Bike Race Mystery.

8 of 8 people found the following review helpful.
A new lease on my writing life
By A. B. Schwartz
I've read enough self-help and inspirational books, and books about writing, to last a lifetime, so when I spied The Writer's Book of Hope at my public library, I hesitated. But the title caught my eye, and I ended up gulping it down it in a few sessions. I'm glad I did-it's given me a new perspective on my writing practice. I've learned that frustration, cluelessness, and despair are a normal part of the writing process. And while I still encounter the same writing problems I did before, I'm more easygoing about them. It's as if I've adopted a new attitude: "So I'm clueness at the moment-that's OK, it will pass." I'm much more at ease and confident of my abilities, and I've developed a broader perspective on the writing process-all of which is increasing my productivity and enjoyment at my typewriter.
The book is clearly the result of a lot of research. (Check out the photos on Keyes' Web site showing the yards of file cabinets in his house.) Keyes doesn't trot out the tired authors' anecdotes that we've all heard before; he serves up a host of tidbits that were new to me. The quotes by masters (such as Tolstoy) about their lack of "talent" are alone worth the price of the book. I also appreciated Keyes' no-nonsense tone. I was expecting New Age warmth and fuzziness, but Keyes pulls no punches. Take his observation that some people who give up writing do so not because they lack talent, but because they are uncomfortable spending long periods alone. That's not a "nice" thing to say, but it's truthful and important to know.
The Writer's Book of Hope delivers on its promise. It provides practical hope and inspiration to writers based on a clear-eyed view of the writing profession. It gave me a new lease on my writing life.

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~~ Free PDF A Death in Texas: A Story of Race, Murder, and a Small Town's Struggle for Redemption, by Dina Temple-Raston

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A Death in Texas: A Story of Race, Murder, and a Small Town's Struggle for Redemption, by Dina Temple-Raston

On June 7, 1998, a trio of young white men chained a black man named James Byrd, Jr., to the bumper of a truck and dragged him three miles down a country road. From the initial investigation and through the trials and their aftermath, A Death in Texas follows the turns of events through the eyes of Sheriff Billy Rowles and other townspeople trying to come to grips with the killing. Drawing on extensive interviews with key players, Dina Temple-Raston brings to life a cast of remarkable characters: the unrepentant baby-faced killer, Bill King; Jasper's white patriarch and former Jack Ruby defense attorney, Joe Tonahill; the hard-drinking victim, James Byrd Jr.; the determined district attorney, Guy James Gray; and Sheriff Rowles, who held them together.

  • Sales Rank: #1384347 in Books
  • Published on: 2003-01-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x .89" w x 5.62" l,
  • Binding: Paperback
  • 352 pages

Amazon.com Review
In the small town of Jasper, in the piney woods of deep East Texas, old slave relations still live below the surface along with an unwritten code of segregation. It was there that James Byrd was savagely dragged to death by three white men in a pickup. His death threatened to blow the town open. Dina Temple-Raston poignantly captures Jasper's desperate attempt to save its image as Jesse Jackson, the New Black Panthers, the KKK, and the media descended. In the process, she delves into such questions as, What does racism look like and where does it come from; follows the murderers to their final destination at Huntsville prison (ground zero for 40 percent of American executions); and shows how death forces people to see things the way they really are--and just how quickly they forget. A Death in Texas is a stunning and painful book that exposes racism in all its subtle and violent forms, and portrays the small heroes who try to change history. --Lesley Reed

From Publishers Weekly
This perceptive, grimly compelling account of the brutal 1998 murder of James Byrd in Jasper, Tex., is the first book on this nationally reported incident and a fine piece of journalistic reporting, covering the prosecution of Byrd's killers and the social and political aftermath for Jasper. On June 7, 1998, Byrd, a 49-year-old black man, was intentionally dragged behind a truck in such a way that his head and right arm were severed. Three white men were quickly arrested;. two were eventually sentenced to death and one to life imprisonment. Temple-Raston, a former foreign correspondent, uses this basic crime narrative as the backdrop for a complex, multilayered portrait of a small town coming to grips with its own history of racial hatred while simultaneously being thrust into the national limelight. Temple-Raston has a fine eye for detail: she documents how the town's lumber industry had historically abused black labor and mutilated black male bodies. Elsewhere, she presents the father of one of the killers remembering his brother's 1939 trial and acquittal for the murder of a gay man. And she captures the hysteria and fear that grip the town's population in the aftermath: the black community wonders what they might have done to prevent this; a policeman complains that Byrd was "the town drunk." Unsparing in her examination of the race hatred that led to the crime two of the men were members of "Christian Identity" white supremacist groups Temple-Raston is extraordinarily nuanced in exploring how poor, white men (often in prison) are drawn to this horrific ideology. Through a plethora of telling moments here, Temple-Raston painfully explores and exposes the lives of her subjects and the complications of hate and prejudice in the U.S.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
In 1998, the world was shocked by the grisly dragging death of James Byrd, an African American man in Jasper, TX, which brought hate crimes and the cliches of Southern prejudice to the forefront of the American consciousness. Journalist Temple-Raston writes not only about the crime but also about the town, its casual segregation, and the terror of its black community, whose uneasy truce with the white community was shattered overnight. She notes that the murderers were captured within 24 hours, soothing African American fears that the crime would be ignored or covered up by the white law enforcement officers. All three men Bill King, Russell Brewer, and Shawn Perry were convicted, and King and Brewer are now on Death Row. Temple-Raston discusses the way both politicians and white supremacists used the murder to further their own agendas and reveals the unhappy lives of both Byrd and his murderers in an attempt to understand how drink and despair could so quickly transform into shocking violence. This deeply affecting book belongs in all true-crime collections.
- Deirdre Root, Middletown P.L., OH
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
"I'm sure it happens ,but you don't hear about it."
By Jerry Guild
This is an excellent book and for a lot of reasons.I don't know if it won any awards or not ,but it is certainly good enough to become a lasting account of the racially inspired murder of James Byrd by dragging him on a chain behind a pick up truck.This happened in Jasper,Texas on June 7,1998.

Dina has done an marvelous job of explaining the deep seated prejudices and injustices that created an enviroment for this evil action to occur.She has researched and shown the inner feelings and culture of all the people in this small town .Yes, there are good people, evil people and everything in between.

She is a trained and experienced journalist and her skills are very evident throughout the book.She spent countless hours talking to many of the people of this town and she writes in a way that conveys their everyday and personal language.No doubt there are many other small towns in America as well as around the world where the hatred and injustice are just as bad.All one has to do is remember the three young men murdered and portrayed in "Mississippi Burning";and that is only one of many,many examples.Dina reminds me of those great authors that so well wrote about the South.Two that come to mind immediately are Erskine Caldwell and William Faulkner,and that is pretty fancy company to be in.Dina not only covers the characters involved but also describes what happened before and during the murder but also the charges,trials and convictions.On top of that she shows the effect these events had on the families involved,the legal and justice participants as well as the townspeople and others outside the community.

Just look at some of these greatlines,sayings,descriptions,and these are only a sample of the many found throughout the book

"If I owned Texas and hell,

I'd rent out Texas and live in hell"

-General P.H. Sherman

"Death has a way of making even slow people hurry."

"When the devil's loose,it doesn't matter who he catches."

"This country boy's in trouble."

"Hell yes,I shot him;I should have done it ten years ago."

"A place near nowhere."

"A town where people stopped just long enough to lick a postage

stamp."

"The closest jobs got further away."

"Ain't nothing we can do."

"If I'd have married one of their sisters,they would hang me

so high my feet wouldn't touch the ground."

"What's done in the dark comes to the light."

"No battles are ever won by spectators."

"Bill King was a series of sums that did not add up."

"He said mixed couples should hang from the same tree."

"Some people have crosses to bear,I have crosses to burn."

"In the South,the past isn't dead,it's not even past."

Man,talk about picturesque language.

I tried to see what has transpired with the three convicted murderers on the web sites mentioned in the book,but without much success.If anyone knows their status,it would be helpful to include in a review.

I can't imagine anyone doing a better book on this whole affair than what Dina Temple-Raston has given us. I'll be on the lookout for future books of hers.

7 of 8 people found the following review helpful.
The hate that hate made.
By Theodore Christopher
If you thought you knew just about everything there was to know about this horrible crime then you are probably in for a rude awakening. To say that Dina Temple-Raston's research of this crime and the background information is thorough is a major understatement. If you read this book, you will come aways a virtual expert on this incident, and the major players involved. The book is so complete that I couldn't imagine another book coming along presenting anything new, unless it was an update after this book was published.
She begins her book simply enough with the discovery of James Byrd's body. You immediately get the feeling of a fuze being lit on a bomb as the word of mouth starts to carry through the entire community. She succinctly traces how the news is passed from citizen to citizen about the torn up body of a black man that has yet to be identified. After the initial discovery, collecting of evidence, and the eventual identification, she then begins to explore the mulitple paths and dimensions that are at first seem very unrelated, but are drawn together in a way that keeps you turning from one chapter to the next.
She explores the make-up of Jasper, and its history. Nothing is left out as she goes way back in the past almost to the beginnings of settlement, and explains how prominent families got their fame, how the lumbering industry helped the town grow, and how earlier racial conflicts affected this part of Texas and this town in particular.
Fading back to the present we go into the interesting backgrounds of the major players in this sad saga. Interviews, quotes, and background of the most important people are at the heart of this book: members of James Byrd's family, the Sheriff, the minister crucial in the black community, and the perpetrator's family members. However, an added plus are the interviews and perspectives of the seemingly not so important people: the owners of the cafe/inn across from the courthouse, a local journalist, former employers of the perpetrators, etc. It is incredible how she takes the various opinions and perspectives including the very extremes with the Klu Klux Klan, and the New Black Panthers, and yet still weaves them into this tragic story without missing a beat or unduly breaking up the flow of the important sequential events. The murder is followed right through the trials, and the reader is not lacking for any details or other information.
She ends her book not with the perpetrators, but appropriately in the community where it all started, and the future of the community - its children. We gain a sense of where the town might be headed from her by how she gives us a picture of the ways in which kids are dealing with this crime that threaten to divide the races even more. After reading this book with all its attention to detail, brute reality, humanism, and the strength of the good people pressing to rise beyond this tragedy which is felt so clearly, I cannot imagine this book being any better than it already is now.

6 of 7 people found the following review helpful.
A Powerful story of a racial murder
By Narayan Radhakrishnan
Let me be frank. I have never heard of the town Jasper in Texas, or for that matter about the brutal racial murder that shook that town on June 7, 1998. The murder described is so shocking, so brutal that it is difficult for me to imagine it to be a true incident.
James Byrd Jr., an unassuming middle�aged black man is found murdered. The murderers had apparently chained him to the bumper of a car & dragged him for more than three miles along a rough country road. Hours later the victim�s body is found in pieces with the flesh shorn off & the organs dismembered. The predominantly white Jasper community is shocked � a town that believed racism was a thing of past � a town that took pride in its peaceful enlightened outlook was suddenly in the heat of racial prejudices & disharmony. Evidence leads to three white men, Bill King, Shawn Berry & Russell Brewer. The three are charged with the murder.
From the initial investigation reports to the ultimate trial, A Death in Texas takes the reader through the life in the Jasper Community following this dastardly incident. Through the eyes of Sheriff Billy Rowles, author Dina Temple�Raston paints a picture of a whole community coming to accept the truth � such as it is. Billy Rowles emerges as the true hero in this crisis. He kept in check the racial tension, & the growing tension between the Ku Klux Klan members & the Black Panthers in the aftermath of this heinous murder. The author also forcefully brings out the gritty determination of District Attorney Guy James Gray & the fight unto the last stand taken by defense attorney Joe Tonahill in describing the highly publicized trial.
Dina Temple�Raston is a journalist & this is her first book based on her experience in covering the Byrd murder trial. The author�s fictionalistic narration is effective in bringing home the true, harrowing & brutal effect the murder had on a whole town. The author�s authoritative & detailed account without mincing words is impressive & praiseworthy.
The epilogue mentions that two of the accused are awaiting an execution date � & whatever be arguments for or against the death penalty � this is one of the �rarest among the rare cases� (the words used by famed Supreme Court Judge of India, Justice V.R. Krishna Iyer while confirming a death sentence in a murder trial) that truly deserves the death sentence.
To say that I enjoyed the book would not be correct, it is disturbing, enjoyably disturbing!

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> Ebook Download How Race Is Lived in America: Pulling Together, Pulling Apart, by Correspondents of The New York Times

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How Race Is Lived in America: Pulling Together, Pulling Apart, by Correspondents of The New York Times

Whether it's the merger of a white church with a black church in the South, the hip-hop dreams of a suburban white teenager, or the struggles of a biracial partnership in a high-tech start-up, race relations continue to permeate American lives. Powerful yet intimate, the stories in this volume present the real voices of America speaking out on the impact of race in their daily lives.

The result of a virtually unprecedented commitment of talent and resources, the New York Times landmark series "How Race Is Lived in America" captured the cultural landscape of the nation in provocative, eye-opening articles following people from all backgrounds and every corner of society.

The stories in the series are enhanced by additional commentary from the writers, photographers, and editors; results and analysis of an extensive Times poll on attitudes about race; and selected reader responses. Together they offer a highly personal yet panoramic view of real-world conflict and aspiration.

  • Sales Rank: #481709 in Books
  • Published on: 2002-05-01
  • Released on: 2002-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .92" w x 5.50" l, .81 pounds
  • Binding: Paperback
  • 416 pages

Amazon.com Review
The Assembly of God Tabernacle in Decatur, Georgia, has succeeded at doing what most institutions in America have failed at--achieving full integration. White parishioners who thought of blacks in the worst terms in the past have now decided that all believers--black and white--are going to the same heaven, so they might as well get used to it here on earth. After a black man hugs an elderly white woman, he says, "Man, 30 or 40 years ago I would have been hung for just touching this lady." While there is genuine affection between many of the parishioners, all the complex feelings and questions that plague the races at the turn of the century are being reckoned with here. Is integration a blessing or a sellout, blacks wonder. Is it ever acceptable--or even helpful--to make race the issue, or must a preacher and his congregation always feign colorblindness? What are the burdens of blending in, and are they worth it? And will this last, or is the church just like so many neighborhoods--enjoying a fleeting moment of integration on the way to becoming predominantly black? These are just some of the touchy issues explored in this remarkable and eye-opening book.

Originally published as a series in The New York Times, the 15 stories are the outcome of a yearlong examination by a team of reporters who managed to overcome the taboo of discussing private attitudes toward race and uncover the daily experience of race relations in schools, friendships, sports, popular culture, worship, and the workplace. The result is a wide range of intimate portraits, from bringing up slavery in the Old South, to drug cops reacting silently to the Amadou Diallo verdict, to the making of the HBO special The Corner: A Year in the Life of an Inner-City Neighborhood.

Race clearly remains a source of misunderstanding and alienation, but there are also heartening signs of reaching out, reconciliation, and even unity. This book is an important leap into an area most fear to tread, yet also yearn to change. --Lesley Reed

From Publishers Weekly
In his introduction to this expansive book on the complexity of contemporary race relations, Joseph Lelyveld, executive editor of the New York Times, notes that he urged his correspondents to "go deep" beyond the headlines with their research and "hang in there." His staff produced 15 stellar stories that dig down to the gnarled crux of our racial dilemma in this turbulent post-O.J. era, presenting a startling array of voices and situations. In the powerful opening story, "Shared Prayers, Mixed Blessings," Kevin Sack chronicles the power of faith as a unifying force in a formerly segregated, now multi-racial church near Atlanta. Another poignant account, "Best of Friends, Worlds Apart," follows the immigration and acculturation of two youths from Cuba, where race is a lower-case issue, who find that their experiences in Miami are so different (one is dark-skinned and one is light) that it drives a wedge into their longtime friendship. Janny Scott's "Who Gets to Tell a Black Story?" explores the need for self-determination and the opportunity to define one's cultural image, as a reporter details countless obstacles faced by an African-American TV director and his writers in bringing a controversial series on drug abuse in a Baltimore neighborhood to the small screen. The unorthodox efforts of a young white writer and activist, Billy (Upski) Wimsatt, to open a dialogue between white and black youth gives new meaning to the term "wigger" (a white who wants to be black) in N.R. Kleinfeld's well-turned story, "Guarding the Borders of the Hip-Hop Nation." While the so-called "unmediated conversations about race" at the end cover familiar ground, several revelations crop up in the raw interviews with the black, white and Hispanic subjects for the pieces that are reprinted at the end of the book. Overall, this high-minded, superbly written collection unflinchingly probes America's racial struggles, posing as many solutions as it does questions, shining much-needed light on one of the nation's toughest challenges.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
This collection reproduces in its main part some 14 articles that appeared over six weeks in 2000 in the New York Times (NYT) on the theme of race relations in America. Another piece from a special issue of the New York Times Magazine offers the personal odyssey of racial identity of one of the reporters. The ambitious series fastened on real people from a Harlem narcotics squad to the legacy of slavery on the old Magnolia plantation in central Louisiana to two recent Cuban immigrants. The remainder, heaped under the header "Conversations," offers pieces of various length from personal journals and writings and dialogs on race, ending with 27 pages of NYT survey data. The stories, conversations, and data reflect both progress and poverty in the persistence of race as a fundamental category in individual and national life. This is essential reading for anyone who cares even to glimpse behind the facade, to reach the exposed emotions of America's present racial reality. Recommended for any collection on the contemporary U.S. or race relations. Thomas J. Davis, Arizona State Univ., Tempe
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

9 of 11 people found the following review helpful.
Almost there.
By A Customer
I read this for class the past semester and thought that while there are some really incredible circumstances discussed,(White quarterback, growing up multi-racial, and minority public servants) that some people were noticeably left out. Native Americans received a further blow of marginalization. (they were mentioned once as something of a prop) Also, the diversity among Black and Asian communities was very much ignored. I must say that it's obvious who the writers/editors are marketing towards in their readership, because many of the arguments continue some monolithic dialogues that haven't changed in 20+ years. Going into a work like this will take some serious analysis on the part of the reader to notice what I'm talking about, as it is written with an almost indistinguishable slant. The work has great potential for use as a teaching tool, but focus should remain on analysis rather than taking work verbatim.

4 of 6 people found the following review helpful.
How Race Is Lived in America is very carefully!
By Rebecca Brown
Editors & writers for The New York Times asked one central question: "What are race relations like today?" These are the raw stories & candid observations they found just below the surface of this country's private & public discourse on race relations.
That said hold onto you seat for a bumpy read about a subject that upsets most of us & still fills us with dread & hope.
There are 15 articles written by 15 very different reporters - each focusing on an aspect of race relations that speaks particularly to them. I cannot separate them here for you - suffice to write that each article will put you through your complacency paces, set your nerves ajangling & raise a host of old ghosts most of us wish would lay low.
How are race relations lived today? Very, very carefully & rather schizophrenically for the most part & for other parts? Pure, teeth-grinding swallowings of crow food, blundering inconsiderations - hell, they treat their dogs better! & hope - what a faint & fragile zephyr is hope!
While we may no longer have to storm into Cicero to demand equal rights to live in equally pleasant homes - we sure are determined to judge each other for the way we talk, about what we talk, the way we walk & to where we walk, even the way we say hello - the color of our skin may be the least of it!
In the end both photographers & reporters speak their piece about their piece & make peace with the process - their stories are as vital as the previous ones & just as telling as they tell about their own prejudices, foregone assumptions & epiphanies.
How Race Is Lived in America touches each & every one of us: from the farmer in the field watching Indians drive by on their way to a hunt he is no longer allowed to make to the dainty dames in Southern places who simply can't understand what all the fuss is about; to athletes whose prowess on the field is less than their will to survive; to best friends torn apart by the pressures of their cultures to laborers in bloody jobs whose blood all runs red & to anyone who sees others shrink away because of their skin color & what it symbolizes.
This is a keeper for it will take quite a while to think through the dust these reporters have raised! It is appropriate that a Pulitzer Prize has been awarded for this moving & troubling effort.

4 of 6 people found the following review helpful.
an excellent modern survey
By Andrea L. Howard
this is an insightful collection of articles for anyone wishing to gain a well-rounded and modern perspective on race issues in america. if anyone thinks the race issue is dead and buried, s/he needs to read this book! i was so impressed that i am using this in my race and ethnicity in america class at the university i am going to be teaching at next fall as a discussion starter.

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## Fee Download The Brass Wall: The Betrayal of Undercover Detective #4126, by David Kocieniewski

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"A modern-day Serpico."
-Entertainment Weekly (one of the 10 best books of 2003-nonfiction)

In 1993, Vincent Armanti, Undercover Detective #4126, agreed to infiltrate the branch of the Luchese family responsible for the homicide of a beloved fireman. Already a legend for his past undercover work, Armanti transformed himself into Vinnie "Blue Eyes" Penisi-a veteran hood with an icy stare. Then he found out that the wiseguys had access to classified police information. When the leak was revealed to be the son of the commander of NYPD's Internal Affairs Bureau, IAB detectives compromised Armanti again and again to protect the powerful man's son. But Armanti stayed on the job, even when it was clear his life was in danger.

Here, in all his humanity, is an unforgettable hero, battling for his honor and survival. Here, with all its compromises, is the city of New York. Here is a remarkable story that ranks with the great police classics.

  • Sales Rank: #1032423 in Books
  • Brand: Brand: Holt Paperbacks
  • Published on: 2004-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .88" w x 5.44" l,
  • Binding: Paperback
  • 328 pages
Features
  • Used Book in Good Condition

Excerpt. © Reprinted by permission. All rights reserved.
From The Brass Wall:

The instant Armanti set foot in Café D'Oro, he could feel the strands of the investigation beginning to unravel. A half-dozen of the café's usual suspects sat nervously around the poker table, but there was no card game going or music playing, just edginess heating up the place. Carlo Cuzzi, wanted by the police in at least one double murder, stood with his burly arms crossed-not exactly a harbinger of peace.

"Up against the wall, Vin," Cuzzi demanded. "I've got to search you."

Fear flooded through Armanti's body in a fast, hot wave. His first instinct was to laugh the whole thing off, scoff and order a drink. But the look on Cuzzi's face told him that this was not cocktail time.

Less than an hour earlier Armanti had been fully wired-tape recorder strapped to one ankle, cord winding up to the microphone near his chest. A search would have earned him three quick shots to the back of the head. But the weather was so muggy that Armanti had ignored his backup team and removed the gear before hitting the café. What he hadn't removed, however, was the radio transmitter inside his box of Newport Light cigarettes.

From AudioFile
Although this title is offered as nonfiction intended for true-crime aficionados, we hear too many conversations the author never heard to claim twenty-four carat truth and too many "F" words to call the report good literature. A relentless recitation of facts, places, and dozens of names without character development comprises this undercover arson investigation, which is compromised by an inside leak to the Mob suspects being infiltrated. Greg Salata reads as we imagine Italian gangsters would talk, with belligerent outbursts and tough accents. However, he maintains his angry voice throughout, exploding each sentence as if it stands alone. This impedes the smooth narration needed to maintain the listener's interest in a difficult-to-follow story. J.A.H. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine

About the Author
David Kocieniewski currently reports for The New York Times, where his stories frequently appear on the front page. He lives in Bucks County, Pennsylvania.

Most helpful customer reviews

21 of 21 people found the following review helpful.
Outstanding!! Finally, the WHOLE TRUTH about NYPD Brass
By A Customer
On its surface, this book is simply one hell of a read. It's a gripping real-life thriller about Vincent Armanti, a star undercover detective who gets sold out by his own department. It's full of fascinating characters, death-defying plot twists and the writing is so vivid that it hooks you from the first page...the first sentence!... and won't let go.
But I worked in the NYPD's disciplinary system when this case was being (mis)handled by the bosses, so I know firsthand that it is much more. The Brass Wall is also an expose that reveals more about the secret dealings of the Department and City politics than anything I've ever read. Despite the thousands of heroic cops who risk their lives every day, the upper ranks of the NYPD are full of small-minded political yes-men whose main concerns are advancing their careers and covering up for their friends' screw-ups. It's the same "CYA" attitude you find in corporate America or any bureacracy, but with one big difference: when bad cops are left on the force, honest people are endangered.
That's what happened in this case. Police commanders closed ranks to cover up for a dirty cop who had leaked information to the mob. But as it was happening, those of us in the Department's Special Prosecutor's Office figured that even the bosses couldn't actually get away with this one. The dirty cop risked the life of all these honest officers, so surely the Police Commissioner and the union would demand that he be fired before he could endanger anyone else. The dirty cop's leaks also led to the apparent murder of a confidential informant, so certainly Mayor Giuliani and the United States Attorney would demand that he face criminal charges. Wouldn't they?
But the Good Ol' Boys of the NYPD protected the dirty cop because his father was a police department commander himself. In Internal Affairs, of all places! And it wasn't until I read this book that I learned what those of us in Police Headquarters had always suspected, that the reason for the cover-up was juicy and breathtakingly petty: the corrupt cop's father had dirt on one of the big chiefs.
It's unfortunate that this wasn't published until Giuliani and Police Commissioners William Bratton and Howard Safir had already left. They owe the police officers, and the city, an explanation. Still, it should be required reading for anyone interested in entering law enforcement, to warn young cops what they face out there. If you want to learn how the city really works -- and be inspired by the way a courageous undercover like Vincent Armanti stood up to all the politicos and cowards -- this book is stunning.

12 of 12 people found the following review helpful.
Where Is The Outrage?
By Tucker Andersen
This is a well written, well documented and SPELLBINDING account of the life threatening betrayal of NYC undercover detective Vincent Armanti by a fellow police officer and his subsequent encounter with THE BRASS WALL thrown up by the NYPD hierarchy in order to protect a powerful commander and in an attempt to shield the department from unfavorable publicity and the ongoing political efforts to implement civilian oversight. Armanti, detective #4126, was a skilled operative who had successfully completed several undercover assignments due to his ability to adopt the personae of the targets of the operations in which he was involved - whether hit men , drug dealers, gunrunners or the Cosa Nostra. Thus, when he is recruited for an assignment involving the arson investigation of a Queens fire that had taken the life of Lieutenant Thomas Williams, a member of an elite rescue unit and a personal hero to many of his comrades, Armanti eventually finds the assignment irresistible despite his promise to his long time girlfriend Judy that he would not return to the streets after a recent brush with death and his transfer to the narcotics training unit.
He perfects the transition to Vinnie "Blue Eyes" Penisi, complete with the background of an ex-con and the attitude necessary to enter the closely knit world of the wiseguys of Throgs Neck, an insular neighborhood that unfortunately is not only the home of the small time mobsters suspected of the arson of a failed clothing store and the upstairs apartment from which Williams fell to his death, but also the neighborhood in which NYPD Inspector James Wyrnn lives and had raised his son, Detective John Wrynn.. Three months into the undercover investigation, an incident occurs which convinces Armanti that his cover has been blown and leads him to suspect a leak from within the department. He decides to continue despite being terrified that he may become the target of a mob hit and infuriated by the lack of cooperation (and in some instances outright obstruction) that he receives from officers high up the chain of command in Internal Affairs. Despite the lack of support (bordering on open hostility) towards the continuation of his investigation, in cooperation with a friends in the NYPD together with dedicated fire department investigators who still wanted to avenge their comrade's death, and the help of the FBI he manages to gradually develop a very strong web of circumstantial evidence against the suspected arsonist and the owners of the property that had been torched. More worrisomely, he also has assembled a trail of evidence that implicates Inspector Wyrnn of leaking information to his boyhood buddies about several investigations, and, even more seriously, that his father had used his powerful position and reciprocity due him from a favor of years ago to repeatedly interfere with the course of the investigation.
As indicated in the author's note, "this is a true story. It does not use composite characters, invented dialog, or other techniques of fictionalization." The only literary license was to change the names of the two undercover cops involved in order to protect their safety. Thus, in these pages you will find specific references to the roles in this drama of such well known individuals as Police Commissioners Kelly, Bratton, and Safir, Federal Judge Jack Weinstein and Mayors Dinkins and Guiliani. In fact, one of the really helpful literary touches given the complexity of the case is the extensive cast of characters at the beginning of the book which can be used for easy reference.
This is a cautionary tale that unfortunately illustrates exceedingly well the understandable but ultimately destructive tendency of all large organizations to close ranks and protect their own at any cost when faced with scandal or facts which may prove harmful to either the organization or one of its powerful members. Of course, when it the police who are involved, the power which the department wields often makes it almost impossible for the usual safeguards against such abuses of power to function. In this case, bureaucratic inertia and active contempt for the law are both at work. The book's author is a very talented writer who succeeds in making a gripping story come to life. He actually covered segments of the story after meeting Armanti while police bureau chief for the New York Times, and his intimate knowledge allows him to present a compelling story. (The footnotes at the back of the book provide context and list many of his sources. In addition, much of the dialog comes directly from taped conversations conducted by Armanti while undercover.)
I found this story riveting, and am thankful for the perseverance of true heroes such as Detective #4126. I am disappointed that the book did not get more widespread publicity when originally published, and hope that it gradually attains a wide readership. One final note: at the time of this review, there have been nine previous reviews written here, of which six have been five stars including one by a seemingly knowledgeable individual who claims to be able to vouch for the accuracy of the story based in his first hand knowledge. The remaining three reviews (one and two star) are all very brief and with anonymous authorship, and seem primarily intent on disparaging the credibility of the tale. Yet they offer no information to dispute any of the facts, and despite the depiction of several individuals in a very unflattering manner (incompetent, petty, and corrupt), to my knowledge no one has chosen to publicly dispute the charges or file suit against the publisher. (Given the voluminous evidence, including internal police documents and the trial transcripts of the defendants, it is not surprising that the only challenges are from a few anonymous individuals whose reputations have probably been damaged by this book.
HIGHLY RECOMMENDED !
Tucker Andersen

13 of 15 people found the following review helpful.
great story, great writing
By Paul Courter
The is a book for those of us who love the city street. The writer tells a great story and his attention to detail puts you into each setting perfectly. If you like true stories involving organized crime, this is a super good.

See all 18 customer reviews...

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# Download Ebook The Wager, by Donna Jo Napoli

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The Wager, by Donna Jo Napoli

Don Giovanni was once the wealthiest and handsomest young man in Messina. Then a tidal wave changed everything. When a well-dressed stranger offers him a magical purse, he knows he shouldn't take it. Only the devil would offer a deal like this, and only a fool would accept.

Don Giovanni is no fool, but he is desperate. He takes the bet: he will not bathe for 3 years, 3 months, and 3 days. Beauty is a small price to pay for worldly wealth, isn't it? Unless he loses the wager―and with it his soul.

Set against the stunning backdrop of ancient Sicily, Donna Jo Napoli's new novel is a powerful tale about discovering what truly matters most.

  • Sales Rank: #1776899 in Books
  • Published on: 2010-04-27
  • Released on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.58" h x 1.00" w x 6.47" l, .83 pounds
  • Binding: Hardcover
  • 272 pages
Features
  • ISBN13: 9780805087819
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From School Library Journal
Grade 9 Up—Set in 1169, The Wager is a retelling of a traditional Sicilian fairy tale. As the story opens, Don Giovanni is a well-to-do spendthrift who gives little thought to anything but his own pleasure. An earthquake and subsequent tidal wave change his circumstances dramatically, and he is soon wandering the land as a vagrant. In classic Faustian style, the devil appears on the scene to offer a wager: he will provide Don Giovanni endless wealth in exchange for relinquishing his beauty—he may not change his clothes, shave, comb his hair, or wash for three years, three months, and three days. The devil provides the don with a magic purse, and the game is on. Suffice to say, the rot that grows on this hero is truly foul. Readers will be engrossed by descriptions of his decay, including vermin, worms, and open sores. Obviously Don Giovanni undergoes a dramatic change in how he treats the lowliest members of society. Evocative of Hermann Hesse's Siddhartha, this marvelous story is well told, and the rich, sophisticated language will grip skilled readers.—Leah Krippner, Harlem High School, Machesney Park, IL
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
A fallen nobleman beats the devil in Napoli’s latest fairy tale–inspired novel. Based on a Sicilian story and similar to the better-known Grimm Brothers tale “The Bearskin,” Napoli’s novel begins in twelfth-century Sicily, when handsome, young Don Giovanni loses his wealth in the aftermath of a tsunami. Reduced to begging, he travels the countryside until a stranger offers him a magical, bottomless purse of gold coins if he agrees not to bathe, groom himself, or change his clothes for three years. Realizing that he is wagering his soul with the devil, Don Giovanni nonetheless accepts and begins his long trial. Napoli’s vivid descriptions contrast the Edenic landscapes with Don Giovanni’s increasingly festering body, from his abscess-covered backside to his lice-infested scalp. The colorful detail, while sometimes stomach-churning, underscores the story’s fascinating themes about the importance of appearance, what it means to be civilized, and the line between human and beast. A surprise twist leads to a satisfying love story and closes the novel with more joy, and fewer devilish triumphs, than the original tale. Grades 8-12. --Gillian Engberg

Review

“Napoli expertly sets the scene for this retelling of a traditional Sicilian tale…The lifelike, tactile details of the story make it all eerily real.” ―The New York Times Book Review

“Readers follow Don Giovanni's journey of the flesh and spirit as he suffers humiliation and physical decay; descriptions of lush feasts and brightly colored brocades give way to wretched scenes described in lurid detail…Napoli never underestimates her audience, depicting human nature at its worst and its best.” ―Publishers Weekly, starred review

“Evocative of Hermann Hesse's Siddhartha, this marvelous story is well told, and the rich, sophisticated language will grip skilled readers.” ―School Library Journal

“A surprise twist leads to a satisfying love story and closes the novel with more joy, and fewer devilish triumphs, than the original tale.” ―Booklist

“No hero ever deserved a happy ending or a bath more.” ―Kirkus Reviews

“Napoli ably describes the ensuing tribulations Don Giovanni undergoes as he becomes more offensive to be around even as he longs for companionship for the first time in his life.” ―VOYA

“Impeccable pacing conveys the burden of the three-year ordeal, and even those readers for whom the end is no surprise will breathe a sigh of relief to find Giovanni reclaimed and within reach of happiness.” ―BCCB, STARRED review

“There's something rotten at the center of this novel-length fairy-tale retelling, and that's what makes it so delightful.” ―Horn Book Magazine

Most helpful customer reviews

4 of 4 people found the following review helpful.
Fairy tale dressed in adult prose.
By D'ARCY CLOSS
I enjoyed much about this book, but particularly the craft that went into the prose. Napoli knows the power of the short sentence and uses it to good effect, especially in the first few chapters where she puts on a virtual clinic in short sentence usage. To flesh out a fairy tale and make make believe real is no easy task, but Napoli seems to revel in this kind of writing. The story and characters quickly become "real" after a surreal(ish) opening, and the author is not afraid to jar the reader with gritty images that are far from fairy tale, making this a book that refreshingly does not try to kiddie things up to protect the Innocent Child reader. Not that there is anything overly alarming in the novel, but there is also nothing overly cloying.

Essentially, this is a coming of age story, where the main character must learn (the very hard way) to leave his immature, selfish, adolescent ways behind and become a caring, charitable, selfless adult. A timeless tale, then, with mythic power, made even more powerful by the higly crafted and precise prose.

3 of 3 people found the following review helpful.
Rutgers University Project on Economics and Children
By Yana V. Rodgers
Don Giovanni had grown up accustomed to a lavish lifestyle, complete with a castle, exquisite foods, servants, and extravagant parties. Although he lost his parents at a young age and missed them terribly, he liked to think that he carried on with their values, especially their generosity, love of the arts, and carefree ways. All that changed, however, when the earthquake struck and an enormous tidal wave decimated the city, including every source of Don Giovanni's wealth and support. Overnight, he had become destitute.

As a beggar, Don Giovanni experienced months of intense hunger, cold, physical pain, hard labor, and humiliation. When a handsome stranger came his way and offered him a magic purse that could produce an unlimited amount of gold coins, Don Giovanni had trouble resisting, despite his gut feeling that he was dealing with the devil. Surely the ability of that purse to meet his material needs would be worth the discomfort of satisfying the devil's one condition: Don Giovanni could not bathe, shave, comb his hair, or change his clothes for three years, three months, and three days.

Adapted from the folktale Bearskin, this novel shines as a delightful blend of exciting action, nauseating revulsion, and meaningful reflection. Thoroughly entwined in the plot is the importance of economic incentives in influencing the decision-making process not only for Don Giovanni, but also the assorted characters who cross his path. Be forewarned, though, that with its emphasis on Don Giovanni's steady physical decline into filth, decay, and putrefaction, this book is certainly best left for those readers with strong stomachs.

3 of 3 people found the following review helpful.
Not for the squeamish
By Ashtreemaiden
Unfortunately, I'm squeamish.

The premise is interesting enough - a spoiled, arrogant aristocrat must live without bathing or grooming for 3 years, 3 months, and 3 days in exchange for unending wealth (and bragging rights for outsmarting the devil. Always a plus).

I should've known at that point, I probably wouldn't want any details of how that played out. Because the author is not stingy with the details... And it's pretty disgusting. My tummy turned several times while reading.

I also found the book to be too dark for my tastes... The teeny tiny pockets of brightness in the book, the moral lessons, the character development... I don't know. I wasn't able to appreciate them because I was so sad while reading.

And the ending felt too rushed to be worth the emotional, and nauseating ride (I could've used copious detail then!!!). Not one of my favorites, wouldn't recommend it.

See all 16 customer reviews...

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