Senin, 29 Februari 2016

!! Fee Download The New York Times Essential Library: Jazz: A Critic's Guide to the 100 Most Important Recordings, by Ben Ratliff

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The New York Times Essential Library: Jazz: A Critic's Guide to the 100 Most Important Recordings, by Ben Ratliff



The New York Times Essential Library: Jazz: A Critic's Guide to the 100 Most Important Recordings, by Ben Ratliff

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The New York Times Essential Library: Jazz: A Critic's Guide to the 100 Most Important Recordings, by Ben Ratliff

A connoisseur's tour through the great American art form

A Love Supreme. Miles Ahead. Brubeck Time. Yardbird Suite. The Sidewinder. For newcomers just beginning their library of recordings, and for longtime fans looking to deepen their understanding, New York Times jazz critic Ben Ratliff offers an assertive, deeply knowledgeable collector's guide, full of opinions and insights on the one hundred greatest recorded works of jazz.

From the rare early recordings of Louis Armstrong, through Duke Ellington, Benny Goodman's seminal Carnegie Hall concert, and the lions of the bebop era, to the transformative Miles Davis and several less-canonized artists, such as Chano Pozo, Jimmy Giuffre, and Greg Osby, who have made equally significant contributions, Ratliff places each recording in the greater context and explains its importance in the development of the form. Taken together, these original essays add up to a brief history of jazz, highlighting milestone events, legendary players, critical trends, and artistic breakthroughs.

  • Sales Rank: #235770 in Books
  • Brand: Brand: Times Books
  • Published on: 2002-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.44" h x .69" w x 5.36" l, .70 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Used Book in Good Condition

From Library Journal
Ratliff, a music critic for the New York Times, presents essays on what he considers the 100 most important jazz recordings. In each, he discusses a recording's merits and shortcomings and includes a list of its performers. He seems to address the younger or potential jazz fan; otherwise, how could one explain his comparisons of mid-20th century jazz performances to those of Nirvana and Sonic Youth? Straight and to the point, Ratliff acts as an advocate for what he sees as a popular art form in need of an infusion of interest. This informative book is heavy on obvious albums by Miles Davis, Billie Holiday, John Coltrane, Ella Fitzgerald, and Charlie Parker, but the inclusion of Jeanne Lee, Bob Wills and His Texas Playboys, "Baby Face" Willette, and present-day phenomenon Jason Moran illustrates Ratliff's catholic view of the jazz genre. Also included is a list (title, main performer, date, and record label information only) of a second 100 recordings. This might not be a book that jazz fans will buy for their personal libraries-they have probably already formed their own tastes and list of favorites-but as a guide for the uninitiated it is essential for academic music libraries and public libraries large and small. It would also be most useful for collection development librarians building a well-rounded jazz CD collection.
James E. Perone, Mt. Union Coll., Alliance, OH
Copyright 2002 Reed Business Information, Inc.

From Booklist
Ratliff's essential jazz-records book separates itself from the herd at once by starting its chronological listing with The Creators of Jazz by the Original Dixieland Jazz Band, the white outfit that ever since it recorded jazz first has been tarred for crudely ripping off black music. Ratliff defends the ODJB's music making as well as its historic importance while granting that its leader may have been the worst racist in jazz history. Later, he includes, with warm appreciation, Latin jazz players Chano Pozo, Machito, Eddie Palmieri, and Moacir Santos, who aren't even listed in some huge jazz record guides. He has smart and persuasive essays on why underrated popular jazzmen John Kirby, Ahmad Jamal, and "Baby Face" Willette deserve places in the pantheon. He even gives the nod to difficult, dissonant experimenters Cecil Taylor, Albert Ayler, Roscoe Mitchell, and Evan Parker, whom many jazz historians barely tolerate. All that, and Armstrong, Ellington, Holiday, Basie, Tatum, "Bird," Monk, Mingus, Miles, and the others everybody expects to be in on this jam, too. Damn good book. Ray Olson
Copyright © American Library Association. All rights reserved

About the Author
Ben Ratliff is the jazz critic at The New York Times. He lives in Manhattan with his wife and two sons.

Most helpful customer reviews

8 of 10 people found the following review helpful.
Decent introduction to jazz
By Joseph Scott
The recommendations in this book are all solid and classic. The brief essays about the recordings are fairly erudite, but I find the tone slightly pretentious at times. I agree with another reviewer in that he tends to write about himself instead of striving for a more objective description of the recordings.

Obviously, a list of 100 recordings cannot begin to justice to the enormous quantity of jazz available. Ratliff's list concentrates more on established "classics" than on modern players -- you will not find Brad Mehldau, Kenny Garrett, Kurt Rosenwinkel, or Nick Payton. Nor will you find more "approachable" but great contemporary musicians such as Kurt Elling and Luciana Souza. Because of this, I do not recommend the guide to someone who wants to get an idea of where jazz is right now. It is more of a historical introduction than a guide for modern listeners. This is not meant as criticism; that is probably what Ratliff intended.

Overall, this book would be a decent place to start for the jazz newbie (or even for the seasoned listener, who may have neglected some or many of these recordings).

34 of 37 people found the following review helpful.
Unfair
By Poncho
The reviews here have been too harsh to this book. This book is not meant by any strech to be a replacement for the Penguin Jazz on CD Guide, but as a list and analysis of 100 very good jazz CDs it isn't bad at all. The reviews are generally insightful and informative, and the book contains a fine balance of big band, be-bop, and post-bop, with all the colours in between. (His defense of Cecil Taylor is particularly refreshing.) I might quibble with the title, but no list of 100 CDs will satisfy every reader as including all the "essentials." The main list, combined with the additional 100 CDs listed in the appendix, would provide enough listening enjoyment for a lifetime.

7 of 9 people found the following review helpful.
A Clear, Helpful Introduction to Buying Jazz Today
By T. Browning
Ratliff's style is accessible, direct, and relevant to younger folks hoping to discover jazz recordings of merit. One of his themes is that jazz can both be good art and entertain at the same time, which is fantastic in my view because too many folks are intimidated by "America's classical music." Buy this book and you'll reference it a hundred times when hoping to expand your knowledge of the music, I guarantee.

See all 6 customer reviews...

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Minggu, 28 Februari 2016

# Download The River Queen: A Memoir, by Mary Morris

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The River Queen: A Memoir, by Mary Morris

This story of a middle-aged woman's odyssey down the Mississippi River is a funny, beautifully written, and poignant tale of a journey that transforms a life
In fall 2005 acclaimed travel writer Mary Morris set off  down the Mississippi in a battered old houseboat called the River Queen, with two river rats named Tom and Jerry--and a rat terrier, named Samantha Jean, who hated her. It was a time of emotional turmoil for Morris. Her father had just died; her daughter was leaving home; life was changing all around her. It was then she decided to return to the Midwest where she was from, to the river she remembered, where her father had played jazz piano in tiny towns.
Morris describes living like a pirate and surviving a tornado. Because of Katrina, oil prices, and drought, the river was often empty--a ghost river--and Morris experienced it as Joliet and Marquette had four hundred years earlier. As she learned to pilot her beloved River Queen without running aground and made peace with Samantha Jean, Morris got her groove back, reconnecting to her past. More important, she came away with her best book, a bittersweet travel tale told in the very real voice of a smart, sad, funny, gutsy, and absolutely appealing woman.

  • Sales Rank: #2739260 in Books
  • Published on: 2007-04-03
  • Released on: 2007-04-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .88" w x 5.75" l,
  • Binding: Hardcover
  • 288 pages

From Publishers Weekly
In this chronicle of a self-imposed journey down the Upper Mississippi River, Morris (Nothing to Declare) attempts to figure out her future and enjoy herself. After her daughter leaves for college and her father dies, Morris opts to jump aboard a houseboat, hoping the quest will help her navigate life's troughs. It's a great idea, but the voyage is tough on the reader. Morris is a touchy trekker, making her less than a great travel companion. Until the last third of the book, she's distressed by just about everything having to do with the venture. The cramped quarters on the houseboat, the food, the once booming river towns now mostly boarded up and lonely, and the sometimes tedious pace all cause her consternation. "I hate pizza. I hate all that doughy stuff. I want a meal, shower, amenities," sums up her attitude for most of the trip. Morris sprinkles the narrative with tantalizing bits of fact and opinion regarding both the human and natural environments she encounters. This is where the book sparkles. But often she barely skims the surface, leaving the reader thirsty for more. Sadly, by the time Morris regains her spirit and begins to enjoy the adventure, readers may have jumped ship. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Morris' blend of travel writing and memoir makes for an unusual book. Cast as a midlife adventure, it documents Morris' journey down the Mississippi River in the wake of her father's death and her daughter's departure for college. She does not know what she is looking for, but she sets out in pursuit of her father's childhood stories and hopes to find some new personal direction. On a hired boat with two men she has never before met, Morris recounts a life shaped by a love for reading and a father who was both dynamic and difficult. Trying to reckon the man she knew with the places she visits, Morris is a delightfully curious traveler who walks the main streets of towns struggling to survive and explores booming tourist hot spots. She has an excellent capacity to be at once acerbic and impressed, and readers settle into Morris' story as if she is an old friend. Her poignant struggles will particularly resonate with women of a similar age. Perfect for book groups, The River Queen is a pleasure to read. Colleen Mondor
Copyright © American Library Association. All rights reserved

Review
"In The River Queen Mary Morris once again demonstrates her wit, eloquence, generosity, curiosity and compassion as she takes us on a journey into the past and the present, into a very particular American landscape and her own complicated history.  She is the ideal traveling companion."--Margot Livesey, author of Eva Moves the Furniture and other novels
 
"If you don't know Mary Morris's name, you should: she writes from the heart with grace and wit and poetry, finding words for the loves and the losses we all have and can't ever seem to describe.  Morris's latest memoir is a valentine to the bonds and the breaks between fathers and daughters, the steady flow of family, the tributaries that divert us from the journeys we must take to find our way home. The River Queen is my new favorite book; I wish I'd been the one to write something so flawless, so honest, and so resonant."--Jodi Picoult, New York Times bestselling author of My Sister's Keeper and Nineteen Minutes "On the surface, Mary Morris's midlife journey of memory and mourning may meander down the Mississippi River, but underneath the water courses a poignant story of acceptance and resolution. Not one to sugar-coat her observations, her travelogue compellingly weaves her inner and outer journeys, resulting in a quietly moving memoir filled with humor, compassion, and honesty."--Liz Perle, author of Money: A Memoir   "Mary Morris has woven together the strands of her own life--mother, daughter, wife, writer, traveler, woman of the world--and created a rich and colorful tapestry in The River Queen. She is both tour guide and sorceress, conjuring one indelible scene after the next, making this book impossible to put down. I laughed out loud and I cried in public while reading this remarkable, moving memoir."--Dani Shapiro, author of Family History and Black & White   
 
The emotion in this book is wonderfully sly--it creeps up on you.  Like the Mississippi itself, it winds in a seeming meander, just following the buoys, day following day, but in fact there is tremendous build in the inquiry of the heart, powerful attachment to an America not only lost but perhaps always imaginary. It's a wonderful adventure, going with you on this trip downriver, to the depths of your own history and heart. --Patricia Hampl, author of Blue Arabesque 

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book really tells it like it is on the upper Mississippi River
By Barbara Hameister
This book really tells it like it is on the upper Mississippi River, I have been sharing this book with several other friends who also know and love the Upper Mississippi and they have been equally pleased.

14 of 15 people found the following review helpful.
A Personal Journey
By B. A Libby
Mary Morris' father lived to the age of 102. He was many things during his long life; dandy, ladies man, business man, developer, husband and father. He also left strong memories in his daughter of his uncontrollable and unreasonable rages that he took out on whatever family member happened to be near. A portion of his life, but by no means all of it, was spent in small towns along the banks of the Mississippi River. Mary hires a houseboat, and sets off on a journey down the river to try and reconcile her grief, ambivalent feelings, and understand her father's roots better. Sounds like a fascinating journey. The trip down the river is an adventure in itself, encountering hurricanes, hazardous currents, and busy shipping channels that make navigating the houseboat a serious undertaking. Ms Morris writes well. The story flows, and the transit between musings on her memories and telling the story of her river journey is smooth and not jarring. It is a well written book. However, the story both of the river trip and her father seemed superficial to me. She tells mostly of everyday occurrences; who cooks dinner, where they eat on the boat, and the never-ending quest for a hot shower. The towns they visit are only given sketchy portrayal. She mostly doesn't care for the people they meet, and gives them a wide, therefore un-insightful berth. Her father's life lives within the same boundaries her memory supplied before the trip. She finds no insight, does not experience either elation, grief, or camaraderie of his memory by being on the river. A good travel book can be engrossing. A good book of exploration of familial ties can be enlightening. I was neither engrossed, nor enlightened, but I was also not bored to the point of giving up. I read the book waiting for the "other shoe to fall", and it never does. Nor will I take any memories from this book as I lead my life. I read it, it's done. Reading this book is like holding a handful of Mississippi river water; it trickles between your fingers, then it's gone.

7 of 7 people found the following review helpful.
River Queen strikes a chord
By John Spear
I grew up in the same town Mary Morris's father lived near many decades earlier. Her discovery of the mystic nature of the River (as the Mississippi is simply called), her quest to discover the roots she distanced herself from as an adult, and her dead-on description of the small towns all along that River, struck a chord deep within me.

Mark Twain, of course, best gives voice to the mystical, magical nature of the Mississippi River, but Mary discovers in the 21st century that the very real spirit of the River still lives not only in her crew but also deep within her.

Mary also explores her feelings about her recently deceased father; by the end of her journey, she has discovered as much about herself as about the places her father lived as a young man.

And Mary's descriptions of the small River towns paint a perfect picture of communities turning their municipal backs on the River, the highway that made their very existence possible, and turning instead to the same suburban malls and suburban sprawl that one can find everywhere in America.

I commend this book to anyone who thinks about their family roots, to anyone who wonders if Twain's River exists anymore (it does), and to anyone who wonders where we came from as a nation of unique small towns to an America of numbing sameness.

See all 20 customer reviews...

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Jumat, 26 Februari 2016

^^ PDF Ebook The Survival Game: How Game Theory Explains the Biology of Cooperation and Competition, by David P. Barash

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The Survival Game: How Game Theory Explains the Biology of Cooperation and Competition, by David P. Barash

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The Survival Game: How Game Theory Explains the Biology of Cooperation and Competition, by David P. Barash

"An accessible, intriguing explanation of game theory . . . that can help explain much human behavior." -Seattle Post-Intelligencer

Humans, like bacteria, woodchucks, chimpanzees, and other animals, compete or cooperate in order to get food, shelter, territory, and other resources to survive. But how do they decide whether to muscle out or team up with the competition?

In The Survival Game, David P. Barash synthesizes the newest ideas from psychology, economics, and biology to explore and explain the roots of human strategy. Drawing on game theory-the study of how individuals make decisions-he explores the give-and-take of spouses in determining an evening's plans, the behavior of investors in a market bubble, and the maneuvers of generals on a battlefield alongside the mating and fighting strategies of "less rational" animals. Ultimately, Barash's lively and clear examples shed light on what makes our decisions human, and what we can glean from game theory and the natural world as we negotiate and compete every day.

  • Sales Rank: #1384631 in Books
  • Brand: Brand: Holt Paperbacks
  • Published on: 2004-09-01
  • Released on: 2004-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .71" w x 5.50" l, .90 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Game theory attempts to explain the dynamics of life as a series of individual games, each involving specific moves that take place within a strictly delineated set of rules. Depending on whom you ask, it's either a brilliant tool for analyzing the complexities of social life or hopelessly reductionist. Zoologist and professor of psychology Barash (coauthor of The Myth of Monogamy), who emphatically falls into the former camp, proves an apt popularizer of the basics of the field, and his book reads like an introductory seminar led by a friendly professor with a slightly corny sense of humor. Readers who have never heard of the Prisoner's Dilemma or the Game of Chicken will find Barash's explanations accessible, while those who are already familiar with the basics of game theory can appreciate the wealth of historical, biological and hypothetical cases to which he applies its methods, ranging from the Bush administration's foreign policy in the spring of 2003 to the behavior of sponge-dwelling isopods in the Gulf of California. Though persuasive, game theory as laid out here and in other works (the best known being Richard Dawkins's The Selfish Gene) can often seem harshly rational in its cold calculations of life and death, and Barash himself writes in his conclusion, "[F]or a long time I have really loved game theory, and, for about as long, I've hated it." By the end of this highly readable introduction, readers will understand quite well what he means.--or a long time I have really loved game theory, and, for about as long, I've hated it." By the end of this highly readable introduction, readers will understand quite well what he means.
Copyright 2003 Reed Business Information, Inc.

Review
“Barash combines game theory with evolutionary biology, arguing that the strategic choices people make as they go through life [are] encoded in their brains by millions of years of evolution . . . His examples-including farm economics, jungle mating strategies and World War II battlefields-are convincing.” ―The Washington Post

About the Author

A professor of psychology at the University of Washington in Seattle, zoologist David P. Barash is the author of more than a dozen books, including The Myth of Monogamy (0-8050-7136-9) and The Mammal in the Mirror. He lives in Redmond, Washington.

Most helpful customer reviews

17 of 18 people found the following review helpful.
A level playing field?
By Stephen A. Haines
The roots of game theory in biology go back several decades. Roger Fisher's studies in the 1930s are generally credited with initiating the concept. Later, Robert Axelrod and others expanded the idea with structured game applications. The most famous of these is the Prisoner's Dilemma, where two charged thieves are offered "deals" by authorities. Prisoner's Dilemma is easily played by any two people with a moderator. The point of the game is to reconcile the issues of "defection" and "cooperation" with various "payoffs". As Barash shows, the game is played often, usually unconsciously, by many people under varying conditions. It is an underlying theme in many international situations. Barash here introduces us to the basics of game theory, with many illustrative examples in human and other animal behaviour.

From simple game propositions, Barash goes on to explain the many variations and how to assess them. Instead of mathematical equations, which he eschews in the opening chapter, Barash provides matrix box sets with players, options and outcome results for each game set. He then explains the logic of strategy variations for a single game encounter. He points out that single encounters may neither validate the game nor the strategy applied. The most famous variation of Prisoner's Dilemma is called Tit-for-Tat. This game's bizarre history is recounted well - it was twice chosen the best option in a contest for "best strategy". In this game, a form of Prisoner's Dilemma is played repeatedly - with the caveat that whatever your opponent does, you must respond in kind. The game's simple rule shattered many myths about the foundations of human behaviour. Genes may be selfish, but humans are not. Cooperation has its own payoffs.

Once applied only to humanity, game theory has found many examples throughout Nature, and not just animals. Since part of game theory deals with resource use, even forest trees can be shown to apply it to growth patterns. Jungle frogs, in their competitive mating strategies make decisions explainable by Barash's matrix diagrams. How far, then, can its usefulness extend. As game theory has been demonstrated to have nearly universal meaning, critics have raised objections. Americans, as Barash carefully notes, find it objectionable on the grounds it shatters their myth of "rugged individualism" - the notion that success comes to whoever goes out and grabs it by the scruff of the neck, ignoring objections of others. Others have decried attempts to apply it to every human circumstance. Barash dismisses this critique as overstated. Game theory isn't a universal "theory of everything" - a quest physicists have vainly sought for years. On the other hand, America, as with every society, must play the Social Dilemma Game - Personal Gain versus the Public Good.

Barash's examples are mixed biology, diplomacy, domestic politics and personal encounters. Although he regrets the little attention paid to game theory by the general public, he ably demonstrates why this book should redress that situation. Game theory is not a game - it's real life. This author's perceptive observations and excellent presentation make this work a compelling read. It's a fine item to have at hand when watching debates, hearing of a new cockpit of potential international conflict or even negotiations between businesses or employment contracts. A valuable resource. [stephen a. haines - Ottawa, Canada]

22 of 25 people found the following review helpful.
A deceptively titled introduction to game theory
By A Customer
Game Theory is a subfield of mathematics and economics that simulates conflicts as games, with a payoff or loss for each decision. The major innovation is that Game Theory takes into account the importance of the other entity's decision; as in real life, conflicts aren't simply against a static opponent. This book briefly details some of the major theoretical exercises derived from game theory, such as Prisoner's Dilemma, Chicken, and others. Although this book was fairly interesting in its own right, it strangely never goes into any sort of discussion about the application of Game Theory to Biology, Ecology, or Animal Behavior, with the exception of a chapter that appears to be a last minute throw-in. It consists of a few examples where game theory has been validated in biological studies, but few are especially interesting or provoking. Those looking for any sort of mathematics (even algebra) will also be sorely disappointed, as the author decided to milk the pop-science appeal as much as possible. Although some of the discussions on the different games were interesting, the lack of even an elementary discussion of Evolutionarily Stable Strategies makes this book unlikely to appeal to those looking for what the title promises: the BIOLOGY of cooperation and competition. However, if you are disdainful of mathematics and want a fairly interesting and brief introduction to game theory, this book is probably a good place to start. The surprisingly thoughtful final chapter, on the philosophical and moral implications of game theory, carries this title slightly above mediocrity. To summarize: although this book didn't provide what I expected in terms of connecting game theory to biology, it was still an entertaining read, if not an especially enlightening one.

10 of 23 people found the following review helpful.
More Bush-bashing than Biology
By A Customer
Barash's book provides a highly readable, basic, non-mathematical overview of the primary games, focusing on prisoner's dilemma and chicken although others are covered. I bought the book because of its advertised emphasis on applying game theory to biology and the animal kingdom. Unfortunately, too often the book simply serves to showcase Barash's left wing political views. His bashing of President Bush on issues such as the Iraq war and the Kyoto Treaty was particularly irritating. Some readers may love his opinions, but I found them distracting at best. After about the tenth instance of his gratuitous political agenda, I finally reached the point where I wished I had not enriched Mr. Barash by buying the book.

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~~ Ebook Never Shower in a Thunderstorm: Surprising Facts and Misleading Myths About Our Health and the World We Live In, by Anahad O'Connor

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Never Shower in a Thunderstorm: Surprising Facts and Misleading Myths About Our Health and the World We Live In, by Anahad O'Connor



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Never Shower in a Thunderstorm: Surprising Facts and Misleading Myths About Our Health and the World We Live In, by Anahad O'Connor

The New York Times's intrepid health reporter investigates the truth about sex, eating, exercise, and other health conundrums For more than two years, the New York Times's science and health columnist Anahad O'Connor has tracked down the facts, fictions, and occasional fuzziness of old wives' tales, conventional-wisdom cures, and other medical mysteries. Now in this lively and fun book, he opens up his case files to disclose the experts' answers on everything, from which of your bad habits you can indulge (yo-yo dieting does not mess up your metabolism and sitting too close to the television does not hurt your eyes) to what foods actually pack the punch advertised (you can lay off the beet juice!).
A compendium of answers to the curious and nagging questions of how to keep healthy, Never Shower in a Thunderstorm will provide guidance and amusement to anyone who has ever wondered if the mosquitoes really are attacking her more than everyone else. (Yes, they are.)

  • Sales Rank: #1543600 in Books
  • Published on: 2007-05-15
  • Released on: 2007-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .71" w x 5.50" l, .51 pounds
  • Binding: Paperback
  • 256 pages

From Publishers Weekly
O'Connor, a contributor to the New York Times Science Times section, has amassed more than 100 peculiar tidbits on everything from the potency of Spanish fly to the cancerous effects of cellphone use. O'Connor easily waxes on about whether bicycle seats cause impotence or if knuckle cracking can lead to arthritis. While regular Times readers will remember many of these topics, the newly casual tone of the discussions will either entertain or distract, depending on one's tolerance for anecdote. For instance, in exploring the infamous "Will eating poppy seeds make you fail a drug test?" conundrum, O'Connor got right to the point in his 2005 column ("a couple of bagels heavily coated with poppy seeds can result in morphine in a person's system for hours"), but here he begins with the retelling of a Seinfeld episode where Elaine, after a bagel breakfast, tests positive for "You know, white lotus. Yam-yam. Shanghai Sally." All of O'Connor's research is backed by legit scientific studies, but he refers to them only in passing. A bibliography would have been welcomed. Nonetheless, medical receptionists take note: this is a great book for the waiting rooms of physicians, dentists and psychiatrists alike. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Anahad O'Connor is a reporter for The New York Times covering science, health, immigration, and life in the greater New York area and contributes the weekly column "Really?"--named for his favorite word in journalism--to the paper's Science Times section. He lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
 
Human Nature?
The Great DNA Crap Game
 
Does your DNA determine your destiny? It used to be that scientists believed our genes were responsible for a select number of our physical features, and that was about it. We began almost as blank slates and our behavior was determined largely by our environment, molded over the years through stimulus and response.
 
It was an overly simplistic view. A better understanding of human genetics eventually showed that we don't have nearly as much control over who we are and how we behave as we think we do, even though that sounds insane. A few years ago, a look at the newly mapped human genome showed that there were genes that could help determine whether a person grew up to be fat, an alcoholic, or a thrill-seeking hang glider. There is even a shyness gene.
 
Suddenly, it seemed that the truth of the matter was somewhere in the middle: many of our traits are both inherited and environmentally responsive. It's not nature versus nurture, but nurture complementing nature. Our genes set us on a path at birth and guide us, but ultimately our past experiences lead us to decide how far we go and where we stop along the way.
 
That being said, it is human nature to wonder to what extent our genes control the course of our lives, and how. Part of it is that we want to know what makes us tick and why we are who we are. Another factor is our desire to gain some inkling of our fate. If someone told you he could let you in on the time and the date of your death, as the old saying goes, wouldn't you want to know?
 
 
Does Cutting Your Hair Make It Grow Back Thicker?
 
For some reason, people of all ages consider this question of haircutting one of biblical import, more urgent than questions about diseases and more pressing than the fear-inducing old wives' tales that mothers have been spreading for centuries.
 
Part of the reason might be that cutting or trimming hair on various body parts is something we all have to deal with at some point--sometimes hair we wanted to be thick and sometimes, unfortunately, hair we really didn't want at all. And almost all of us grew up convinced that the claim was true. I have to confess that I was one of those kids who would occasionally steal his father's shaving cream and razor, slip into the bathroom, and shave away nonexistent facial hair, hoping it would turn into a thick Tom Selleck mustache. For my sisters and other women, on the other hand, the notion that hair grows back darker and thicker is a nuisance, a reason to spend money on waxes and trips to the salon.
 
But despite what millions of people think, trimming or waxing hair on any part of your body isn't going to speed its rate of growth, make it thicker, or change its texture. When this myth was born is not exactly clear, but it's been around in the scientific literature for well over half a century. The first studies to show that cutting hair isn't going to stimulate growth were performed in the 1920s, and many more have been carried out since then. All had the same results: the length, texture, and coarseness of your hair are determined by genetics and hormone levels, not by how often you shave, pluck, or Nair it away.
 
But according to dermatologists, there are several reasons why trimming your hair on a regular basis creates the illusion that it's growing back faster and thicker.
 
Many people--myself included--start shaving at an early age, while their hair is still lightly colored or not growing at the rate it's destined to reach. Since hair is darker and rougher at its roots, removing the tips gives the appearance of coarser hair. The bristly stubble that emerges after shaving is also more noticeable than the same amount of growth in hair that's already long. Plus, many people don't realize that the hair we see above the surface of the scalp is already dead, which means there's no way that cutting it can affect the living section that we don't see below the scalp. No matter how often you trim your hair, it will always grow back at a rate of about half an inch each month.
 
So, men and boys who shave their faces won't speed up the growth of their eagerly awaited lumberjack beard, and--fortunately for them--women who get peach fuzz removed from their faces won't sprout real mustaches.
 
 
Is Male-Pattern Baldness Inherited From Your Mother's Side of the Family Tree?
 
Before we answer this question, we should probably take a look at what seems like the much bigger issue here: Why do bald men get such a bad rap?
 
Ever since the Middle Ages, people have considered baldness a disease, like bad skin or leprosy. Hundreds of years ago, baldness was seen as a sign of mental illness; the thinking was that a frail mind couldn't support a full head of hair, much like dry soil can't support a plant. Then there were those who blamed a thin head of hair on sexual frustration, a belief that stems from observations of eunuchs, who have no desire for sex. People who have no testicles, it seems, never seem to go bald.
 
All these ugly connotations have driven men to go to extraordinary and sometimes ridiculous lengths to hold on to their hair, spending millions of dollars on pills, creams, and other dubious cures. Remember the "blood flow" craze of the 1980s, when thousands of men who feared going bald were driven to literally stand on their heads, all because of a bogus theory that thinning hair was caused by reduced blood flow to the scalp?
 
It was only five decades ago that researchers came up with a credible theory: that baldness has something to do with the X chromosome, which men inherit from their mothers. That prompted hordes of men who noticed their hair vanishing prematurely to lay the blame squarely on their mothers--or, more specifically, on their mother's father.
 
Most scientists, meanwhile, said that it couldn't be true. All this blame and resentment that maternal grandfathers have been getting from their balding grandsons was misplaced, they said, because baldness is caused by high levels of testosterone, hence the tendency for castrated men (and women in general) to avoid going bald.
 
We finally know that both sides were right. With sophisticated genetic testing, in 2005 scientists were able to pinpoint a gene variation that turns up frequently in bald men. It was identified in a study in the American Journal of Human Genetics that looked at balding men from ninety-five different families, each of which had at least two brothers with early hair loss. The culprit, a variant of the androgen receptor gene, sits on the X chromosome, which men get from their mothers (Y comes from the father). It turns out that this variant increases the effects of testosterone and other male hormones, called androgens, which have been linked to baldness for ages. Scientists say this gene variant may be the "cardinal prerequisite" for premature balding in a lot of men, but it's also possible that a number of genes and factors could be involved to a lesser extent, including genes that cause premature hair loss on a father's side.
 
All of which means at least two things. If you're a guy and your grandfather on your mother's side has little or no hair, start preparing yourself for the likelihood that you may go bald. Number two, if you're already bald and you're reading this while you're standing on your head, you can stand up now.
 
 
Do Babies Tend to Look More Like Their Fathers?
 
It's one of the first questions that cross a new parent's mind: Does the baby look like me? Any proud parent wants to see his or her own features in a child's face, but Dad really does have a stronger claim on the newest family nose. For new fathers, there may have been a time when seeing a familiar feature in that face was more a matter of necessity than vanity. A new mother can always be sure that a child belongs to her; that much we know. But long before the advent of paternity tests and The Maury Povich Show, a new father could never be certain that a child was actually his. If the basic goal of reproduction is to pass on genes, then why from an evolutionary standpoint would a male invest the time, energy, and resources needed to raise a child of dubious paternity when he could easily move on and father a new one?
 
Scientists have argued for years that evolutionary pressures would have made it beneficial for a child to resemble his or her father. In the event that a father believed that a child was not his, the likelihood of him abandoning it or even killing it outright would be terrifyingly great. Look no further than the fact that infanticide is widely prevalent among chimpanzees and others in the animal kingdom for some evidence. In addition, scientists who support this theory also point out that even among humans today, children are far more likely to be abused or killed by stepparents than natural parents.
 
But there is also reason to suspect that the reverse theory might be true: Couldn't it also be in a child's interest to conceal his or her identity? If a child unambiguously resembled his or her father, then a prospective father could be certain not only when a child was his, but also when a child was not. For the child, bearing a strong resemblance to one particular man could heighten the odds of being abandoned almost as much as being accepted.
 
Yet studies have tended to find the opposite. One from 1995 in the journal Nature, for example, put the question to the test by having 122 people try to match pictures of children they didn't know--at one year, ten years, and twenty years--with photos of their mothers and fathers. The group members correctly paired about half of the infants with their fathers, but their success rate was much lower matching the infants with their mothers. And matching the twenty-year-olds with either parent proved to be just as tough.
 
Another paper from 2003 echoed those findings, although this time the team that carried out the study took a more unusual approach. The researchers took head shots of a group of people and morphed them with photos of baby faces without the subjects' knowledge. When they presented the group with the digitally created faces, the men were more likely to indicate that they would adopt or spend time with the babies--male and female--who had been rendered with more of their facial characteristics. The women in the study meanwhile showed no preference at all for the children with their features.
 
As with most evolutionary theories, the case is not closed, perhaps because there are too many holes. Think back thousands of years ago, before there were mirrors, windows, and cameras. How would our predecessors have even known what they looked like?
 
So even if a baby did slightly resemble its father, how would he know?
 
No one can say for sure. But at least now we have daytime television to clear up cases of paternity uncertainty.
 
 
Don't Identical Twins Have Identical Fingerprints?
 
They share personality traits, interests, and habits. They come from the same fertilized egg and share the same genetic blueprint.
 
To a standard DNA test, they are indistinguishable. But any forensics expert will tell you that there is at least one surefire way to tell identical twins apart: despite what most people think, they do not have matching fingerprints.
 
Like physical appearance and personality, fingerprints are shaped by a person's DNA and by a variety of environmental forces. Genetics help determine the general patterns on a fingertip--arches, loops, whorls. An individual finger can have just one of these patterns or a mix of them.
 
But there are plenty of other factors that play unique roles too. While a fetus is developing, the ridges along the patterns on the fingers are altered by bone growth, pressures within the womb, and contact with amniotic fluid. This, said Gary W. Jones, a former fingerprint specialist with the Federal Bureau of Investigation, is what causes the unique ridge characteristics in every person's fingers.
 
Identical twins will often have similar arrangements of patterns because of their identical genes. But they never have the same minute details. "It's impossible for people to have identical fingerprints," said Jones, who now works as a private consultant in Summerfield, Florida. "The study of fingerprints has been around for about a hundred years, and in all that time, two people have never been found to have the same prints."
 
The patterns on a person's fingers, palms, and feet are fully formed by roughly the fifth month of pregnancy. Barring any changes brought on by severe mutilation or a skin disease, the patterns stay the same for life. But even with severe traumatic damage, they change very little.
 
John Dillinger, the notorious Depression-era bank robber, famously tried to elude the authorities by altering his face and obliterating the skin on his fingertips with acid. It turned out to be his very last mistake. After the legendary gangster was killed, experts discerned a few of his remaining ridge patterns and had no trouble identifying him.
 
Copyright © 2007 by Anahad O'Connor. All rights reserved.

Most helpful customer reviews

33 of 35 people found the following review helpful.
Pretty poor book
By W. Dormann
I bought this book to entertain me for a trans-pacific flight, and boy was I disappointed. Most of the questions are answered along the lines of: "Maybe, but it can't hurt to [blah]..."

Nothing is really backed up, and you're just supposed to trust the author. At some point in the book, it was talking about hair loss caused by tight hair styles. And it made the statement of Andre Agassi wearing hats all the time and then suddenly he was bald. So the hats must have caused him to lose his hair. Uh, maybe he wore hats because he had thinning hair?

I was not happy with this purchase at all.

16 of 17 people found the following review helpful.
Lacks Sources
By Charlie
About: Facts and myths about health explained. Includes such topics as "Is too much sleep bad for you?" (yes) and "Can you swim right after eating?" (also, yes)

Pros: Quick read, interesting.

Cons: Sources are not cited, a large downside when debunking myths or providing facts.

Grade: B

23 of 29 people found the following review helpful.
Great Fun and Most Informative
By George Poirier
This book was great fun to read. Many myths, legends, sayings, old wives' tales, etc., all related in some way to health and life, are either debunked or confirmed - and rationales are provided. The author appears to have researched each topic quite exhaustively - not only through reviewing published papers in the scientific and medical literature but also through interviewing acknowledged experts in each field. The book's writing style is friendly, authoritative and very engaging. But what stands out the most is the author's clever wit and humor; on several occasions I found myself laughing out loud. This is a wonderful book that could be enjoyed by anyone, especially those who have ever pondered the veracity of what may or may not be a bit of misinformation.

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Senin, 22 Februari 2016

## Download Ebook City in the Sky: The Rise and Fall of the World Trade Center, by James Glanz, Eric Lipton

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City in the Sky: The Rise and Fall of the World Trade Center, by James Glanz, Eric Lipton

The definitive biography of the iconic skyscrapers and the ambitions that shaped them-from their dizzying rise to their unforgettable fall

More than a year after the nation began mourning the lives lost in the attacks on the World Trade Center, it became clear that something else was being mourned: the towers themselves. They were the biggest and brashest icons that New York, and possibly America, has ever produced-magnificent giants that became intimately familiar around the globe. Their builders were possessed of a singular determination to create wonders of capitalism as well as engineering, refusing to admit defeat before natural forces, economics, or politics.

No one knows the history of the towers better than New York Times reporters James Glanz and Eric Lipton. In a vivid, brilliantly researched narrative, the authors re-create David Rockefeller's ambition to rebuild lower Manhattan, the spirited opposition of local storeowners and powerful politicians, the bold structural innovations that later determined who lived and died, master builder Guy Tozzoli's last desperate view of the towers on September 11, and the charged and chaotic recovery that could have unraveled the secrets of the buildings' collapse but instead has left some enduring mysteries.

Like David McCullough's The Great Bridge, City in the Sky is a riveting story of New York City itself, of architectural daring, human frailty, and a lost American icon.

  • Sales Rank: #232735 in Books
  • Published on: 2003-11-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.47" w x 6.44" l,
  • Binding: Hardcover
  • 448 pages

From Publishers Weekly
This is not a book only about September 11; the towers' collapse begins on number 236 of 337 pages of narrative text. New York Times reporters Glanz (science) and Lipton (metropolitan news) instead deliver a thoroughly absorbing account of how the World Trade Center developed from an embryonic 1939 World's Fair building to "a city in the sky, the likes of which the planet had never seen." In this lively page-turner, intensively researched and meticulously documented, a world of international trade, business history, litigation, architecture, engineering and forensics comes clear-a political and financial melodrama with more wheeling and dealing than Dallas, touched lightly with the comedic and haunted by tragedy. The authors move a Robert Altman-sized cast (engineers, architects, iron workers, builders, demolitionists, lawyers, mobsters, mayors, mathematicians, critics, activists, real estate dealers, biochemists, union organizers, an aerialist, an arsonist) through the design, construction, destruction and memorializing. Faceless entities like the Port Authority acquire names, personal histories and diverse agendas. Bureaucratic reports and public hearings, reduced with clarity and balance, become comprehensible, even readable. The authors are remarkably skilled at telling all without telling too much: a "deadening" 44-page speech by Port Authority official Austin Tobin gets short shrift but a fair account. Their descriptions of new technologies (e.g., "artificial creakiness"), fresh experiments (particularly in wind engineering), complicated financial maneuverings and secret studies become clear to the non-specialist reader. While some superlatives might have been avoided ("the biggest and brashest icons that New York ever produced," etc.), Glanz and Lipton tell this compelling story without becoming overwrought, and with graphs and charts (and 16 pages of b&w photos not seen by PW) that contribute immensely to understanding the logistical and technical aspects of the project. This book may be the definitive popular account of the towers.
Copyright 2003 Reed Business Information, Inc.

From Booklist
*Starred Review* New York Times reporters Glanz (science) and Lipton (metropolitan news) briskly and lucidly tell the entire wrenching story of the genesis and destruction of the World Trade Center, once a testament to capitalistic ambition and technical innovation, now a monument to hubris, apocalyptic hate, and the suffering of innocents. The authors begin with engrossing profiles of the men who dreamed up the World Trade Center 40 years ago, most notably David Rockefeller, the Port Authority's feisty Guy Tozzoli, and Japanese American architect Minoru Yamasaki, who was afraid of heights and had never built a skyscraper before. Drawing on fresh and extensive research, Glanz and Lipton chart the contentious and irresponsible design process in which untested structural technologies were deemed safe over the objections of a prescient few who worried about fire and airplane collisions. The authors' highly detailed yet always human and dramatic chronicling of the towers' unprecedented construction, as well as unique insights into how the controversial twin towers finally won the affection of skeptical New Yorkers only to come under siege--first by an arsonist-janitor, then by terrorist bombers in 1993, and, finally, by those who brought them down on that unforgettable September 11--is both fascinating and tragic, encompassing, as it does, the best and worst of human ingenuity. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
"[A] magnificent book." -The New Republic

"James Glanz and Eric Lipton's brilliantly reported and profoundly moving but admirably clear-eyed account of the accidental conception, long gestation, difficult birth, brief life and tragic death of the World Trade Center is likely to remain a classic."
-The New York Times

Most helpful customer reviews

24 of 24 people found the following review helpful.
The best of the bunch
By Rocco Dormarunno
As a child, I watched the World Trade Center go up. As an adult, I had been through the Center thousands of times and ate many a lunch in the plaza between the two beautiful towers. Although I worked only three blocks north of the WTC, I was nowhere near them on 9/11, and thank God for that. I don't think I could have been able to bear witnessing their destruction.

To fill the void, I began reading everything about the World Trade Center that I could. Eric Darton's book, "Divided We Stand", published before 9/11, was okay but I found the second-person narration and its choppy presentation too distracting. Several other books were published after the devestation, but they all seemed like rush jobs trying to cash in on the disaster. However, "City in the Sky: The Rise and Fall of the World Trade Center" by James Glanz and Eric Lipton is by far the best of the bunch. Meticulously researched without being too scholarly, the authors present a biography of the center that was filled with controversy, behind-closed-doors intrigues, political wrestling and, ultimately, the construction and engineering marvels that allowed the towers to rise. The pacing is remarkably swift but nothing is glossed over. The final quarter of the book is about 9/11 and afterward. I began this section with dread and was tempted not to read it at all. Fortunately, Glanz and Lipton handled it with incredible sensitivity.

"City in the Sky", like the towers themselves, is a remarkable collaboration: the narrative is seamless--like Burrows and Wallace's "Gotham". And, ultimately, this book is a lively and poignant tribute to the World Trade Center they must have loved.

Rocco Dormarunno,

author of "The Five Points"

9 of 9 people found the following review helpful.
The saga of the WTC from its initial conception in 1939
By Paul Tognetti
It is all right here. From the germ of the idea at the 1939 New York World's Fair to the design and planning of a project unlike any other in the history of mankind to the cataclysmic events of September 11, 2001. New York Times reporters James Glanz and Eric Lipton have pieced together the complete history that needed to be told. "City In The Sky: The Rise and Fall of the World Trade Center" is the remarkable story of how the World Trade Center came to be. This is a riveting tale from start to finish.

In the opening chapters of "City In The Sky" Glanz and Lipton reveal who first envisioned this incredible project way back in the late 1940's and of the considerable role politics would play in this saga over the ensuing decades. You will meet several of the key players in this saga including one Lawrence A. Wien, owner of the Empire State Building, who fought this project tooth and nail. Meanwhile you will also be introduced to Oscar Nadel, owner of a small appliance business that would be displaced by the World Trade Center. Put yourself in his shoes and in the shoes of hundreds of other small business people who were to be evicted in the wake of this massive project. This was definitely a David vs. Goliath scenario from this man's point of view.

Meanwhile, Glanz and Lipton also devote a considerable amount of time to the struggle between the City of New York and the New York and New Jersey Port Authority for control of this enormous project. You will learn why the WTC was located where it was and about all of the people who made this concept a reality from the visionary David Rockerfeller to the unconventional architect Minoru Yamasaki to powerful Port Authority chairman Austin Tobin. And of course, you will read once again of the tragic events of 9/11 and see how decisions made decades earlier may have helped decide who would live and who would die on that fateful day. Were corners cut during construction? Was the fireproofing used adequate? And were the consequences of an airliner crashing into the Twin Towers ever seriously considered? So many questions.

In my view, "City In The Sky: The Rise and Fall of the World Trade Center" is an extremely important book that will help you to unravel some of the complex issues involved here. Very highly recommended.

7 of 7 people found the following review helpful.
Wait for the Paperback
By Mcgivern Owen L
"City in the Sky" is a well- researched, well -documented account of the site acquisition, construction, and eventual collapse of the New York World Trade Center. (There are other WTCs). It is immediately obvious that the authors have conducted extensive interviews and research. Full disclosure: This reviewer worked at the facility for 24 years for the Port Authority of New York and New Jersey. Most of the anecdotes retold in CIS are just as I originally heard them years ago. (With some exceptions: On Austin Tobin's first trip on the newly acquired Hudson and Manhattan Railroad, the sleeping drunk supposedly woke up long enough to bid the Executive Director "good evening" before passing out again. Also, some of the PA titles are inaccurate, though not wrong. There was one obvious leg-pull about a "mailroom worker".) CIS in really 3 stories in one: The first is the strongest: That tale encompasses the struggle to condemn the surrounding real estate, overcome local opposition and secure Governmental cooperation for the project. Those who enjoyed such works as Robert Caro's "The Power Broker" will be in their element here. The second is concerned with the actual construction of the 2 towers and satellite buildings. The authors manage to include just enough technical details to tell the story without allowing this section of CIS to become too technical. The final part deals with that tragic day we now call 9/11. This reviewer does not wish to minimize that awful event but this tale has been told better, or as well, elsewhere. One assumes its' inclusion was virtually mandatory in a 400+ page work on the Trade Center but it emerges, perhaps strangely, as the weakest section of CIS. This reviewer hopes he was mistaken when he read that some of the victims who jumped to their deaths were in fact pushed by co-workers needing window space. A major difficulty with the text is that the authors appear too inclined to blame the Port Authority for inadequate fireproofing of the towers. This may-or may NOT! -be so but this serious charge is not substantiated here. Furthermore the PA executive most of the allegations are heaped upon has been dead for some 20 years and is hardly in a position to defend himself. CIS' strength is the relating of the struggles to build the Towers in the light of another era. Those were the days of Radio Row, a vastly different New York City, the maximum power of the Rockefeller Family and what those a bit older that this reviewer fondly remember as the "good old days" at Mother PONYA. CIS is entirely worthwhile but far from urgent reading. Amazoners may wish to wait for the more moderate prices of a paperback edition. That event would warrant a 4th star.

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> Ebook American Moderns: Bohemian New York and the Creation of a New Century, by Christine Stansell

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American Moderns: Bohemian New York and the Creation of a New Century, by Christine Stansell

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American Moderns: Bohemian New York and the Creation of a New Century, by Christine Stansell

A brilliant account of the legary American bohemians, hailed as "the best book ever written about this era, these people, and the ways they shook up our national culture for good" (Michael Kazin)

In the early years of the twentieth century, an exuberant band of talented individualists living in a shabby neighborhood called Greenwich Village set out to change the world. Committed to free speech, free love, and politically engaged art, they swept away sexual prudery, stodgy bourgeois art, and political conservatism as they clamorously declared the birth of the new.

Christine Stansell offers the first comprehensive history of this legary period. She takes us deep into the downtown bohemia, which brought together creative dissenters from all walks of life: hoboes and Harvard men, society matrons and immigrant Jews, Wobblies and New Women, poets and anarchists. And she depicts their lyrical hopes for the century they felt they were sponsoring -- a radiant vision of modernity, both egalitarian and artful, that flourished briefly, poignantly, until America entered the First World War and patriotism trumped self-expression.

  • Sales Rank: #335086 in Books
  • Brand: Brand: Holt Paperbacks
  • Published on: 2001-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.20" w x 5.50" l,
  • Binding: Paperback
  • 432 pages
Features
  • Used Book in Good Condition

Amazon.com Review
"On or about December 1910," Virginia Woolf once wrote, "human character changed." In the great capitals of Europe and America, the gray veil of Victorian values lifted; modernism, once the province of a few artistic experimenters, took the fore; subjects hitherto not considered to be fit for polite society, from women's rights to free love, became the subjects of parlor discussion.

New York's Greenwich Village, writes Princeton University historian Christine Stansell in this engaging study, became the epicenter of this great social earthquake. Fueled by wealthy patrons and fed by refugees from Europe and the Midwest, New York's once isolated bohemian community generated social trends that would be widely copied, and in the process "made Greenwich Village into a beacon of American possibility in the new age." Among their number were the anarchist politician Emma Goldman, the radical journalists John Reed and Louise Bryant, and the writers Eugene O'Neill and Kenneth Burke, all of whom insisted on making an art form of one's life--and on rattling a few cages while doing so. The individual actors in this social revolution, Stansell observes, may be little remembered today, but elements of their belief--openness in social relationships, equality among men and women, and "a skepticism at once relentlessly questioning of America and entirely embroiled in its future"--are our common coin today. --Gregory McNamee

From Publishers Weekly
They were novelists, artists' models, secretaries and chess whizzes; their ranks included Alfred Stieglitz, Georgia O'Keeffe, Margaret Sanger and John Reed. A few were wealthy, many were poor, and they gathered in shabby saloons to argue about free love and Nietzsche as they plowed through mounds of spaghetti, brisket and bratwurst. In her latest book, Princeton historian Stansell (City of Women) examines the politics and cultural impact of the turn-of-the-20th-century American "bohemia." Combining newly imported European political awareness (Stansell says refugees from the 1905-1907 Russian Revolution arrived with "their saber wounds still festering") with institutionally guaranteed free speech, these New York radicals were much more open to the inclusion of Jews and women than their Old World counterparts. And even though they generally ignored black aspirations, Stansell argues that the bohemians created "the first full-bodied alternative to an established cultural elite," which undermined "the smug faith that culture was the domain of the well-born and tasteful" and dug "channels between high and low culture, outsiders and insiders." By so doing--despite their racial blinders--they made possible the cultural course of much of the 20th century: pioneering feminist ideas, helping to make New York the cultural capital of the nation and laying the groundwork for the African-American crossover that took place during the Harlem Renaissance of the 1920s. If Stansell's grasshopperish prose occasionally jumps from one topic to another, it's only because her thorough and engaging study abounds with the superabundant energy it describes. B&w photos. (May)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
A Princeton historian on how Greenwich Village became Greenwich Village.
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

18 of 20 people found the following review helpful.
Fascinating, First-rate History of Greenwich Village
By Lloyd Williams
Did you ever wonder how this one tiny area of The City evolved into a sanctuary for artists, writers, the excluded and those otherwise constrained by the conventional? Wonder no more. Thanks to Christine Stansell, professor of history at Princeton University, we have the informatively compelling American Moderns, the first comprehensive portrait of that transformational, turn-of-the-century avant garde dedicated to free thought, free speech, free love, even free sex in the face of a persistently Victorian ethic. This seminal work represents an exhaustive exploration of a cultural phenomenon which irreversibly altered not only a band of bohemians, but the psyche of modern America itself. Sure, this country has somehow moved from the 19th Century's wicked repression and exploitation of children, women, minorities and the waves of immigrants who made their way to these shores. But how? In an alternately erudite and entertaining style, Ms. Stansell makes her case, as she breathes life into archival materials which include the papers and memoirs of Emma Goldman, Mabel Dodge, Georgia O'Keefe, painter John Sloan, Margaret Sanger and many other pioneers of the era.

11 of 11 people found the following review helpful.
A solid introduction
By David A. Bede
Although the 1910s are often thought of as the tail end of the Progressive Era, Stansell makes a strong case that that decade actually saw the genesis of a social progressivism that slammed the door on the Victorian era in America. She also argues - a bit less convincingly - that the 1910s marked the beginning of New York's Greenwich Village as we now know it. But whether you accept the latter thesis or not, there is no doubt that the legendary neighborhood played host to some of the most important social activism of the early twentieth century. Stansell provides an impressive overview of the events and the lives of the people behind them.
Given the sheer magnitude of her subject, Stansell is necessarily sketchy in places, and the book suffers on occasion from an overly wordy, academic style. But she does provide a succinct look at the era's most important activists: especially Emma Goldman and also Randolph Bourne, John Reed, Margaret Sanger, Mabel Dodge and many others. The book doesn't pretend to be a biography of any of them but does whet the reader's appetite for learning more about them all. The same is true of the events it describes, particularly the successes and failures of the labor movement and the evolution of the feminist movement beyond advocacy of women's suffrage. (A particularly fascinating part of Stansell's story is the tension between labor and feminism, a division that stymied the left back then much as it does now.) Stansell ends her narrative with a brief assessment of the Red Scare and the quick end it put to the radicalism she delineates earlier in the book. She doesn't really examine the social progress of the otherwise-conservative 1920s and beyond or demonstrate how the radicalism of the 1910s laid the groundwork for it; but the case for that is quite clear after reading this.
The book contains little contextual information regarding the societal conditions of the preceding decades and almost none for the following ones, so Stansell's argument is easier to appreciate if you already have some knowledge of those times. Still, it is a good overview of an underappreciated bridge between two well-documented eras, the people who got us across that bridge, and the environment they lived in. If you want to learn about America in the 1910s, this book may or may not tell you all you want to know. But if not, it will definitely lay the groundwork for understanding whatever event or person you're most interested in.

23 of 24 people found the following review helpful.
Dissenting from Bourgeois America
By Steven S. Berizzi
Princeton University historian Christine Stansell's City of Women: Sex and Class in New York, 1789-1860 was splendid, and this book, which examines the creation of a "bohemian" sub-culture in New York City in the 1890s, also is superb. (The image of "bohemia" as the antithesis to middle-class values owes much to Puccini's opera "La Bohème," which was first produced in 1896.) According to Stansell, bohemian New York "was one manifestation of gathering revulsion against a society that seemed locked in a stranglehold of bourgeois resolve." That is an intriguing thesis, and Stansell provides wonderfully-evocative profiles of many of the New York pioneers of American modernism. Anyone interested in the origins and development of 20th-century American culture should read this extraordinary book.
Stansell succinctly defines bohemia as the "revolt against bourgeois convention," and she writes that New York's bohemia was widely believed to be peopled with "youthful libertines who despised bourgeois respectability and material success." One respect in which bohemia rejected middle-class certainties was to permit innovation in gender relations, and the appearance of the "New Women" in New York beginning in the 1890 is among the most important events Stansell describes.
What Stansell characterizes as the "dissent from bourgeois life" took many forms, and it is difficult to generalize without oversimplifying, but her chapter on political radical Emma Goldman begins with the important point that modernism tended to merge "disparate phenomena." According to Stansell, Goldman "championed modern dance and modern drama, free love, homosexuality, and martyrs of the labor movement," and she was a forceful advocate of "militant anticapitalism." I would recommend this book solely for Stansell's multi-part sketch of Goldman.
Stansell's discussion of changes in the publishing industry also is excellent. According to Stansell established publishes were increasingly criticized as "aging, smug, priggish, stodgy," attributes which probably could have been assigned to middle-class leaders of all facets of turn-of-the-century American society. In contrast, Stansell writes, independent publishers, "mostly well-off German Jews," marketed literature with a political nature, as well as "birth control information, pornography, and papers advocating free love." Stansell incisively observes that the frequent battles of this era concerning censorship laws were part of a broader "contest for cultural authority..., a battle over who was to determine the content of literature," and censorship opponents "were delighted to find themselves free-speech heroes."
Stansell's discussion of the political and cultural content of the revolt against middle-class America demonstrates the complex interplay of ideas, as does the section of her book entitled "The Human Sex." According to Stansell, the moderns rejected the "crippling convention of their parents' generation [that] had set the sexes against each other by segregating people into separate spheres." It probably is not surprising that, in addition to advocating sexual democracy, radicals of this era often supported women's suffrage. Furthermore, Stansell writes, "controversy over contraception often "turned into a free speech issue." Stansell's bohemians had liberated attitudes toward sexual activity, and she notes that "free love" also signified talking and writing about [sex], a lively discourse of sexual conversation and revelation."
I suspect that Stansell goes to far when she asserts that there was a "crisis of the bourgeoisie" beginning in the 1890s. Indeed, I would argue that there have been few periods in American history when middle-class values were more dominant. But Stansell is absolutely correct that the New York bohemians' resistance to bourgeois hegemony challenged numerous conventions of American society and culture, and many members of the American middle-class considered themselves to be under assault.
Most of the books I read concern military or political history, but Christine Stansell's American Moderns was fascinating, and I recommend it without qualification.

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