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The Importance of Being Famous: Behind the Scenes of the Celebrity-Industrial Complex, by Maureen Orth
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"The book achieves a fresh spin thanks to incisive updates and story-behind-the-story anecdotes, all peppered with the author's pull-no-punches observations."-People
Vanity Fair's Maureen Orth covers lives led in public, on camera, at the very top-from Margaret Thatcher to Tina Turner, from the political theater of the Clinton White House to the strange kingdom of Princess Diana's almost father-in-law. Now this National Magazine Award-winning reporter pulls back the curtain to reveal those who flourish (or sometimes flame out) at these heady altitudes, unraveling their complex lives and exploring the chemistry, the very DNA, of celebrity today.
The Importance of Being Famous is a portrait of an era where the media grew larger, the distinction between fame and infamy grew smaller, and celebrity ruled all. Orth delivers a revealing, sophisticated look at the big room of modern celebrity and the star-making machinery of the "celebrity-industrial complex."
- Sales Rank: #1430493 in Books
- Brand: Brand: Holt Paperbacks
- Published on: 2005-05-01
- Released on: 2005-04-14
- Original language: English
- Number of items: 1
- Dimensions: 8.92" h x .96" w x 5.68" l,
- Binding: Paperback
- 352 pages
- Used Book in Good Condition
From Publishers Weekly
Vanity Fair columnist Orth calls the world of celebrity a war zone of million-dollar monsters and million-dollar spin. She proves her thesis through a series of lacerating essays and interviews exposing personalities who'll "sacrifice everything including, sometimes, their lives, to be famous." Orth views the Laci Peterson saga as America's number one reality soap opera and examines the media's hysterical need to provide alternative scenarios about the case just to keep the story in the news. The author is witty, probing and painfully candid in her sympathetic piece about the violence Tina Turner suffered under Ike Turner's brutal control, but argues that Turner endured the beatings so long because of her own desire to be successful. Orth also uses icons Judy Garland, Madonna and Michael Jackson as examples of stars who portray themselves as victims to hold the limelight. The need for fame encompasses a "contact high," demonstrated by money manager Dana Giacchetto, who was convicted for defrauding his "less famous accountsâ€"the A-minus or B-plus listâ€"so as not to lose face with the A-plusers." Even more grisly is Orth's account of Andrew Cunahan, who shot Gianni Versace and then himself, hoping for worldwide attention and immortality. Orth dissects such diverse personalities as Margaret Thatcher, Woody Allen, Karl Lagerfeld and, poignantly, Dame Margot Fonteyn, who sadly reflects, "I have lived my life in what I call the empty hotel room." Orth combines merciless clarity with compassion in analyzing her power-hungry and tragic subjects.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Orth's first book, Vulgar Favors (1999), offered a perceptive look at serial killer Andrew Cunanan and the society that nurtured him. Her follow-up provides an equally perceptive look at celebrities and the society that nurtures them. Collecting a number of her Vanity Fair essays (with new bridging material), the book takes us inside the worlds of such notables as singer Tina Turner, author Arianna Huffington, Sein Fein president Gerry Adam, and, again, murderer Cunanan. The book's variety reinforces the idea that celebrity has many meanings, and Orth's work--in-depth, broad ranging, free of sensationalism--reminds us that the celebrity profile doesn't have to be a fawning puff piece. One of the essays here reconnects nicely to today's headlines: a 1994 profile of Michael Jackson discussing the child-molestation charge that was pending against him then. Ultimately, though, this book doesn't need to rely on current events to make its mark. Orth's subject is the phenomenon of celebrity, an ever-newsworthy topic, and her graceful handling of it should ensure a wide readership. David Pitt
Copyright © American Library Association. All rights reserved
Review
"Orth, [Vanity Fair's] astute and briskly un-bulls***able correspondent, pulls her collection together with incisive updates on her subjects and running commentary . . . she creates an invaluable literary star map to the intersection of fame and infamy." -Entertainment Weekly
Most helpful customer reviews
12 of 15 people found the following review helpful.
I am the only person who did not like this book?
By A Customer
I was greatly disappointed by this book. I expected it to be a serious study of fame and what people do to get it. Instead, it was a series of old Vanity Fair articles strung together in a book. Some people were interesting but most many were boring people that no one really wants to read about.
I hate that I paid $17.50 for it and hope my bad review does not drive down the resale value as I try to get rid of it.
12 of 18 people found the following review helpful.
Don't Be Fooled -- This a Collection of Vanity Fair Articles
By Joanna
She's a great writer, but if you read Vanity Fair, YOU HAVE READ THIS ALL BEFORE! The publisher should be ASHAMED of how they marketed this book, suggesting it is a comprehensive original piece of writing about a very interesting subject -- when in fact, it is a collection of Orth's previously written pieces. What a rip off.
I'm returning my copy because the book is not what it suggests it is. (And some of the articles profile poeple we SERIOUSLY no longer care about, or about whom so much has already been written (Michael Jackson, Laci Peterson) that the articles seem seriously dated.
She's married to Tim Russert whose own book just hit the new york times best seller list, so they will not be hurting for money. Take a pass on this book. Maureen, use your considerable talent and write a book instead of publishing a collection of tired pieces that ran elsewhere. (Does anyone REALLY care about Tina Turner some 10 YEARS after her book and the subsequent movie was released???) Orth is a compelling writer and I love reading her work in Vanity Fair. I expected more.....
12 of 17 people found the following review helpful.
the importance of being famous
By disappointed reader
this book is simply a re-hash of old Vanity Fair articles. She gets paid for those articles then slaps them together in a book for a second payday. What a lazy way to "write" a book?
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