Selasa, 31 Maret 2015

! Ebook Free What's the Matter with Kansas?: How Conservatives Won the Heart of America, by Thomas Frank

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What's the Matter with Kansas?: How Conservatives Won the Heart of America, by Thomas Frank

With a New Afterword by the Author

The New York Times bestseller, praised as "hilariously funny . . . the only way to understand why so many Americans have decided to vote against their own economic and political interests" (Molly Ivins)

Hailed as "dazzlingly insightful and wonderfully sardonic" (Chicago Tribune), "very funny and very painful" (San Francisco Chronicle), and "in a different league from most political books" (The New York Observer), What's the Matter with Kansas? unravels the great political mystery of our day: Why do so many Americans vote against their economic and social interests? With his acclaimed wit and acuity, Thomas Frank answers the riddle by examining his home state, Kansas-a place once famous for its radicalism that now ranks among the nation's most eager participants in the culture wars. Charting what he calls the "thirty-year backlash"-the popular revolt against a supposedly liberal establishment-Frank reveals how conservatism, once a marker of class privilege, became the creed of millions of ordinary Americans.

A brilliant analysis-and funny to boot-What's the Matter with Kansas? is a vivid portrait of an upside-down world where blue-collar patriots recite the Pledge while they strangle their life chances; where small farmers cast their votes for a Wall Street order that will eventually push them off their land; and where a group of frat boys, lawyers, and CEOs has managed to convince the country that it speaks on behalf of the People.

  • Sales Rank: #28176 in Books
  • Brand: Frank, Thomas
  • Published on: 2005-05-01
  • Released on: 2005-04-14
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.18" h x .90" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 322 pages
Features
  • Conservative
  • Heart of America
  • Mid West
  • Heartland
  • Politics

Amazon.com Review
The largely blue collar citizens of Kansas can be counted upon to be a "red" state in any election, voting solidly Republican and possessing a deep animosity toward the left. This, according to author Thomas Frank, is a pretty self-defeating phenomenon, given that the policies of the Republican Party benefit the wealthy and powerful at the great expense of the average worker. According to Frank, the conservative establishment has tricked Kansans, playing up the emotional touchstones of conservatism and perpetuating a sense of a vast liberal empire out to crush traditional values while barely ever discussing the Republicans' actual economic policies and what they mean to the working class. Thus the pro-life Kansas factory worker who listens to Rush Limbaugh will repeatedly vote for the party that is less likely to protect his safety, less likely to protect his job, and less likely to benefit him economically. To much of America, Kansas is an abstract, "where Dorothy wants to return. Where Superman grew up." But Frank, a native Kansan, separates reality from myth in What's the Matter with Kansas and tells the state's socio-political history from its early days as a hotbed of leftist activism to a state so entrenched in conservatism that the only political division remaining is between the moderate and more-extreme right wings of the same party. Frank, the founding editor of The Baffler and a contributor to Harper's and The Nation, knows the state and its people. He even includes his own history as a young conservative idealist turned disenchanted college Republican, and his first-hand experience, combined with a sharp wit and thorough reasoning, makes his book more credible than the elites of either the left and right who claim to understand Kansas. --John Moe

From The New Yorker
Kansas, once home to farmers who marched against "money power," is now solidly Republican. In Frank's scathing and high-spirited polemic, this fact is not just "the mystery of Kansas" but "the mystery of America." Dismissing much of the received punditry about the red-blue divide, Frank argues that the problem is the "systematic erasure of the economic" from discussions of class and its replacement with a notion of "authenticity," whereby "there is no bad economic turn a conservative cannot do unto his buddy in the working class, as long as cultural solidarity has been cemented over a beer." The leaders of this backlash, by focussing on cultural issues in which victory is probably impossible (abortion, "filth" on TV), feed their base's sense of grievance, abetted, Frank believes, by a "criminally stupid" Democratic strategy of triangulation. Liberals do not need to know more about nascar; they need to talk more about money and class.
Copyright © 2005 The New Yorker

Review

“The best political book of the year.” ―Nicholas Kristof, The New York Times

“Frank is a formidable controversialist-imagine Michael Moore with a trained brain and an intellectual conscience.” ―George F. Will, The Washington Post

“Brilliant.” ―Barbara Ehrenreich, The New York Times

“Mr. Frank re-injects economic-class issues into the debate with sardonic vehemence.” ―Jerome Weeks, The Dallas Morning News

“A searing piece of work . . . one of the most important political writings in years.” ―The Boston Globe

“Dazzlingly insightful and wonderfully sardonic . . . Frank has made much sense of the world in this book.” ―Chicago Tribune

“Impassioned, compelling . . . Frank's books mark him as one of the most insightful thinkers of the twenty-first century, four years into it.” ―Houston Chronicle

“Very funny and very painful . . . Add another literary gold star after Thomas Frank's name.” ―San Francisco Chronicle

Most helpful customer reviews

0 of 0 people found the following review helpful.
Some of the folks that Frank describes I see as ...
By William Magnus
Some of the folks that Frank describes I see as our own potential Taliban. Giving their lives for abortion rights. How brainwashed do you have to be to think that issue, which has nothing to do with you personally is more important than the general well being of the American people and how they are treated and governed. These people are only a step away from strapping on the C-4 and heading to an abortion clinic, with no concern for our education system, equality, taxes, corruption, our out of control banks, and on and on. Our country was founded on principles that have been discarded and these people could care less. Pulling the rug out from under the programs that would/could make the common person trouble makers for the government and the rich has been a very successful program indeed. We go to football games and races as if they were the only thing that mattered in life. Trouble ahead... Thank you Mr. Frank for pointing it out and how it started. I can see the end.

3 of 3 people found the following review helpful.
Polemical but useful.
By James W. Terman
Over a decade old but the author's thesis still applies to how and why so many people vote against their own long term best interests. A little rambling at times.

0 of 0 people found the following review helpful.
Defines the problem well; offers no solutions
By A Customer
First off, "A Reader from Missouri" who rated the book 1 star on July 4 didn't read the book because he speaks of "a north-eastern snob writes a book telling Kansans..." Only one problem: Tom Frank, the author, is from KANSAS, and he describes his upbringing there in detail. Now he lives in Chicago, but that's hardly the Northeast, and he spent an incredible amount of time in Kansas the last three years researching the book and interviewing people. Watch out for "reviewers" who haven't read the book their reviewing.
Although Frank is clearly a (dreaded, evil) liberal, he writes well and the book seems well researched. The gist of the book is describing how it happened that the state of Kansas turned from moderate Republican (Dole, Kassebaum) to far-right Rebublican (Ryun, Brownback) in less than a decade. Yes, Kansas was ALWAYS Republican, but now it's much, much, much farther to the right than it has ever been in its history. This in spite of its proud heritage as a battleground against slavery and the birth of 1890's farm-based Populism.
Frank details how working class Christian "social" conservative Republicans took over Kansas (and other states) from the moderate "economic" Republicans, in spite of the fact that the policies they support tend to benefit the wealthy, moderate, "economic" Republicans the most.
The major line of thought I got from the book is that ECONOMICS DON'T MATTER to the social conservatives. All they care about is abortion, decline of the family, reducing the size of government, and stopping government from telling them what to do, with abortion being the "real" issue.
What Frank doesn't answer is, "So what?" and "What are we to do with this info?" I would have enjoyed seeing some ideas on how moderate mainstream Republicans and Democrats, who constitute the true majority of Americans, can take their country back from extremists, be they left or right.
One thing the Democratic party should do is stop worrying about social conservatives. They are NEVER going to vote for a pro-choice candidate. Ever. IGNORE THEM. Concentrate on how you will get moderates to vote the Demo ticket, by making govt. more efficient, making health care affordable, ending corporate tax breaks and subsidies, advancing entrepreneurship, improving social security, reforming the military to fight terrorism instead of Cold War enemies, and making post-secondary education more affordable. In the end, it is the latter, creating more college-educated people, which will most benefit our country (in a time of outsourcing manufacturing) and the Democratic Party. Repeat after me: EDUCATION IS EVERYTHING.

See all 496 customer reviews...

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Sabtu, 28 Maret 2015

## Download Ebook The Child That Books Built: A Life in Reading, by Francis Spufford

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The Child That Books Built: A Life in Reading, by Francis Spufford

A wise and tender tribute to childhood reading and the power of fiction

In this extended love letter to children's books and the wonders they perform, Francis Spufford makes a confession: books were his mother, his father, his school. Reading made him who he is.

To understand the thrall of fiction, Spufford goes back to his earliest encounters with books, exploring such beloved classics as The Wind in the Willows, The Little House on the Prairie, and the Narnia chronicles. He re-creates the excitement of discovery, writing joyfully of the moment when fuzzy marks on a page become words, which then reveal . . . a dragon. Weaving together child development, personal reflection, and social observation, Spufford shows the force of fiction in shaping a child: how stories allow for escape from pain and for mastery of the world, how they shift our boundaries of the sayable, how they stretch the chambers of our imagination.

Fired by humanity, curiosity, and humor, The Child That Books Built confirms Spufford as a profound and original thinker, evoking in the process the marvel of reading as if for the first time.

  • Sales Rank: #79504 in Books
  • Brand: Brand: Metropolitan Books
  • Published on: 2002-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.56" h x .95" w x 5.76" l, .88 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In this often incisive childhood memoir, a British journalist and award-winning author (I May Be Some Time) recreates his early reading itinerary and pinpoints the universal experiences of the constant young reader. Most important, he understands the escape that books offer a child "More than I wanted books to do anything else, I wanted them to take me away," he writes. He follows with musings on the particular effects created by the books he encountered: the ecstasy and longing of C.S. Lewis's Narnia chronicles, the community created in the Little House on the Prairie series (here Spufford offers interesting asides on how daughter Rose Wilder Lane's arch-conservative politics shaped her mother's books, which she helped write), and the "godsend," at a certain age, of science fiction, particularly that of Ursula Le Guin. Discussions of the ideas of Bettelheim, C.S. Lewis and others are serviceable but pale in effect beside rich evocations of communions with books, such as the pleasing power of libraries, the comfort of reliable Puffin Books, the experience of reading "faster than my understanding had grown" and the inevitable moment when a young reader reaches the "saturation point" and must move beyond children's books. Moments of literary discovery (even for "one-handed" reading of porn) are offered concisely. Readers will luxuriate in the memories of being consumed by books and the ways in which Spufford shows his developing talent as a reader.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
"I need fiction. I'm an addict," confesses Spufford, a British journalist and critic. Few will dispute the sincerity of this confession after following this autobiographical journey of an obsessive reading life, which Spufford began as an escape from the envy and pity he felt toward his seriously ill younger sister. To Spufford, reading is a way of balancing the real-world experience of incident with a controlled, or "piped," experience and is the force that shaped his values, imagination, self-understanding, and personality. With humor and passion, he chronicles reading experiences and the impact of books by authors such as William Mayne, Peter Dickinson, Alan Garner, Jill Paton Walsh, Kenneth Grahame, J.R.R. Tolkien, C.S. Lewis, Laura Ingalls Wilder, and Jane Austen. Spufford connects his personal development through reading with research and theories in child development, cognitive psychology, language development, and literary criticism. This is a boldly honest, enlightened, and enlightening testimony of the power of reading that all librarians and other educators should read. Recommended for all public and academic libraries.
Jeris Cassel, Rutgers Univ. Libs., New Brunswick, NJ
Copyright 2002 Reed Business Information, Inc.

From The New Yorker
It is refreshing, when so many disquisitions on the pleasures of reading have a smug, cozy tone, to hear Spufford describe himself as an "addict" and wonder why reading is more socially sanctioned than video games. This is followed by an account of his childhood reading, from "The Hobbit," at age six, to Ursula K. Le Guin and beyond. Spufford intersperses his survey with excursions on what psychologists and cognitive scientists have managed to deduce about the way children think, and these insights in turn inform his own memories. Spufford believes he became a book addict because of the severe illness of his younger sister. Readers might have liked to hear more about this; that we don't is the natural corollary of his desire to lose himself in books and become "just a story among stories."
Copyright © 2005 The New Yorker

Most helpful customer reviews

6 of 6 people found the following review helpful.
A Journey that Many Bookworms Can Share
By Graceann Macleod
Even though I am a few years younger than Mr. Spufford, he and I started reading at just about the same time. His rendition of the discovery of the magic of words on a page is the best I have ever read, and the first that directly connects with my own experience. Even all these many years later, I still remember how amazing it was when those strange marks on paper came together to form... a STORY. Spufford's description of this journey is lyrical, magical and such that I wish to put most of his first chapter in my favorite quotes page.

From here, he goes into the books that shaped his reading habits as an adult: C.S. Lewis, Tolkien, Ursula Le Guin, Laura Ingalls Wilder, and many others. His frustration at being "in between" children's books and adult fiction is palpable, and his discovery of, um, one-handed reading for adult men, is hilarious.

As others have stated, there is a lot of academic discussion here, and some very in-depth analysis of the stories that shaped Spufford's reading experiences. Some of those portions can be very dry, but I still give this five stars because the rest of it, the best of it, when Spufford discusses his own reading experiences, is pure magic.

8 of 9 people found the following review helpful.
Childhood reading: both journey and destination
By Jennifer Cameron-Smith
I read this book in 2003, the year after it was first published.

While I read some of the same books as Francis Spufford, my real interest in this book was in discovering someone else for whom reading was such an important part of growing up.

Reading can be such a solitary pursuit, especially where it is an escape route, that why we read what we read is sometimes not much discussed. The adult level analysis that Francis Spufford applies to his childhood reading will appeal to some more than others. I enjoyed it because I like the idea of revisiting some of the journeys of childhood and trying to identify some of the influences on the adult I now am.

I bought this book in hardcover because I know it is a book I want to keep, to refer back to, and perhaps to share.

Highly recommended to all who read.

Jennifer Cameron-Smith

23 of 23 people found the following review helpful.
A well-written, well thought out review of childhood reading
By Andy
For me, a 34 year old British guy, one of the most interesting parts was seeing just how my childhood reading overlapped with Francis Spufford's. His re-reading has spurred me on to do the same and I'm enjoying taking a fresh look at my old favorites.
This is not a light-hearted read, though. This is a fairly academic exercise, picking the books he read as a child and really analyzing them as to how they affected his development. Do not expect a romp through the books, expect a detailed, studied analysis.
The writing, though, is beautiful. Francis knows how to read well and how to write better! Mingling a little bit of autobiography, Francis breaks the books down into various categories. Some, like the Narnia chronicles, get full chapters to themselves. Some, like the Swallows & Amazons tales, get mentioned in passing.
If you are at all interested in how childhood books affect our adulthood, read this book. At the very least, it might inspire you to embark of the same odyssey.

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Kamis, 26 Maret 2015

* Free PDF Black Hawk: The Battle for the Heart of America, by Kerry A. Trask

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Black Hawk: The Battle for the Heart of America, by Kerry A. Trask

"Blending history with ethnography and a bit of sociology, Trask's volume explains the war and its lingering impact extremely well . . . Fascinating."
―Chicago Sun-Times

In the spring of 1832, Black Hawk and his Sauk followers, including 700 warriors, rose up in a rage and defiantly crossed the Mississippi to reclaim their ancestral home in Illinois. The rebellion was dashed in just three months, yet no other violent encounter between white America and native people embodies so clearly the U.S. Republic's conflict between exalted ideals of freedom and human dignity and its insatiable appetite for territory.

Until 1822, the 6,000-strong Sauk Nation had occupied one of North America's largest Indian settlements, just east of the Mississippi. Supported by hundreds of acres of planted fields, their domain was the envy of white Americans who had already begun to encroach upon the rich land. When the conflicts between natives and white squatters inevitably turned violent, the Sauks were forced into exile, uprooted and banished to the uncharted west.

Resurrecting the heroic efforts of Black Hawk and his men, Trask illuminates the tragic history of frontier America through the eyes of those who were cast aside in the pursuit of manifest destiny.

  • Sales Rank: #1190798 in Books
  • Brand: Trask, Kerry A.
  • Published on: 2007-01-09
  • Released on: 2007-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .85" w x 5.50" l, .79 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

From Booklist
After the Black Hawk War of 1832, Black Hawk himself became a celebrity whose portrait and autobiography were sought by a white world cognizant that the Sauk leader's defeat extinguished a Native American way of life. As historian Trask observes, that fate was romantically lamented by eastern writers but welcomed by western white settlers who experienced Black Hawk's attempt to return to his band's traditional land (present-day Rock Island, Illinois). Trask incorporates astute analysis of these variant white idealizations and prejudices about Native Americans as well as a superbly sensitive perspective on Black Hawk's view of his people's predicament. Trask is sympathetic but critical of Black Hawk's actions in urging the Sauk to take an ultimately aimless trek that culminated in a disastrous massacre. On the other hand, Trask turns over Black Hawk's possible intentions, appraising his understanding of imposed treaties that exiled the Sauk and his erroneous expectation that the British would support them. Bound to be popular, Trask's fine synthesis of historical frontier context and immediate events judiciously partakes of pathos and erudition. Gilbert Taylor
Copyright © American Library Association. All rights reserved

About the Author

Kerry A. Trask, a scholar of early American history, is a professor at the University of Wisconsin–Manitowoc, and earned his Ph.D. at the University of Minnesota. A native of Canada, he is particularly interested in the early history of the Great Lakes region. Trask is the author of two previous books; his most recent is Fire Within: A Civil War Narrative from Wisconsin, which was awarded the Council for Wisconsin Writers' Leslie Cross Book-Length Nonfiction Award in 1996. He lives on the west shore of Lake Michigan.

Excerpt. © Reprinted by permission. All rights reserved.
Prologue I will tell you something about stories
[he said]
They aren't just entertainment.
Don't be fooled.
They are all we have, you see
All we have to fight off
Illness and death.
 
You don't have anything
If you don't have the stories.
 
Leslie Marmon Silko, Ceremony
 
Men with muskets slung over their shoulders and women carrying infants and heavy loads of food and supplies made their way slowly to the broad brown river that lay ahead. It was early April of 1832. Spring had arrived reluctantly that year, with cold rains and scowling skies, following a hard winter in the hunting camps far up the Des Moines and Iowa rivers. But as the light of spring began to warm the frozen earth, a large band of Sauk people, warriors and women, old people and children--more than fifteen hundred of them in all--were moving toward the Mississippi.
 
            Two days before they had gathered near the charred ruins of what had been Fort Madison, on the west side of the Mississippi about fifteen miles above the mouth of the Des Moines River. There were a few Fox and Kickapoo among them, and all headed northward together from the old fort until they were directly across from the long, sandy bluffs known as Yellow Banks, which stretched between the Pope and Henderson rivers on the Illinois side. At that place the great river made a slight bend and narrowed a little, and there the entire band crossed over to the other side.
 
            Throughout the morning of April 9, more than a hundred canoes carried packs and people across, while at least five hundred horses, tethered on long reins, swam behind the boats. And while the people who had already landed ascended the high bluff to the flat and treeless plateau above, the small bark boats returned again and again, without mishap, until everyone and everything had been carried over.
 
            Once everyone had regrouped above the river, their northward journey was resumed. The older members of the band, accompanied by most of the women and children, were sent off across country with nearly a hundred heavily laden packhorses. Most of the warriors--maybe as many as five hundred of them--all well armed and on horseback, made their way up the east bank of the Mississippi in battle formation, having sent flankers on ahead to reconnoiter and fast-moving messengers on to the friendly Winnebago and Potawatomi villages beyond the Rock River. The rest of the warriors and all the young men remained with the canoes and, paddling hard against the powerful, flood-swollen current, moved most of the band's supplies and equipment upstream.
 
            Silently witnessing the crossing was Black Hawk. He was a thin, ascetic-looking man, with a grand roach-cut crest of hair bristling down the middle of his otherwise bald head. His ears were studded with trade-silver rings, and a large round medal, bearing the likeness of the British king, hung on his chest. He was a man of small physical stature--probably no more than five feet, four or five inches tall, and weighing only about 125 pounds--and well past his prime. By his own reckoning he was sixty-five years old. And yet he was the undisputed leader of the band, even though he held no official position of authority within the Sauk tribe, being neither a chief nor a shaman. Indeed, the source of his authority was mysterious, and one of his earliest biographers indicated he was "a remarkable instance of an individual, in no wise gifted with any uncommon physical, moral, or intellectual endowments, obtaining by force of circumstances, the most extraordinary celebrity."1
 
            Certainly circumstances contributed to his rise to prominence, but it was mostly what he represented that made him important. As an unyielding traditionalist, he honored the old customs and ways, never wearing white people's clothing or tasting their alcohol in any form, and in upholding the ancient virtues he often engaged in long and punishing periods of fasting and self-purification and experienced powerful dreams believed to contain messages from the supernatural forces that governed the world. And amid the great confusion and vicissitudes unleashed by the white people, he had held steady and was seen to be the very personification of the tribe's authentic collective identity. He was, thought his followers, what a Sauk man ought to be, and for the people who crossed the river that day he represented what they had all once been and hoped to become again.
 
            That was what they wanted, but because they believed the true Sauk way of life was inseparably connected to a particular geographic place, they were returning to Saukenuk, at the very center of their world, to regenerate what had been lost in themselves. Saukenuk was their great community near the confluence of the Rock and Mississippi rivers, in northwestern Illinois, to which all the Sauk had traditionally returned each spring. When they were all there together it had a population of more than six thousand inhabitants, making it the largest settlement of any kind in the upper Mississippi region. It was where the tribe experienced its fullest physical reality, where all the great cycles of its collective life began and ended, where they held their most important feasts and festivals, and where all their dead were laid to rest on the brow of the long ridge that arose just beyond the town. It was also there, they believed, the four cosmic layers above and below the visible world were connected, thus making it a place of extraordinary magical power. That power was manifest in the fertility of their gardens, their horses, and their women, and in the abundance of the fish they caught below the last great rumbling rapids of the Rock River. They had always had plenty there and felt safe and happy together--"as happy as the buffalo on the plains," exclaimed Black Hawk.
 
            But all of that had begun to change after 1822, when white people swarmed into the region looking for lead and the American Fur Company aggressively took tightfisted control of the fur trade. Their arrival set powerful, unwanted changes in motion, upsetting the old rhythms and cycles of life. It was as if some terrible curse had been cast upon the land, fouling the water and air, driving the animals and good spirits away, and corrupting even the character of the Sauk people. In less than a decade, their ancient way of life was in ruinous decline. Hunger and want had become common, as had drunkenness and debt. White people invaded their gardens and hunting grounds, even took possession of their lodges and plowed up the graves of their beloved dead. Dissension and anger divided them, and in the spring of 1831 the soldiers came and expelled them from Saukenuk itself.
 
            It was in defiant reaction to their banishment beyond the Mississippi that Black Hawk and his followers, longing for what they had lost, recrossed the great river and headed homeward to the center of the world.
 
            By doing so they had traversed a Rubicon of sorts from which there was no going back. Soon after they reached the eastern side, in a manner that appeared almost preordained, they were caught in what seemed an inalterable pattern of violence that had been repeated again and again with awful certainty since the very beginning of the English encounter with America. Fear of the "other," and fear of what they themselves might become in the New World wilderness, drove Englishmen to lash out in angry violence against the native people, making Indian war a defining characteristic of the Anglo-American colonial experience, and resulting in King Philip's War becoming, as one historian observed, "the archetype of all the wars which followed."2 Forever after, the "metaphysics of Indian hating," as Herman Melville called it, persisted in the very identity of white America, perpetuated and made stronger by the frequent shedding of Indian blood and the constant retelling of heroic tales about great battles amid the dark shadows of the continent's wild regions against the monstrous savages.
 
            It was a somewhat simple dualistic worldview of the "us" and the "others"--the good people of the light against the evil wild men of the darkness--until the Revolution greatly complicated the entire matter of identity. As a consequence of the colonists' successful rebellion against their king, not only did they sever their ties with the "home" country, they also renounced their own historical and cultural past, and on that very first Fourth of July ceased forever to be English. With that sudden and complete rejection of the old identity, there was a compelling need to create a new one, and efforts to do so became especially intense during the decades immediately following the War of 1812.
 
            But that was no easy undertaking. It was not a time for clear and cogent visions. The explosive growth and spread of both the economic market system and the national population were rapidly and radically changing the very nature of the society itself. The number of people increased at an astounding rate of more than 30 percent each decade, and many moved in waves of mass migration over the Appalachians and into the West so that the very size and shape and density of the country continually changed. It was a young and restless society in constant motion; by 1820, 58 percent of its inhabitants were under the age of twenty, and ten years later a full one-fourth of them lived in the sprawling territory between the old mountains and the Mississippi River. Old norms and customs were undermined and discarded as new demands and desires asserted themselves. Traditional influences of social restraint became increasingly anemic. Long-accepted roles and relationships of deference and subordination, once so essential for public order, eroded away and the authority of fathers and father figures was everywhere in decline. Public life grew ever more fragmented and chaotic, and people more self-focused and combative.
 
            Territorial expansion, and the way it was accomplished, intensified a painful conflict that lay lodged in the very heart of the young Republic's ideological self-image and pulled and prodded the country in contrary directions. On the one hand there were the humane and life-affirming republican values with their strong emphasis on human rights and personal freedom, all of which had been the primary justification for the Revolution. On the other there were the powerful imperialistic drives and ambitions and a seemingly insatiable appetite for new territory, usually acquired by armed aggression with little regard for the rights and interests of the continent's indigenous people. It was a paradoxical alignment of principles and priorities, and the more Americans emphasized the importance of their own rights and goals, the less they regarded or respected the rights or even the lives of groups of people they considered to be "others." The country was deeply divided and ambivalent about itself, being boastful, arrogant, and stridently self-righteous while, at the same time, harshly self-critical and even repentant about its collective failures to live up to its own ideals. Some preachers and intellectuals delivered scathing jeremiads, bewailing the nation's faults and transgressions, calling the people back to the virtues of the republican covenant, while politicians, businessmen, and land speculators pointed to the promised land across the mountains and advocated the fulfillment of the nation's "manifest destiny" and the westward course of empire.
 
            The regional divisions within the country itself matched those inner conflicts of interest and purpose. Regionalism became quite strong, producing distinctive attitudes and subcultures, which militated against the coalescence of a truly national identity. Easterners, for example, and particularly intellectuals of the urban Northeast, looked down disparagingly upon the people of the Midwest interior, finding them a backward, ignorant, uncouth lot who lived in near barbaric conditions. Not surprisingly, westerners had a very different sense of who they were, and in psychological self-defense returned the insult by dismissing the men of the East as soft, arrogant, effeminate elitists, while regarding themselves to be hardy, courageous, and manly. The contrasting views of East and West produced fundamentally divergent images of the Indian as well. From the 1820s on, people in the East were increasingly inclined to view the native people as victimized "noble savages." Westerners, on the other hand, regarded them as morally depraved, diabolically cruel killers of innocent white women and children, and brutish, subhuman obstacles to the advancement of republican civilization. There, in the early nineteenth century, along the violent edge of the American empire, the metaphysics of Indian hating came into full and ugly bloom.
 
            So much of what the national identity and its regional variations consisted of was imaginary stuff--myths and metaphors and stereotype images--but a great deal of it related to deeply disturbing concerns and insecurities about gender, region, and race, which went to the very heart of America's ambivalence about itself. And when Black Hawk and his band crossed the Mississippi River that early spring day, they were inescapably caught and eventually dragged under by the stress and storm caused by the clash of such powerful symbols. The band's actions quite predictably provoked a hostile response from the Americans. Troops of the federal army were sent. The Illinois militia was raised. And the old pattern, which had occurred so many times before, was played out once again, ending, as it always did, with the brutal blood-sacrifice of the native people. Trapped along the east bank of the mist-covered Mississippi, just a few miles south of the Bad Axe River, the Indian fugitives were descended upon by shouting soldiers and militiamen who emerged into the early morning light from the dimness of the dense forest above. The Indian agent from Prairie du Chien watched and described how horses and Sauk men, along with defenseless women and children and old people--even infants held in the arms of terrified young mothers--"fell like grass before the scythe," and the river changed color, "tainted with the blood of the Indians who were shot on its margin & in the stream."3 But all of this would recur again many times, like the compulsive playing out of the pathological urges of a serial killer, down to the bloodbath in the snow along Wounded Knee Creek in 1890 and then beyond the seas. The Black Hawk War was a single manifestation of that tragically redundant pattern, but it also had special significance because it happened at the very time national consciousness was emerging and the national identity was being formed. It had direct impact on that and also dramatically revealed the origins and nature of this country's collective character. By looking into this brief but horrific conflict, we may begin to better understand ourselves by discovering in the events of that angry, not so long ago, rain-soaked summer how we came to be who we think we are.
 
Copyright © 2006 by Kerry A. Trask

Most helpful customer reviews

15 of 15 people found the following review helpful.
A Must-Read for all American History Enthusiasts
By Steven R. Koppelman
Though I came to the subject of Black Hawk and this book as a result of my constant reading about the life of Abraham Lincoln (he was a militia captain at age 23 in the Black Hawk War), I soon found that there was much more to this story than first meets the eye.

As the sub-title suggests, in many ways a battle for the heart of America, both figuratively and literally, was taking place in the first half of the 19th century. Americans continued their westward expansion into the lands that Native Americans called their own, leading inevitably to bloodshed.

The Black Hawk War is perhaps generally unknown, but, as masterfully laid out here by Kerry A. Trask, it will never be forgotten once you read this book. You will gain an understanding of life on the frontier from both the Native American and "White" points of view. Once gained, this knowledge is quickly put to use as Trask details the various battles and encounters that took place during the War, as well as the rationale for them.

Many of the individuals on both sides are vividly brought to life, Henry Dodge on the American side certainly comes to mind, but it's Black Hawk himself, much an enigma, who will keep you enthralled.

10 of 10 people found the following review helpful.
Outstanding - Much more than dry history
By Ed Smith
I came upon this book entirely by accident while killing time waiting for a flight. I spent my first 21 years in Northwest Illinois, and while I only became interested in U.S. history 30 years after moving away, as Trask states at the end of this book, people from that part of the Midwest can't really get away from Black Hawk. It was certainly one of our myths, tangential to history, growing up there. I had no idea that Alexander Hamilton's son, sometime Indian fighter, had a fort within ten miles of my hometown and Henry Dodge, founder of Dodgeville, became a frontier hero in a nearby skirmish. Author Trask is dead-on contrasting today's sleepy Illinois-Wisconsin towns with their brief brushes with Black Hawk during the summer of 1832. The whole story fits nicely, or maybe awkwardly, into white America's concept of settling North America.

I found the book fascinating and an artful mix of history and perspective. There is just enough analysis of white and native interaction and perspective to keep this anything but a dry historical account. The research seems meticulous, the writing and editing superb, and the narrative strong enough to make the book a page turner. It is hard for me to imagine better coverage of the Black Hawk War.

I'll have to disagree with another reviewer who thinks Trask goes to far with naive, modernist analysis. I hate pedantic, term-paper analysis and frankly, I found very little here. I liked his Trickster analogy and was most happy this book was not a rote recital of historical events.

14 of 15 people found the following review helpful.
A new perspective.
By P. Rees
I had a personal interest in this book because the Black Hawk war was fought literally in my back yard. This engrossing book game me a new perspective of the circumstances about the war. The history and tradition of the Sauk, the onslaught of emigrant settlers and the clash of cultures are well depicted in the book Black Hawk. The savagery of the Sauk and the Militia, the famous people involved in the struggle and the intrigue and deception kept my interest and I didn't put the book down until it was finished. I highly recommend it.

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Rabu, 25 Maret 2015

~ Ebook Eclipse, by Richard North Patterson

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Eclipse, by Richard North Patterson

Eclipse, by Richard North Patterson



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Eclipse, by Richard North Patterson

The spellbinding story of an American lawyer who takes on a nearly impossible case—the defense of an African freedom fighter against his corrupt government’s charge of murder

Damon Pierce’s life has just reached a defining moment: a gifted California lawyer, he’s being divorced by his wife and his work often seems soulless. Then he receives a frantic e-mail from Marissa Brand Okari—a woman he loved years ago—and decides to risk everything to respond to her plea for help.

Marissa’s husband, Bobby Okari, is the charismatic leader of a freedom movement in the volatile west African nation of Luandia, which is being torn apart by the world’s craving for its vast supply of oil. Bobby’s outspoken opposition to the exploitation of his homeland by PetroGlobal—a giant American oil company with close ties to Luandia’s brutal government—has enraged General Savior Karama, the country’s autocratic ruler. After Bobby leads a protest rally during a full eclipse of the sun, everyone in his home village is massacred by government troops. And now Bobby has been arrested and charged with the murder of three PetroGlobal workers. Still drawn to Marissa, Pierce agrees to defend Bobby, hoping to save both Bobby and Marissa from almost certain death.  But the lethal politics of Luandia may cost Pierce his life instead.

Culminating in a dramatic show trial and a desperate race against time, Eclipse combines a thrilling narrative with a vivid look at the human cost of the global lust for oil. Here is Richard North Patterson at his compelling best, confirming his place as our most provocative author of popular fiction.

  • Sales Rank: #1995103 in Books
  • Brand: PowerbookMedic
  • Published on: 2009-01-06
  • Released on: 2009-01-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.13" h x 1.00" w x 9.25" l, 1.50 pounds
  • Binding: Hardcover
  • 369 pages

From Publishers Weekly
Starred Review. This stellar legal thriller from bestseller Patterson (Exile) both informs and entertains. On the eve of getting a divorce, Damon Pierce, a 40-year-old partner in a huge San Francisco, Calif., law firm, who specializes in international litigation, e-mails Marissa Brand, a woman he was once in love with in college, to update her on his life. Marissa is married to Bobby Okari, a firebrand reformer whose Nigeria-like country, Luandia, is awash in oil. With these riches come the usual scenarios: ecological disasters, a brutal dictator with murderous henchmen, a rapacious foreign oil company and an oppressed populace. After everyone in Okari's village is slaughtered, Bobby is arrested for the lynching of three oil workers. Damon, because he's a good man and because he's still in love with Marissa, signs on to defend Bobby from the bogus charge. Patterson has exerted all his considerable skill in creating a nightmare atmosphere that will cling to readers long after the last page is turned. Author tour. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Richard North Patterson is an anomaly in the whiz-bang world of political thrillers. A meticulous stylist with a keen understanding of human nature—in that sense, at least, his novels recall those of spymasters Robert Littell and John le Carre—Patterson constructs taut, gripping plots without sacrificing his characters' humanity. In Eclipse, he handles complex relationships with a "jeweler's eye" (San Francisco Chronicle) and his ripped-from-the-headlines story with the sangfroid of an old pro. As the Washington Postnotes, the novel succeeds on many levels. An endnote gives the book added historical weight, describing its inspiration—the death some 15 years ago of Ken Saro-Wiwa, an environmental and human rights activist hanged by a Nigerian general.
Copyright 2009 Bookmarks Publishing LLC

From Booklist
Patterson veers away from American politics in his latest and takes readers to the fictional African country of Luandia. California lawyer Damon Pierce responds to a cry for help from Marissa Brand Okari, who he fell in love with years ago but lost to another man, when her activist husband is arrested in Luandia. After Bobby Okari holds a peaceful demonstration in the town of Goro against the oil company PetroGlobal Luandia, he’s framed for the murder of three PGL employees. The government’s response is swift and appalling: soldiers slaughter civilians in Goro and arrest and torture Bobby.Damon agrees to defend Bobby before a tribunal, despite the extreme personal danger he faces in Luandia and the near certainty that Bobby will be killed. Patterson has done his research, modeling his tale on the execution in Nigeria of the activist Ken Saro-Wiwa. If the result isn’t quite edge-of-your-seat thrilling, his descriptions of the complex internal and external politics of Luandia are fascinating. Though most of the time it does feel like Pierce is wielding a “paper sword” (as one character aptly describes his efforts), Bobby’s plight and Pierce’s efforts in the face of insurmountable odds should engage Patterson fans. --Kristine Huntley

Most helpful customer reviews

18 of 18 people found the following review helpful.
"We demand an end to their tyranny."
By E. Bukowsky
Richard North Patterson's "Eclipse" takes place in the fictional West African nation of Luandia. One of the protagonists, Bobby Okari, is a Mandela-like figure who decides to organize his followers in protest against Luandia's dictatorial ruler, General Karama, and his henchmen, particularly the sadistic Colonel Okimbo. Although Okari espouses civil disobedience and non-violence, his adversaries do not hesitate to rape defenseless women, inflict torture, commit murder, burn villages, and despoil the land of its natural resources. Luandia is polluted, lawless, as well as economically, physically, and spiritually blighted. Karama has suspended the constitution, those who dare to speak out are incarcerated without trial by jury, and newspapers are shut down to prevent them from publicizing the outrages being perpetrated by Karama's corrupt government. Okari's goal is to foster regime change by rallying world opinion against the power brokers that are destroying the country for personal gain. Bobby demands that ordinary Luandians receive their fair share of "oil monies for schools, roads, clinics, [and] clean water to drink." His naiveté may cost him dearly.

Bobby's wife, Marissa, is a biracial woman who was born in America and followed her husband to Africa to support his crusade. She is terrified that Bobby's activism will cost him his life. Her close friend, Damon Pierce, is a California attorney who has carried a torch for Marissa since their college days. When Bobby is thrown in prison on trumped up charges, Damon offers his expertise to try to free him. However, what can one individual do to defeat an autocracy with strong ties to the oil-hungry United States?

Patterson is to be commended for his social conscience and for the considerable research that he conducted in order to produce this timely novel. Unfortunately, he falls into a common trap that tends to trip up writers who try to deliver a message in a work of fiction. The author lectures us repeatedly through his characters' stilted dialogue. He rails against the greed of nations that refuse to conserve energy and leaders who exploit their people in order to enrich themselves. Because the novel is so talky, any suspense that the courtroom scenes, Bobby's ordeal, and the budding romance between Damon and Marissa generate gradually drains away. What should have been an exciting and fast-paced thriller instead becomes a well-meaning but rather dull diatribe against the ways in which "oil blackens everything it touches."

35 of 40 people found the following review helpful.
On the Edge
By Free2Read
Richard North Patterson is an expert in providing courtroom drama that teaches the reader about the justice system, the corporate world, and the human heart.

In his new novel, "Eclipse," Patterson places his protagonist Damon Pierce in the midst of a power struggle between environmentalists, tribal groups in Luandia, and the conglomerate of petro-dollars and corruption symbolized by Luandia's corrupt, sadistic leadership.

Into this toxic political mix, Patterson throws Damon Pierce's abiding friendship and love for Marissa, a beautiful American he met at the University where Marissa's activist husband was speaking.

Years pass; Marissa continues to correspond with Pierce. Husband Bobby is in mortal danger from his activism. Only Pierce can rescue them.

The environmental disaster in Luandia matches up with the melt-down of Pierce's control over both his emotions and his own safety as he travels to Africa to defend Bobby Okari.

A compelling, if sometimes preachy, look at the Luandian people in the hands of greedy leaders and corporations where nothing matters more than money in the pockets of those who have the power to bring about change.

Advice to reader: do not let the first 50 pages impel you to toss this book. It gets better and better to the final explosive chapters.

14 of 14 people found the following review helpful.
A thought-provoking, timely novel
By Amazon Customer
Truly, this is a novel of our time. Set in the fictional, oil-rich African nation of Luandia, we find Bobby Okari, a well-spoken leader of an ethnic group called the Asari, who is trying, in true Mandela-like fashion, to achieve change through dialogue and peaceful protest. Opposing him is Karama Savior, the sadistic, power-hungry dictator who runs the country. Greed has ravaged the country, corrupting every level of government, and pollution is rampant thanks to those wishing to siphon off oil to make their own profit. The main company drilling for oil is PetroGlobal (or PGL), an American company.

When 3 PGL workers are found lynched, Bobby finds himself arrested on charges of murder and sedition, after having watched the annihilation of his village, and the slaughter of every inhabitant, at the hands of the military, led by Karama's top general Okimbo.

Drawn into the trial is Damon Pierce, an American lawyer, who years ago fell in love with Bobby's wife. He now finds himself risking his very life for the Okaris in a country where no one can be trusted, bribes are a way of life, and those who disagree with the regime routinely disappear.

The novel highlights our greed for oil, and the effect that this resource has on the countries who have it. At what point do we draw the line and ignore human rights abuses, or even genocide, when to pursue them could threaten our oil supply, potentially posing a risk to national security? Do we have absolute morals or are they subject to negotiation?

These, then, are the principle questions the reader must ask himself as he finds himself inexorably drawn to the conclusion, desperately hoping for some way out for Bobby.

Using Nigeria as a model for his fictional country, and a similar situation that actually happened, I cannot think of a more timely novel, or a more disturbing concept than our morals being held ransom for the cost of cheap gas.

I highly recommend this book.

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Minggu, 22 Maret 2015

^ PDF Ebook Night Driving, by John Coy

PDF Ebook Night Driving, by John Coy

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Night Driving, by John Coy

A warm-hearted portrait of a simple event that encapsulates the bond between a father and a son.

This warm and thoughtful story about a father and son on an all-night drive to the mountains is just right for Father's Day.

  • Sales Rank: #879589 in Books
  • Brand: Square Fish
  • Published on: 2001-05
  • Released on: 2001-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.74" h x .18" w x 9.40" l, .34 pounds
  • Binding: Paperback
  • 32 pages

Amazon.com Review
The luminous pencil drawings of Peter McCarty that illustrate Night Driving capture the simple, memorable story of a young boy's nighttime car ride with Dad. Cruising rural highways, watching the stars, and listening to a ball game on the radio on the way to the mountains for a camping trip--this is the stuff of permanent childhood memories. John Coy's prose captures the events and feeling of that trip in a subtle, beautiful style.

From Publishers Weekly
Mood replaces plot in Coy's debut book, which describes a father and son's all-night road trip in the '50s. Action is spare and archetypal: they see a deer, fix a flat, stop for breakfast at a diner. The author establishes the sweetness of the father/son relationship, but doesn't offer much meat in his storytelling. McCarty's (Frozen Man) soft pencil illustrations look like black-and-white photos blurred and bleached by the passage of time; even so, they seem to glow with the refracted beams from the car's headlights. There is a quiet, insistent power to the art, but the sensibility is almost implacably adult. Kids will likely be frustrated by the limited ability of black-and-white illustrations to represent such references as the sun setting "in a mix of orange and pink." While this treatment?and this topic?may nourish the nostalgia of parents, the primary audience may be asking, "Are we there yet?" long before the end of the drive. Ages 4-7.
Copyright 1996 Reed Business Information, Inc.

From School Library Journal
Kindergarten-Grade 3?"My dad and I are driving west...I'm excited because it's my first trip to the mountains and we're going to sleep in a tent." Soon, night falls, and their journey is marked by the vast prairies in the moonlight, a flat tire, conversations and car games, a hurried visit to an outhouse where "...it's dark and flies buzz," and, toward dawn, a stop at a roadside diner. When they're done with breakfast, the boy is surprised by the daylight: "Suddenly, I see giant peaks, sharp as bear's teeth, that push into the sky. 'Look, Dad, the mountains.' " Told in the first person in the present tense, the narrative has an immediacy that is an interesting contrast to its overall nostalgic tone. The closeness between father and son is depicted in a nicely understated way. Coy has captured the fresh perspective and simple voice of a child. McCarty's soft pencil drawings show a postwar era, with old cars and billboards and a very low-tech pup tent. The illustrations' still, slightly surreal quality is appropriate to the mood. A distinctive book that may need some selling, but that will appeal to many kids once they get into it.?Lauralyn Persson, Wilmette Public Library, IL
Copyright 1996 Reed Business Information, Inc.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Escape with your child into Night Driving
By A Customer
This book is one of the few truley magical books. There is nothing better than to lie in bed reading this book to my 7-year old son. The book could almost be thought of as two books - the text and the pictures. You can imagine everything by the very descriptive text - it takes you on the journey of father and son as they travel "to the mountains". The text is even paced and allows you (and your son) to travel along with them. The pencil drawings are of a quality not usually found in children's books. Just take a look at the pictures without the words and the same magical feeling comes to you. This is probably a book for fathers and sons but anyone who is interested in quality children's books will love this one. Highest recomendation.

10 of 10 people found the following review helpful.
Road Trip: Getting There IS the Fun
By Carrie Mercer
"Are we almost there?" asks the child-narrator on the first page. "Oh no, it's a long way. We'll do some night driving," says Dad. In John Coy's first picture book, we journey along with a father and son as they make their way to the mountains for the boy's first camping trip. As the hours pass, they find plenty to do together: listen to baseball games on the radio, sing cowboy songs ,watch for deer munching grass at the side of the road. When the car gets a flat tire, there is time to see, away from the lights of the city, a sky thick with stars. Although Peter McCarty has previously illustrated children's books (Mary on Horseback, most recently), this is his first picture book. His soft charcoal portraits of father and son work well with Coy's spare text. He magically transforms white space into cool moonlight-reflecting off Dad's baseball cap as he leans against the car watching his son, pooling in the prairie grass, and cocooning the car as it glides through the darkness. "Making good time" was a phrase my father liked to use when we took road trips-he meant we were getting there as fast as humanly possible with emergency stops only and no dawdling. But as Night Driving gently reminds us, good time is always passing. We can either kill it, or spend it like a jar of saved-up pennies.

1 of 1 people found the following review helpful.
A SIMPLE, WARM AND TOUCHING TALE OF BONDING...I do like this one!
By D. Blankenship
I am always rather amazed that this work is not more widely known. What a simple, sweet and somewhat, in an odd sort of way, haunting story. It is simple. A father and young boy are taking a trip to the mountains:

"My dad and I are driving west.
We started this afternoon, and I'm excited because it's my first trip
to the mountains and we are going to sleep in a tent.
Ahead, the sun sets in a mix of orange and pink.
`Are we almost there?'
`Oh no, it's a long way. We'll do some night driving.'
`why are we going to drive at night?'
`It's cooler when the sun is down and we have the road to ourselves.
We should see the mountains by morning.'"

A quite story and a simple story, yes. A journey by a young lad and his father; driving through the night. Thoughts, events, snatches of conversation. The simple act of the boy's father pouring coffee from his thermos is an event. A brief glimpse of a deer in the head lights; a common enough event, becomes somehow rather profound. Stopping for rest and a snack, a flat tire...it is fix...the journey continues.

The time is either the late 1940s or probably early 1950s; a slower time when time is to be had.

This is really two books in one. First you have a smooth, almost lyrical prose, that is soothing while still holding the excitement of the young man's first visit to the mountains. You sense a deep bonding with his father through what some may see and mundane everyday events - but are they?

Secondly you have the art work by Peer McCarty. All I can say is "wow.' All is done in pencil. All has a misty quality about it...soft and flowing; not jagged edges here. It is really remarkable what McCarty does with his shading and shadows. The entire work looks as if he has done it with an air brush. You never see a vast vista; no, all is centered on his subject but by combining the text with the pictures you "just know" there is a very wide world out there waiting to be discovered by the young boy and introduced by the father.

This is a delightful work; delightful for both the young and the not so young. Don't let this one slip by you.

Don Blankenship
The Ozarks

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Jumat, 20 Maret 2015

!! Ebook Free The Fox Inheritance (The Jenna Fox Chronicles), by Mary E. Pearson

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The Fox Inheritance (The Jenna Fox Chronicles), by Mary E. Pearson

Once there were three. Three friends who loved each other―Jenna, Locke, and Kara. And after a terrible accident destroyed their bodies, their three minds were kept alive, spinning in a digital netherworld. Even in that disembodied nightmare, they were still together. At least at first. When Jenna disappeared, Locke and Kara had to go on without her. Decades passed, and then centuries.

Two-hundred-and-sixty years later, they have been released at last. Given new, perfect bodies, Locke and Kara awaken to a world they know nothing about, where everyone they once knew and loved is long dead.

Everyone except Jenna Fox.

  • Sales Rank: #1357261 in Books
  • Brand: Henry Holt and Co
  • Published on: 2011-08-30
  • Released on: 2011-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x 1.13" w x 5.28" l, .77 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Fiction
  • Childrens Books
  • Mystery

Review

“This is a mesmerizing story that will be greeted enthusiastically by Jenna Fox fans.” ―VOYA

“The ethical debates around whether science should be limited by conscience and not just ability are well integrated into a story that is equally strong as an exploration of home, identity, and the meaning of survival.” ―BCCB

“A gripping story that begs the question: Do you really know what lies at the genesis of your friend's biology, psyche or even their heart?” ―Shelf Awareness

“…the story is gripping, urgent, and highly appealing…” ―School Library Journal

“...it is through his [Locke's] viewpoint that we experience the confusing futuristic world, the thrilling suspense of the chase, the charged emotional reunion of the friends, and the admirably complex playing out of the issues of trust, ethics, and betrayal.” ―Horn Book Magazine

“A dazzling blend of science fiction, mystery, and teen friendship drama…” ―Publishers Weekly, starred review

“...the book's timely and haunting questions will leave thoughtful readers with much to ponder.” ―Kirkus Reviews

“In this futuristic follow-up, Pearson pries open the most haunting element of Jenna Fox's world: disembodied minds trapped in computers. Questions of human identity and nightmarish medical technology drive this riveting, thought-provoking sequel.” ―Suzanne Collins, author of The Hunger Games

About the Author

Mary E. Pearson is the author of bestselling, award-winning novels for teens. The Miles Between was named a Kirkus Best Book of the Year, and The Adoration of Jenna Fox was listed as a Bank Street Best Children's Book of the Year, an IRA Young Adult Choice, NYPL Stuff for the Teen Age, and a School Library Journal Best Book of the Year. She is also the author of A Room on Lorelei Street, David v. God, and Scribbler of Dreams.

Pearson studied at Long Beach State University and San Diego State University. She writes full-time from her home in Carlsbad, California, where she lives with her husband and two dogs.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
 
My hands close around the heavy drape, twisting it into a thick cord.
About the same thickness as a neck.
I drop my hands to my sides and wipe them on my trousers like someone might see my thoughts on my palms. Someone like Dr. Gatsbro. I wonder just how much he really knows about me.
I look out the window. From the second floor, Dr. Gatsbro is a speck on the lawn. The girl I’m supposed to know stands a few yards away from him. I watch him talking to her. She ignores him like he is nothing more than vapor. I don’t know if it’s deliberate, or if her mind is trapped, like mine often is, in another dark lifetime that won’t let me go. There’s a lot I don’t understand about her, at least the way she is now, and though I’m a head taller and at least fifty pounds heavier than she is, I’m afraid of her. What is it? Something in her eyes? But I’m not sure I can trust my own eyes yet. Even my hands frighten me. Does Dr. Gatsbro know this too? He seems to know everything.
I turn away, looking at a wall of ancient bound books, and another wall covered with artifacts that reach back to some primordial age. Dr. Gatsbro is a collector. Are we part of his collection? Like stolen paintings that can’t be shown to anyone? Only for private viewing? His estate is miles from anywhere, and we have never been beyond its gates.
He has spent the last year teaching us, helping us, explaining to us, testing us. But some things in this world are unexplainable. Maybe that’s where he made his mistake, especially with us. Three months ago, he stopped being teacher and became prey. At least for her. I fear for him. I fear for me.
I return to the window to see if they’re coming. It’s time for our morning appointment. They’re closer to the house now, but Dr. Gatsbro is still yards from her. I try to read his lips, a skill I never had before, but his hand cups his chin and blocks my view.
Her back is to me. Her head tilts in one direction, and then slowly in the other, like she’s weighing a thought. She suddenly whirls and looks straight up at the window. At me. She smiles, her eyes as cold as ice. Her lips purse together in a kiss, and I feel their frost on my cheek.
I cannot turn away, though I know that would be the safest thing to do. I cannot turn away because she has an advantage over me. I cannot turn away for a reason she knows too well.
Because I love her.
She is all I have left.
I force my legs to move. To step away from the window. One step. Another. The last thing I see is her head toss back as she laughs. I fall backward into Dr. Gatsbro’s chair, running my hands over the arms, listening to the quiet rasp of skin on leather, listening to his antique clock tick, listening to the squeak of the chair as I rock, and finally, listening to their footsteps on the stairs—his, heavy and shuffling; hers, like a cat, following stealthily behind.
“Locke, you’re here. Good.” Dr. Gatsbro crosses the room, and I relinquish his seat to him. He sits down, and I listen to the whoosh of air that leaves the chair under his weight, like the breath has been snuffed from it. “Sorry if we kept you waiting. We lost track of time out in the garden. Isn’t that right, Kara?”
She looks at me, her eyes narrowing to slits, her hair a shiny black curtain barely sweeping her shoulders. Her lips are perfect, red as they have always been, red as I remember, but the smile behind them is not the same.
“That’s right, Doc,” she answers. “Time got away from us.”
“Shall we begin, then?” Dr. Gatsbro asks.
I think she already has.


 
Text copyright © 2011 by Mary E. Pearson

Most helpful customer reviews

10 of 11 people found the following review helpful.
Great Sequel to the Adoration of Jenna Fox
By Beverly L. Archer
I received an Advance Reader's Copy of this book through the Amazon Vine Program in exchange for an honest review.
The Fox Inheritance by Mary E. Pearson - scheduled for release on August 30, 2011.

From the back of the book:

"They say time heals all wounds, but they're wrong. After a terrible accident destroyed their bodies, the minds of three best friends were kept alive, spinning in a digital netherworld. Even in that disembodied nightmare, they were still together. At least at first. When Jenna disappeared, Lock and Kara had to go on without her. Decades passed, and then centuries.

Two hundred and sixty years later, they have been released at last. Given new, perfect bodies, Lock and Kara awaken to a world they know nothing about, where everyone they once knew and loved is long dead. Everyone . . . except Jenna Fox."
This is a well written, engaging sequel to Pearson's The Adoration of Jenna Fox. I have to admit that with the way that book ended, I did not expect there to be a sequel. Sometimes it's nice to be surprised. Though I enjoyed both books, I have to say I enjoyed this sequel more.

What I liked about the book: It's a page turner. Even though I would classify this as a sci-fi book, it's also a thriller. There's a cross country chase, a mystery, and of course the good guys vs the bad guys. It even includes an ethical dilemma regarding bio-engineering. How far should we go to save/extend life? I liked that even though this is a sequel, it could very easily be a stand alone read. Pearson has created well developed characters (even the ones I didn't like - like Kara) and she's a master at world building.

What I didn't like about the book: I liked it all.

Fans of sci-fi futuristic stories will enjoy this book. It has a touch of dystopian flavor to it as well, though not enough that I would classify it as a dystopian novel.

Review also published at: [...]

11 of 13 people found the following review helpful.
So disappointed.
By Shannon
I try never to leave bad reviews, and I really don't want to disparage someone's work. I understand that writing a book takes a lot of time and effort, and reading it takes next to none. It seems unfair then to write anything bad flippantly.

That said, I really, really didn't like this book. And I LOVED the Adoration of Jenna Fox. What's more, it ruined that book for me. "Adoration" is one of those books that stays with you. I read it quite a few years ago, and can remember pretty much every detail. I found it fascinating then, and shockingly poignant after having children. It's one of the most memorable stories I've ever heard.

I was excited to find this book recently. Unfortunately, it's unpleasant, slow, and without a plot. I didn't particularly like Locke, and hated Kara. There was no real depth to either character. The thought of them spending so long in hell was the focus of the first part of the book, and it was unpleasantly dark and unproductive. Understandably, one would come through that changed, though Locke seemed as immature and needy after as he was before. The whole book had a futility to it that, along with the lack of forward movement, made it a difficult read.

I had found Jenna's destruction of Kara and Locke in "Adoration" to be touching and sad, and this completely undermined that. In addition, It takes nearly the first half of the novel for them to escape, and the second half for them to find Jenna. After that, Kara's actions make no sense, and we aren't privy to any of her thoughts except her irrational anger. And Locke stupidly knows that Kara is dangerous, but keeps genuinely trying to reassure Jenna that she's not. That also made no sense.

The plot could be summed up in less than a paragraph, and is an unnecessary addition to the original story. Honestly, it reads as if the author wrote it for a quick sell, to capitalize on the success of "Adoration." If that's not the case, then I apologize. This book was NOT for me, though "Adoration" was. I won't be buying the next one in the series.

7 of 8 people found the following review helpful.
3.5 Stars
By Jessie Potts
The Fox Inheritance reminds me of Scott Westerfeld's Extras. I mean it as the original book (or books) had a clear plot and ending and then the author decided to go ahead and add another book to the mix. While I liked Extras and The Fox Inheritance, I felt like it was not a true part of the earlier book/s. That didn't mean the book wasn't good, just not as good as the original/s.

I understand why the author felt like she had to write another book... we had no idea what happened to Locke and Kara, I mean we know what happened to their hard drives (through Jenna's book) but we really only knew `of' them and not them. There were a lot of questions and this book did a good job of answering the questions, as well as letting readers really get to know these two, and Jenna through their eyes. Locke and Kara were never destroyed, or at least a copy of them wasn't. Two centuries later a scientist decides to give them bodies. Not only do they have to adapt, they have to come to terms with the fact that they believe Jenna didn't `save' them. Kara especially is violent and angry. Not to mention they only had each other in the blackness to keep sane... now they have an entirely new world, one they don't understand.

On a whole this book was enjoyable, I wanted to finish it and I thought that having Locke be the one to tell the story was great. It isn't at the same level as The Adoration of Jenna Fox was, though I'm not sure that could have been changed. The book might start off slow but I would urge readers to keep going because the book speeds up as well as starts to really come together near the middle. I believe this is going to be a series, and I bet it will get even better. Enjoy.

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