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The world's best contemporary writers―from Michael Chabon and Claire Messud to Jonathan Lethem and Amy Tan―engage in a wide-ranging, insightful, and oft- surprising roundtable discussion on the art of writing fiction
Drawing back the curtain on the mysterious process of writing novels, The Secret Miracle brings together the foremost practitioners of the craft to discuss how they write. Paul Auster, Roddy Doyle, Allegra Goodman, Aleksandar Hemon, Mario Vargas Llosa, Susan Minot, Rick Moody, Haruki Murakami, George Pelecanos, Gary Shteyngart, and others take us step by step through the alchemy of writing fiction, answering everything from nuts-and-bolts queries―"Do you outline?"―to perennial questions posed by writers and readers alike: "What makes a character compelling?"
From Stephen King's deadpan distinction between novels and short stories ("Novels are longer and have more s**t in them") to Colm Toibin's anti-romanticized take on his characters ("They are just words") to José Manuel Prieto's mature perspective on the anxieties of influence ("Influences are felt or weigh you down more when young"), every page contains insights found nowhere else.
With honesty, humor, and elegance, The Secret Miracle gives both aspiring writers and lovers of literature a master class in the art of writing.
- Sales Rank: #1148967 in Books
- Published on: 2010-04-13
- Released on: 2010-04-13
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .82" w x 5.50" l, .73 pounds
- Binding: Paperback
- 368 pages
- ISBN13: 9780805087147
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Most helpful customer reviews
10 of 11 people found the following review helpful.
A must-read for new novelists.
By June Bailey
Well known novelists share their views and answer questions you didn't even know you had. They had the same struggles a new novelist is having. How do you make a character compelling? They'll tell how. When do you know when the novel is finished? They'll say when. When do you toss out whole pages? These and many, many more questions will be answered.
I was writing alone, of course, and wondering about these questions and knew no other novelist to talk to. Now I know many who freely shared their experiences in this well edited book. I am so grateful to Daniel Alarcon for contacting many well-known novelists and pulling this book together.
June Stephenson
2 of 2 people found the following review helpful.
A fun read for those interested in reading about writing
By Lupus
I enjoyed the book because it was easy to read and I could leave it and then pick it up without feeling I missed anything. I assume most are well-known writers who are included in this collection of discussions, but I'm not familiar with the works of most of them, and some have unpronounceable names, or so it seems. Stephen King is included, but most of his contributions are one-liners. Anyway, questions are asked about writing novels and the contributors give their comments. Some of them are quite detailed.
Now, some of the questions are a little odd, but I think most were germane to the process of writing a novel. One thing becomes clear before you've finished a few pages: every writer has his/her own method and style, and the bottom line is what works for them, not what they learned from some book of rules. Some writers of "how-to" books on fiction seem to set their own preferred methods in concrete, but you can only decide that's nonsense after reading this book. It is interesting to read the wide variety of responses to the various questions, and if nothing else, it will reassure the writer-wannabe that the only thing that really matters is WHAT WORKS for him or her. But don't come to this book with the idea that you're going to learn some hard-and-fast rule for writing a novel, because you'll only be disappointed. Still, for all those interested in the writing process, it's enjoyable and informative to read a collection of writer contributions like this. Just have realistic expectations and sit back and enjoy.
8 of 11 people found the following review helpful.
The Secret Miracle is anything but a novelist's handbook
By Lily Iona Mackenzie
Based on the 5 star reviews I read here, I sent for Daniel Alarcon's book, eager to enhance my skills/knowledge as a novelist. But what I received was the most boring, inane collection of answers to boring, inane questions the editor put to the writers included in this work. Here are some examples: "How many books do you read in a given month?" "How many books do you read at a time?" "How do you balance reading widely with reading that is immediately useful to your work?" "Are there certain authors you won't read for fear of undue influence?" "Has being a novelist changed the way you read novels?" Do you need more?
Some of the writers queried valiantly tried to give intelligent responses, but others, like Haruki Murakami, treated these questions with the kind of answer they deserve: In response to "What do you read before/during the writing of a novel," he said "I don't care much about what to read when I am writing." A dumb question deserves a vapid answer.
Even if these questions were stimulating, by the time you read a half dozen responses (there are around 40 authors queried here), you feel dazed. Most don't differ that much. It's deadening.
If you like the kinds of questions readers ask of authors at book signings, this book may be for you. If you expect more intelligent, in depth explorations of the writing process, don't buy this book!
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