Jumat, 30 Oktober 2015

** Download PDF Author Unknown: Tales of a Literary Detective, by Don Foster

Download PDF Author Unknown: Tales of a Literary Detective, by Don Foster

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Author Unknown: Tales of a Literary Detective, by Don Foster

Author Unknown: Tales of a Literary Detective, by Don Foster



Author Unknown: Tales of a Literary Detective, by Don Foster

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Author Unknown: Tales of a Literary Detective, by Don Foster

From the professor with an extraordinary gift for unmasking the authors of anonymous documents comes the inside story of how he solves his most challenging cases.

In Author Unknown, Don Foster reveals a starling fact: since no two people use language in precisely the same way, our identities are encoded in our own language, a kind of literary DNA. Combining traditional scholarship with modern technology, Foster has discovered how to unlock that code and, in the process, has invented an entire field of investigation--literary forensics--by which it becomes possible to catch anonymous authors as they ultimately betray their identities with their own words.

Foster's unique skills first came to light when a front-page New York Times article announced his discovery that a previously unattributed poem was written by Shakespeare. A few weeks later, Foster solved the mystery that had obsessed America for months when he identified Joe Klein as the author of Primary Colors. Foster also took on the case of an oddball California bag lady who many believed to be the elusive Thomas Pynchon. His contributions to the Unabomber case takes us inside the tangled mind of Ted Kaczynski. And, in the final chapter, Foster makes a surprising-and heartening-discovery about a beloved holiday icon.

As entertaining as it is eye opening, Author Unknown shows us how Don Foster uses his unusual methods to search out the hidden identities behind anonymous documents of all kinds. Anyone who reads this remarkable book will find it impossible to read-or write-in the same way as before.

  • Sales Rank: #2467890 in Books
  • Published on: 2001-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.32" h x .91" w x 5.52" l,
  • Binding: Paperback
  • 320 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Silky, intelligent, suspenseful reading
By C. Ebeling
It may have been a short five years for the rest of us, but since 1996, when he first attracted attention for the attribution to Shakespeare of a hitherto anonymous elegy, mild-mannered English professor Don Foster has lived a suspenseful lifetime from the secretive inner sanctum of Quantico to the glare of national media. Foster pioneered the identification of authors of unattributed documents through the analysis of language structure, word choice and stylistic quirks. Foster avers that each person's usage is unique and objectifiable like DNA and fingerprints. It was he who successfully outed Joe Klein as the author of Primary Colors and just recently proved that Clement Clark Moore plagiarized 'Twas The Night Before Christmas. In Author Unknown, Foster takes us for a ride among some of his more colorful cases. His narrative is silky, intelligent, full of suspense. He provides valuable historical background and does a fine job of fleshing out the human players, even those long dead. Though Foster never editorializes--he stands back in wonder with the rest of us--his story emerges as a fascinating commentary on the nature of truth and human motivation. Foster is a very decent Everyman which makes this work all the more attractive. I'm recommending it left and right.

0 of 0 people found the following review helpful.
Good, but a bit padded
By A Customer
Foster has lots of excellent material in this book, from his Shakespearian attribution to Joe Klein. But the chapters on the talking points memo and on Kaczynski stray rather far from the mark, the former because the analysis is more political than linguistic, and the latter because it's all Monday-morning quarterbacking of how the FBI should have conducted the investigation (now that we know who the Unabomber really is).

0 of 1 people found the following review helpful.
Scholarly suspense.
By Menotyou
It catches you right at the start when the author is disputed. It reads like a novel bent on making the edge of your seat the only place that you want to be. READ THIS!!

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Senin, 26 Oktober 2015

## Free PDF Writers on Writing, Volume II: More Collected Essays from The New York Times (Writers on Writing (Times Books Paperback)), by The New York

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Writers on Writing, Volume II: More Collected Essays from The New York Times (Writers on Writing (Times Books Paperback)), by The New York



Writers on Writing, Volume II: More Collected Essays from The New York Times (Writers on Writing (Times Books Paperback)), by The New York

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Writers on Writing, Volume II: More Collected Essays from The New York Times (Writers on Writing (Times Books Paperback)), by The New York

"Glimpses into writers and the circumstances that shape them . . . Valuable gleanings."-Kirkus Reviews

In a second volume of original essays drawn from the long-running New York Times column, Writers on Writing brings together another group of contemporary literature's finest voices to muse on the challenges and gifts of language and creativity.
The pieces range from taciturn, hilarious advice for aspiring writers to thoughtful, soul-wrenching reflections on writing in the midst of national tragedy. William Kennedy talks about the intersecting lives of real and imagined Albany politics; Susan Isaacs reveals her nostalgia for a long-retired protagonist; and Elmore Leonard offers pithy rules for letting the writing, and not the writer, take charge. With contributions from Diane Ackerman, Margaret Atwood, Frank Conroy, Mary Karr, Patrick McGrath, Arthur Miller, Amy Tan, and Edmund White, Writers on Writing, Volume II offers an uncommon and revealing view of the writer's world.

  • Sales Rank: #663450 in Books
  • Published on: 2004-05-01
  • Released on: 2004-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .64" w x 5.50" l, .59 pounds
  • Binding: Paperback
  • 288 pages

From Publishers Weekly
The 45 writers who contributed to this second compendium of the weekly column in the Times arts section are nearly all A-list names-and highly contemporary, too, as most of the articles originally coincided with the publication of their latest books. The prosaic headlines ("Fiction and Fact Collide, With Unexpected Consequences") obscure the lively tone adopted by most of the authors, who seem to be enjoying the opportunity to wax anecdotal about various aspects of their career. Thus we have Ann Beattie on the book tour, David Shields about reacting to bad reviews, Elinor Lipman on the perils of getting (and giving) jacket blurbs and Stephen Fry's hilarious account of the questions fans ask about his writing methods. Though some of the authors choose to deal with contemporary events, as in A.M. Homes's eyewitness account of September 11 ("not something you want to remember, not something to want to forget"), nobody strays far from the literary, and quite a few offer insights into the creative process. Kathryn Harrison explains how a photograph seen in childhood led to the writing of The Seal Wife, while mystery writer Marcia Muller reveals that she once built scale models of her protagonist's regular haunts to help her understand the character. And Elmore Leonard offers practical advice on how to write better prose, including this gem: "If it sounds like writing, I rewrite it." Aspiring writers will find plenty of inspiration-and helpful counsel-from this collection, in which the writing is less stuffy and more relaxed than in a similar collection from the Washington Post.
Copyright 2003 Reed Business Information, Inc.

From Booklist
In Jane Smiley's scintillating introduction to the second collection of columns from the exceptional New York Times series "Writers on Writing," she piquantly observes that in writing about themselves and their art, writers both indulge the urge to tell secrets and battle the fear of disclosure, and this tension is, indeed, present in the two dozen essays that follow. Yet the overriding feeling is that of deep and abiding pleasure in putting thoughts into words and words onto paper. Here's Diane Ackerman marveling over the confluence of psychotherapy and poetry; Alan Cheuse pondering late bloomer-hood; and Leslie Epstein musing over writer's intuition. Allegra Goodman writes amusingly about outwitting the "inner critic"; William Kennedy celebrates fiction and the "metamorphosis of experience"; and Shashi Tharoor puzzles over his quandary as an Indian author writing about India in English. Why write, what about, for whom, and in whose voice are crucial concerns addressed by some of the finest living practitioners of this noble art, and readers will love being privy to their ruminations. Donna Seaman
Copyright © American Library Association. All rights reserved

About the Author

Jane Smiley is the author of ten works of fiction, including Good Faith; Horse Heaven; A Thousand Acres, for which she was awarded the Pulitzer Prize; and Moo. She lives in northern California.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Well-Crafted Collection of Essays on Writing
By Bohdan Kot
The New York Times weekly column, "Writers on Writing," discusses various aspects of the writing life from the perspective of today's best well-known authors. Jane Smiley collects forty-six of the essays and says, "Read it like eavesdropping or like twisting the knob on an old radio and tuning in stations from far and wide." These brief essays have a confessional feel to them, often declaring writing to be difficult, yet also a worthy task for the truly committed.

Numerous passages detail the obstacles confronted when courting the muse and also offer advice on how to write well. The most entertaining and direct approach stems from crime fiction writer Elmore Leonard and his ten rules to "remain invisible" when writing. He sums them up with the maxim, "If it sounds like writing, I rewrite." There are numerous pitfalls that hamper the writing process - the most common is doing everything under the sun but write.

Ann Patchett, author of the critically acclaimed novel "Bel Canto," hilariously explains her battles with procrastination. "I have already restored my oven to the level of showroom-floor cleanliness, written a small hill of thank-you notes (some of them completely indiscriminate: `Thank you for sending me the list of typographical errors you found in my last novel'), walked the dog to the point of the dog's collapse. I've read most of the books I've been meaning to read since high school."

What this collection does best is humanize our published idols; the most notable demystification being Arthur Miller's piece on relating his early years of being a struggling writer. Miller may have written the classic play, "Death of a Salesman," but how many knew his first play was a flop and he "resolved never to write another play." The honest feel coupled with an inviting tone make Miller's essay a standout.

However, the entire collection is compulsory reading for any aspiring writers. The piece by Alan Cheuse is a godsend for any late-blooming writer or for those skeptical to pursue a dream as middle-age approaches. Overall, "Writers on Writing" is a delight that will leave you feeling refreshed with pithy insights about the writing world.

Bohdan Kot

3 of 3 people found the following review helpful.
fun to read
By Leela Colorado
A great sampling of writers whose columns were included in the NY Times arts section. Some of the essays are better than others, but is that a surprise? As a writer, I found it interesting.

1 of 1 people found the following review helpful.
A great source of information & entertainment!
By P. M. Bradshaw
Short blurbs, anecdotes, lessons, and stories about writing from the literary likes of Frank Conroy, Arthur Miller, Donald Westlake, David Mamet, Ann Beattie, Elmore Leonard, Margaret Atwood, Stephen Fry, Ann Patchett, Amy Tan, P.J. O'Rourke, and about 35 others.

If you like reading, this book is filled with many a gem. My favorite was Donald Westlake discussing his somewhat complicated relationship Richard Stark, the pseudonym under which he wrote his "Parker" series of novels. Interesting, intriguing, funny, and thought-provoking.

Having read this, I'll be going to my local public library and looking for Volume 1, as well as the Paris Review Interviews.

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Minggu, 25 Oktober 2015

! Download Ebook Saint-Exupery: A Biography, by Stacy Schiff

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Saint-Exupery: A Biography, by Stacy Schiff

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Saint-Exupery: A Biography, by Stacy Schiff

From a master biographer, the life story of the daring French aviator who became one of the twentieth century's most beloved authors
Antoine de Saint-Exupéry disappeared at age forty-four during a reconnaissance flight over southern France. At the time he was best known for a career of daring flights over the Sahara, the Pyrenees, and Patagonia and for his contributions to the science of aviation. But the solitary hours he spent above the earth in open cockpit airplanes gave birth to a more famous legacy, a series of enchanting, autobiographical novels and the classic story The Little Prince, still the most translated book in the French language.

An impoverished aristocrat from one of France's oldest families, Saint-Exupéry moved at age twenty-seven to the western Sahara Desert, to live alone in a plank shack and manage the way station for the Aéropostale, the French mail service. His careers as a novelist and an aviator were born here, and his life once he returned to Europe was defined―with brilliant and catastrophic results―by the sense of isolated fascination and curiosity he developed in the desert.

In this definitive biography, Pulitzer Prize winner Stacy Schiff reveals an intrepid and unconventional life that rivals the best adventure stories.

"A remarkable biography; indeed, it is impossible to imagine the job better done. It is balanced, perceptive, thoroughly researched, and exceptionally well-written." ―The New Yorker

  • Sales Rank: #540424 in Books
  • Published on: 2006-02-07
  • Released on: 2006-02-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.25" w x 5.50" l, 1.35 pounds
  • Binding: Paperback
  • 560 pages

From Publishers Weekly
Born in 1900 into one of France's oldest families, impoverished aristocrat Antoine de Saint-Exupery became a pioneer aviator, braving the Pyrenees, Patagonia and the Sahara, as well as serving as a mail pilot in the 1920s and '30s, and then turning his adventures into lyrical novels. The Little Prince, his children's fable for all ages, secured his fame. This captivating biography deftly separates the man from the myth, revealing an awkward, petulant idealist, an elitist who advocated oligarchy, a pilot known for his mishaps and absentmindedness, and an unhappily married adventurer whose abusive wife eventually reached an uneasy accommodation with his mistress. Fleeing German-occupied France for New York City in 1940, Saint-Exupery felt he was shirking his duty as a Frenchman; he attained the noble death he sought in 1944, missing in action on a reconnaissance flight over southern France. Schiff is a former senior editor at Simon & Schuster. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
Antoine de Saint-Exupery, heroic in flight, inept in everyday life, comes alive in this well-documented portrait by first-time author Schiff. Saint-Exupery spent his happiest days flying the mails for Aeropostale during the 1920s. When he arrived in Algiers in 1943 after a painful stay in New York during the early days of World War II, where he completed The Little Prince, he believed that he was finished. He had refused to support either De Gaulle and the Free French or the Petain Vichy government and had expressed the desire to die for his country. In 1944 he died mysteriously in the cockpit of a wartime reconnaissance plane while flying a mission over Italy. Like his Little Prince, he had seen only 44 sunsets. A stimulating biography recommended to everyone with an interest in early aviation and Saint-Exupery.
Bob Ivey, Memphis State Univ., Tenn.
Copyright 1994 Reed Business Information, Inc.

From Booklist
"It is only with the heart that one can see rightly; what is essential is invisible to the eye." This is from The Little Prince, a book that still sells 135,000 copies a year in America, 52 years after Saint-Exup{‚}ery (1900-44) wrote it during one of his many tempestuous exiles from his homeland. Saint-Exup{‚}ery himself has been largely forgotten, but Schiff has resurrected him in this invigoratingly witty, meticulous, and tenderhearted biography. After describing his "enchanted-garden childhood," Schiff goes on to create a vivid portrait of this "impoverished aristocrat." Dark-eyed, ungainly, bohemian, and romantic, Saint-Exup{‚}ery never outgrew his boyhood passion for poetry, magic, and flying machines and was happiest as a mail pilot flying the Casablanca-Dakar route over the forbidding but liberating western Sahara, a landscape that shaped all of his fiction. A man adored by women, his tumultuous marriage to Consuelo Gomez Carrillo was legendary, as was his knack for getting himself into political hot water. A man brimming with dreams and sorrow, he disappeared into thin air in a plane crash as inevitable and enigmatic as the demise of his Little Prince. Schiff tells Saint-Exup{‚}ery's adventure-filled and impassioned life story with remarkable skill and insight, sending us back to his books with renewed interest and compassion. Donna Seaman

Most helpful customer reviews

66 of 70 people found the following review helpful.
Wind, Saint(-Exupery)and Stars *****
By Mary Miller (mcmiller@udel.edu)
I went through a period in my early twenties when I read most of Saint-Exupery's books. I could not read them without a pencil for underlining since his thoughts and insights touched a deep chord within me. This was my Rilke and Whitman period and Saint-Ex kept perfect company with them. When I learned of Schiff's biography recently, I ordered it immediately. I have 100 or so pages left to read and I find I am reading it very s_l_o_w_l_y like the long goodbyes I have with friends I don't want to leave. She writes beautifully and does not canonize this Saint but surely lets us know he has earned his place in the stars. Thank you,Ms Schiff, for reacquainting me with a lost love.

33 of 33 people found the following review helpful.
Fantastic & revealing
By Kurt Hunt
Easily one of the best biographies I've ever read, in part because its subject is not overexposed. Like many people, I came to Saint-Exupery via The Little Prince and knew very little about his life except "was a pilot, then he crashed."

The intense introspection of The Little Prince led me to an image of the author as a bit of a recluse, holed up in a study somewhere drawing pictures of pythons. The Saint-Ex discovered in this book, however, is engaged in near-constant adventure at the dawn of aviation. We see plane crashes (in the Sahara, in an open cockpit plane, in territory populated by hostile locals), kidnappings, poverty, love (and love lost), and war, and throughout it all Saint-Ex skims along with one foot in our world and one foot thoroughly in his own.

With the exception of a too-long discussion of Saint-Exupery's youth, this bio is paced well and is a fun and rewarding read. It has led me to an entirely new appreciation of Saint-Exupery, particularly his non-Prince writing.

20 of 22 people found the following review helpful.
Heavenly book!
By P. Morris
Schiff's book is one of the best biographies I've ever read. Extremely well written and well researched, Schiff introduces us to a man and his adventures -in many ways an ordinary man, suffering from emotional and physical aches and pains and in many ways almost an ethereal being, filled with a capacity to write about the air, the desert, and the act of flying through and over both.

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Jumat, 23 Oktober 2015

!! Download Ebook The Big Necessity: The Unmentionable World of Human Waste and Why It Matters, by Rose George

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The Big Necessity: The Unmentionable World of Human Waste and Why It Matters, by Rose George

An utterly original exploration of the world of human waste that will surprise, outrage—and entertain

Produced behind closed doors, disposed of discreetly, and hidden by euphemism, bodily waste is something common to all and as natural as breathing, yet we prefer not to talk about it. But we should—even those of us who take care of our business in pristine, sanitary conditions. For it’s not only in developing countries that human waste is a major public health threat: population growth is taxing even the most advanced sewage systems, and the disease spread by waste kills more people worldwide every year than any other single cause of death. Even in America, 1.95 million people have no access to an indoor toilet. Yet the subject remains unmentionable.

The Big Necessity takes aim at the taboo, revealing everything that matters about how people do—and don’t—deal with their own waste. Moving from the deep underground sewers of Paris, London, and New York—an infrastructure disaster waiting to happen—to an Indian slum where ten toilets are shared by 60,000 people, Rose George stops along the way to explore the potential saviors: China’s five million biogas digesters, which produce energy from waste; the heroes of third world sanitation movements; the inventor of the humble Car Loo; and the U.S. Army’s personal lasers used by soldiers to zap their feces in the field.

With razor-sharp wit and crusading urgency, mixing levity with gravity, Rose George has turned the subject we like to avoid into a cause with the most serious of consequences.

  • Sales Rank: #206839 in Books
  • Brand: Brand: Metropolitan Books
  • Published on: 2008-10-14
  • Released on: 2008-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.01" w x 6.32" l, 1.18 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. With irreverence and pungent detail, George (A Life Removed) breaks the embarrassed silence over the economic, political, social and environmental problems of human waste disposal. Full of fascinating facts about the evolution of material culture as influenced by changing mores of disgust and decency (the popularity of high-heeled shoes dates back to the time when chamber pots were emptied into the streets)—the book shows how even advanced technology doesn't always meet basic needs: using toilet paper is shockingly unhygienic and millions of government-built latrines in developing countries have been turned into goat sheds and spare rooms due to poor design, a lack of regular water supply or simply because the subsidized (and expensive) cement and stone structures are often more appealing than the village huts. George explores how discussions on the importance of clean drinking water and the eradication of infectious diseases euphemistically address how to handle human waste. From the depths of the world's oldest surviving urban sewers in to Japan's robo-toilet revolution, George leads an intrepid, erudite and entertaining journey through the public consequences of this most private behavior. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—London and New York sewer tunnels, Japan's robotic toilet industry, farming innovations in China, and the politics of public sanitation in India—past and present—are treated with forthright investigation, sensitivity to intercultural relations and experiences, and high good humor. The effects of urban living on people who don't have sufficient human-waste disposal systems include not only diseases, but also social constructions that follow them beyond their portable brick latrines and backside-cleansing tools. The privacy that Westerners have grown to insist on as part of the toileting experience hampers travelers in parts of the world where toilet stalls don't have doors, let alone where toilets don't have stalls. George interviewed locals, social reformers, engineers, and bureaucrats in search of filling in the details of the picture she creates, making this a thorough, highly informative, and thought-provoking account. Her writing style is a delight, assuring her a faithful audience even while she discusses topics most commonly left unspoken and unwritten about. Teens may pick this up first for the gross-out factor but will find it a wealth of scientific and political intrigue.—Francisca Goldsmith, Halifax Public Libraries, Nova Scotia
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Rose George's subject—the global politics of defecation—is both superbly indelicate and morally imperative. With the basic health and dignity of several billion poor people at stake, we need to take s**t seriously in the most literal sense. Human solidarity, as she so passionately demonstrates, begins with the squatting multitudes.”—Mike Davis, author of Planet of Slums

“In Rose George’s hometown in England, impoverished immigrants took up residence in the new public latrines. (‘Fighting over the more spacious disabled cubicle was fierce.’) Which is worse? Living in a toilet or living without one? George bravely—and sometimes literally—submerges herself in the tragedy and occasional comedy of global sanitation. Sludge, biogas, New York City sewage: I ate it up and wanted more! The most unforgettable book to pass through the publishing pipeline in years.”—Mary Roach, author of Stiff

"This fascinating, wise, and scrupulously drawn portrait of the world and its waste will last long as a seriously important book. Like a literary treatment farm, it manages to turn the completely unpalatable into something utterly irresistible. Rose George, a brave, compassionate, and ceaselessly impeccable reporter—and, when needed, a very funny one too—has performed for us all who care a very great service. A big necessity, indeed."—Simon Winchester, author of The Man Who Loved China

"This engaging, highly readable book puts sanitation in its proper place—as a central challenge in human development. Rose George has tackled this critical topic with insight, wit, and a storyteller’s flair."—Louis Boorstin, The Bill and Melinda Gates Foundation

"Rose George has trolled the gutters of the world for the predictable low-matter and come up with something weirdly spiritual. Worship the porcelain god, revere its ubiquity and protest its absence: George reveals that the act of private and sanitary defecation is the key to health, the wealth of nations, and even civilization itself."—Lisa Margonelli, author of Oil on the Brain

Most helpful customer reviews

85 of 88 people found the following review helpful.
Open Discussion of a Forbidden Topic
By Rob Hardy
What if you learned that a particular problem was causing 80% of the illness in the world and was killing a child every fifteen seconds? Would you want to find out more, and insist that governments and the world do more, to improve the problem? What if you learned that one of the big reasons that governments and the world aren't doing more is that the problem is, well, yucky, and people don't like talking or thinking about it? There are blunter words for the problem, and Rose George uses them; the problem is feces. It is the topic of her book _The Big Necessity: The Unmentionable World of Human Waste_ (Metropolitan Books), a sobering and eye-opening account of just how badly the world handles this one great and inevitable problem. Most of the people who read this book will be among the set that uses flush commodes which connect to sewers and treatment plants, considered the tops in fecal disposal. But 2.6 billion people lack not only toilets, but also lack latrines or outhouses or even a bucket. Toilets and sewage treatments have their problems, covered here, but with billions of people who literally have no place to go, feces wind up all over the place, easily getting into food and water and causing misery. George has been to sewers of huge cities, wandered excrement-coated slum streets, experimented with public toilets in rural china, and visited the workers who clean sewers or empty pits. There is humor here (not much of the toilet variety) and well-crafted explanation and description, but it is not overall a pretty picture. If you don't want to think about this problem, that's just the problem.

Toilets, if a culture has them, are only a starting point. In the typical sewage system, the flow is eventually separated into the cleaned liquid effluent which goes back into the water and the solid sludge (more trendily called bio-solids) which is a bit of a problem. It is pretty clean, and naturally would make a good fertilizer, and in the US it does get spread around all over. The problem is that anything goes down our toilets, like unused drugs or heavy metals. Those who worry about the application of such molecules onto our crops are not comforted by the Environmental Protection Agency which says such application is safe. A great deal of George's book is not about people with toilets and sewers. In India, the lowest of the class still held to be Untouchables get an income by collecting feces deposited on the open ground. There are flying toilets or helicopter toilets in Kenya and Tanzania. It's a nice way of describing a disgusting practice: defecate into a plastic bag, then fling the bag to a rooftop or into the alley. George cites the Chinese as being especially innovative and open about sanitation; feces have always gone onto the fields there, but more recently homes have been equipped with biogas digesters providing methane that heats homes and stoves. There are still urban problems, but the government knows how important appearances are. In preparation for the Olympics, holes in the ground were replaced with thousands of lavatories, complete with attendants. In South Africa, kids stay away from school because the toilets are so bad; an official school lavatory might be something rigged up from a car chassis.

The descriptions of the lack of waste disposal for so much of the world's population are often difficult reading. There are glimmers of hope such as toilet activists like the World Toilet Organization. An Indian activist, after a visit to Madame Tussaud's in London, realized that he could gather toilets from all over the world and make a Toilet Museum which fulfills his goal to "make toilets interesting." There are inventors in different parts of the world who have gadgets to make sanitation cheaper and easier, and the pattern is to avoid patenting them so that they remain anyone's to use or modify without charge. There are politicians (not nearly enough) who are willing to talk about the unmentionable problem. George's book, with vivid descriptions and bright commentary, does the same thing in its way, forcing attention onto a world problem that people foolishly regard as too icky to take seriously.

30 of 31 people found the following review helpful.
Oh, Excreta!
By James Charnock
When I was young and living in very rural farm country and adventuring in the woods or hills and had to take a dump, I did what everyone else did: squatted, made some crap, wiped myself with a few leaves or a handful of grass, and moved on. (If the foregoing language disturbs you, then don't read this book; it's just as graphic, especially in the latter part.)

Now, imagine the teeming, close-living tens of millions in the slums and cities of developing countries--and even growing India--where, today, open defecation (that's the "polite" word, which is not that often used in the book) is the socially acceptable and often economically-necessary thing to do. Because it's cheap. There are no sewer systems, few toilets or even working public or private pit latrines. And where does this excreta go--be it India, Africa, China, Tibet, Mexico and even lesser sanitary places? Into the streets, ponds, rivers, oceans and even drinking water. Multi-tons of it everyday.

In some African countries, Tanzania and Kenya are two examples, the cheapest latrine is a plastic bag: "defecate, wrap, and throw. Anywhere will do, though roofs are a favorite" (pg. 210). Millions upon millions of people world wide have to make a choice when it comes to ridding themselves of excrement: "contaminating the environment or contaminating human settlement" (pg 222).

This book is shocking, but it has to be. Fortunately, in the beginning, the author spares us the worst part of the history (and history-in-the-making) of sanitation by discussing the glories of the sewer systems in Britain and the U.S. Then, she moves to other parts of the world. I began to think to myself, "Why would I want to tourist in certain countries when I could easily step in human feces--yes, it's everywhere (sidewalks, roads, inside public buildings, alleys, et cetera)--and also have no facility to relieve myself? At first, I thought the author must be exaggerating (it can't be THAT bad), but she produces all kinds of evidence: statistics, quotes and her own experiences.

Even in the good ole USA, pharmaceuticals can be found in drinking water: meds for heart disease, mental illness, epilepsy, et cetera. These trace amounts deform frogs and fish. The effect on humans? Not yet known.

The author makes a strong case for prioritizing the subject of removing and using human waste. But few want to talk about it or spend money on it. Hopefully, her book, and others, will enlighten people (politicians, especially).

1 of 1 people found the following review helpful.
Hard to read
By L. Watt
I agree with the other reviews that this is a half-heartedly researched travelogue and a spotty survey of the topic. I couldn't finish it and probably won't read another book by this author, even though I'm interested in the topics she writes about and like hearing her discuss them in interviews.

See all 96 customer reviews...

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Kamis, 22 Oktober 2015

>> Free PDF In Harm's Way: The Sinking of the U.S.S. Indianapolis and the Extraordinary Story of Its Survivors, by Doug Stanton

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In Harm's Way: The Sinking of the U.S.S. Indianapolis and the Extraordinary Story of Its Survivors, by Doug Stanton

Now available for the first time in trade paperback, the bestselling account of America's worst naval disaster--and of the heroism of the men who, against all odds, survived

On July 30, 1945, the "USS Indianapolis" was torpedoed in the South Pacific by a Japanese submarine. An estimated three hundred men were killed upon impact; close to nine hundred sailors were cast into the Pacific Ocean, where they struggled to stay alive, battered by a savage sea and fighting off sharks, hypothermia, and dementia. By the time help arrived--nearly four days and nights later--all but 317 men had died. How did the navy fail to realize the Indianapolis was missing? Why was the cruiser traveling unescorted in enemy waters? And how did these 317 men manage to survive? Interweaving the stories of three survivors--the captain, the ship's doctor, and a young marine--journalist Doug Stanton has brought this astonishing human drama to life in a narrative that is at once immediate and timeless.

The definitive account of this harrowing chapter of World War II history--already a bestseller in its hardcover and mass market editions--"In Harm's Way" is a classic tale of war, survival, and extraordinary courage.

  • Sales Rank: #33828 in Books
  • Brand: Stanton, Doug
  • Published on: 2003-05-01
  • Released on: 2003-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x 1.07" w x 5.48" l, .76 pounds
  • Binding: Paperback
  • 368 pages

Amazon.com Review
On July 26, 1945, the heavy cruiser Indianapolis steamed into port at the Pacific island of Tinian, carrying a cargo that would end World War II: the uranium that would be dropped on Hiroshima just three weeks later. Having delivered its load without incident, Indianapolis moved on toward the Philippines to join the great armada moving in on Japan. Though intelligence reports assured Captain Charles McVay that the route from Guam to Leyte was safe, there were Japanese submarines active in the area. On the night of July 29, having detected with sonar the clinking of dishes aboard the Indianapolis from a distance of more than a dozen miles, the submarine I-58 sank the American ship, killing nearly 900 sailors in the explosion and its terrible aftermath.

Captain McVay was quickly court-martialed for having failed to follow evasive maneuvers, "the first captain in the history of the U.S. Navy," Doug Stanton observes, "to be court-martialed subsequent to losing his ship in an act of war." Although the sailors under his command would insist that McVay had been scapegoated, and although I-58's commander testified before the court that "he would have sunk the Indianapolis no matter what course she was on," McVay was never able to clear his name. He committed suicide in 1968.

Stanton captures the drama of these events in his vigorous narrative, which augments and updates Richard Newcomb's Abandon Ship!. Stanton observes that although McVay was exonerated by an act of Congress in 2000, the conviction still stands in Navy records. Stanton's book makes a powerful case for why that conviction should be overturned, and why the captain and crew of the Indianapolis deserve honor. --Gregory McNamee

From Publishers Weekly
Given the stringent precision of the U.S. Navy and military during wartime, how could a WWII battleship carrying over 1,000 men be torpedoed by a Japanese submarine and sink, leaving the survivors to bob in the Pacific Ocean at the mercy of elements and predators, without anyone realizing the loss for more than four days? Stanton not only offers a well-researched chronicle of what is widely regarded as the worst naval disaster in U.S. history, but also vividly renders the combatants' hellish ordeal during the sinking, and the ensuing days at sea as well as attempts to cope with the traumatic aftermath. Stanton documents the facts of the case, embellishing his story with lurid details gleaned from interviews with survivors. Though the ship's captain would become the first and only in U.S. naval history to be court-martialed for the loss of his ship, Stanton offers a solid body of evidence to justify the survivors' partially successful efforts to exonerate him. Stanton's omniscient narrative shifts among the individual perspectives of several principal characters, a successful technique that contributes to the book's absorbing, novelistic feel. Readers, of course, must trust Stanton and his research in order to be truly consumed, but the authority of his voice should win over all but the most obsessive skeptics. Illuminating and emotional without being maudlin, Stanton's book helps explain what many have long considered an inexplicable catastrophe. (May 21)Forecast: Following on the heels of the bestselling Abandon Ship, recently resurrected by Peter Maas, this book is unlikely to be ignored. A $150,000 marketing campaign includes a nine-city author tour, national print advertising, and target marketing to the military and naval market.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Adult/High School-On July 16, 1945, the battle cruiser USS Indianapolis left San Francisco for Tinian Island in the South Pacific. The secret mission, the identity of which was unknown to even Captain Charles Butler McVay, was to deliver parts for the atomic bomb "Little Boy" that was to be dropped on Hiroshima. After the delivery, the ship headed to Guam where it was to rejoin the fleet for the proposed invasion of Japan. It never made it. On July 29, 1945, the cruiser was torpedoed by a Japanese submarine. Stanton begins this harrowing true story with Captain McVay's suicide in 1968, and continues in a style that reads like an adventure novel. More than 1200 men were aboard the Indianapolis when it left San Francisco; approximately 300 were killed by the torpedoes. The rest were tossed into the South Pacific and remained there for nearly five days facing dehydration, starvation, exposure, and recurring shark attacks. Due to a series of tragic errors, no rescue operation was mounted. The 321 men who ultimately survived (four of whom subsequently died) were found purely by accident. Captain McVay, scapegoated by the Navy, was court-martialed and convicted of negligence, despite the ongoing protests of his remaining crew. At the time, their story was lost in the euphoria of Japan's surrender and the Navy's desire to ignore their errors. It is time their story is told and Stanton has done it magnificently, with meticulous research and great poignancy.

Carol DeAngelo, Kings Park Library, Burke, VA

Copyright 2001 Cahners Business Information, Inc.

Most helpful customer reviews

6 of 6 people found the following review helpful.
An excruciating ordeal, wonderfully told
By Jon Hunt
I first remember hearing about the USS Indianapolis when I was a boy from Dr. Lew Haynes, himself...(Dr. Haynes was married to Elizabeth Dodge, my mother's first cousin). Since then the story has remained fresh in my mind as one of the most tragic but in many ways heroic sagas from World War II. Doug Stanton has put together a moving and important account of the ship's sinking and aftermath.
Almost sixty years after the ship went down it remains hard to fathom that so many errors could have occurred in not keeping track of the whereabouts of the Indianapolis. The fact that the ship played such a pivotal role just before its demise (the delivery of the atom bomb parts to Tinian) puts the story in an even more macabre light; hundreds of seamen did not live long enough to know the importance of their mission.
The stories told by the survivors as they endured shark attacks, blistering sun, a lack of drinking water, fuel oil all around them, broken limbs, delirium, and for most of them, death, is of such shocking proportion that the term "hero" is almost not enough to bestow on each of them. Captain McVay's court-martial and eventual suicide has always been a sad epilogue to the whole chronicle. Stanton tells of the dozens of letters from families of the Indianapolis who for years after the tragedy blamed him for the loss of their loved ones and how McVay carried that with him to his own death.
The silver lining to be found in "In Harm's Way" is that survival against incredible odds can and does happen and that we need to be reminded of what it takes to be faced with such adversity. This book is a tribute to the survivors of the Indianapolis and their brethren who perished.

1 of 1 people found the following review helpful.
Tragedy at the End of the War
By Jeffrey T. Munson
July, 1945. The United States is mere weeks from victory over Japan. In perhaps the greatest blunder by the Americans in the entire war, the USS Indianapolis is sunk by a Japanese submarine after delivering the parts to the atomic bomb. Mr. Stanton does a good job of outlining the events leading up to the sinking. For example, he points out that an American destroyer was sunk on the same route that the Indianaplois was scheduled to take to the Philippines only days before. Also, no destroyer escort was given to the Indianapolis to protect her from the submarine threat. Perhaps the biggest and most costly blunder was the fact that the Indianapolis was never listed as being "overdue" by the authorities in the Philippines after she failed to arrive on time. This blunder cost over 800 men their lives. The story of the sinking and the fight for survival in shark-infested waters are brought to life by Mr. Stanton. For 4 1/2 days, the survivors battled hunger, thirst, sharks, hallucinations, and in some cases, each other. Finally, the men were sighted by an American seaplane, and were ultimately rescued, including the captain, Charles McVay. McVay was ultimately court-martialed in one of the biggest miscarriages of justice in the history of the U.S. Navy. Overall, I thought this was a good book, but I was disappointed that only 1 chapter was devoted to the court martial hearings.

18 of 19 people found the following review helpful.
Fascinating, fast read that will rivet you to the story
By Rick Spell
One of the most enjoyable books I've ever read. When reading historical books or biographies, you're normally subjected to a slow start to provide background info. Even this book's first chapters are interesting and then it quickly gets into the story. What a fine balance it is for the author to cover facets of the story and correctly allocate the appropriate page space to the important parts of the story.
It is very clear the author did good research to determine possible breakdowns in the system forcing 900 men to spend 5 terrifying days floating in the ocean as fish food. But the actual accounts of the sinking and subsequent time spent in the water are simply mesmerizing allowing you to feel the terror of this incident. Probably the most exciting part of the story is the daring rescue when these men were on their last leg and most could not have survived another day. How terrifying was their situation? Well, when sailors take off their life jacket and prefer death to their existence, that should tell you their situation was grave indeed.
This book reads fast and furious. I read it in one night since I was incapable of putting the book down. This book will appeal to people exploring history or just pure adventure stories. It reads like a screenplay and you can visualize this movie in a few years.

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Rabu, 21 Oktober 2015

~ Fee Download Frog in Love, by Max Velthuijs

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Frog in Love, by Max Velthuijs

"Hello Frog," said Piglet. "You don't look very well. What's the matter with you?"
"I don't know," said Frog. "I feel like laughing and crying at the same time. And there's something going thump-thump inside me, here."

It's not easy to be in love-but it's easy to be
in love with Frog!

Frog is worried because his heart is beating too fast-could he be in love? But who is he in love with? This enchanting mini-book will delight children of all ages and strike a chord with anyone who knows what it is to be in love.

  • Sales Rank: #2069769 in Books
  • Brand: Brand: Henry Holt and Co. (BYR)
  • Published on: 2005-01-01
  • Released on: 2004-12-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.64" h x .31" w x 4.94" l, .20 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
PW praised the amorous hero who "does win his heart's desire, through unorthodox and even clumsy means, and captures the hearts of readers as well. The simplicity of Velthuijs's paintings serves to spotlight Frog's expressions, which run the gamut from dreaminess . . . to despair and finally bliss." Ages 3-8.
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
PreSchool-- The bright, colorful, and humorous watercolor illustrations done in a deceptively easy style set the tone in this engaging tale. Frog gets hot and cold, his heart races, and Hare informs him he is in love. Piglet finds this impossible to believe since Frog is green and Duck is white. Frog, however, sets off to prove his love by breaking the world's high-jump record. He is injured in the attempt, and while she nurses him back to health, Duck finds out who has been leaving all the lovely gifts. The moralizing does not interfere with the warmth and humor found in the story. Frog is a shy, loving, sensitive, and romantic character. --Regina Pauly, Free Library of Philadelphia
Copyright 1989 Reed Business Information, Inc.

Review
“Frog is an inspired creation — a masterpiece of graphic simplicity.”
– Guardian

Most helpful customer reviews

4 of 4 people found the following review helpful.
A wonderful metaphor for cross-cultural couples
By A Customer
I first came across "Frog In Love" as a pre-school teacher. I was asked to read it for our Valentines Day celebration. I was deeply touched by Max Velthuijs's amazing ability to tenderly convey such a hopeful message that both young children, as well as adults can grasp easily. My husband and I were very much like frog and duck when we were good friends. Ironically, just as frog meets with an accident, so did my husband and just like duck, I was able to help him and we admitted our deep affection for eachother. Naturally I went and bought the story for my husband and read it to him. When I got to the last page, and read the words "Love knows no boundaries" we both had tears in our eyes. Someday when we have our children, we'll read this lovely story to them!

0 of 0 people found the following review helpful.
What a great love story!
By A Customer
As a teacher, this book is a great way to start discussions of difference and sensitivity with my class. A great love story for any age!

0 of 0 people found the following review helpful.
love in its purest form
By Sophie Gemmell
A Frog and a Duck - love knows no boundaries. Anyone who has ever experienced that sick feeling of falling for someone - where you can't eat, sleep, think or talk will love this book! Frog in his red and white board shorts falls in love with white duck - a book to explain the beauty of love to young children and a book to give to the one you've fall in love with.

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Minggu, 18 Oktober 2015

? Download Ebook Vermeer: A View of Delft, by Anthony Bailey

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Vermeer: A View of Delft, by Anthony Bailey

In 1653, the artist Johannes Vermeer, the twenty-one-year-old son of an innkeeper, registered as a master painter with the city's Guild. He went on to enjoy a respectable local reputation as a painter until his death in 1675; it was not until the mid-nineteenth century, however, that his genius was widely appreciated. Today, Vermeer's thirty-five paintings are regarded as masterpieces.

In Vermeer, Anthony Bailey presents an intriguing portrait of Vermeer's life and character, long lost in history. Bailey re-creates the atmosphere of the times, introduces Vermeer's colleagues, portrays his domestic life in vibrant detail; he also sheds light on the science and artistry behind the glorious, almost mystical, paintings. Meticulously researched and elegantly written, Vermeer will stand as the classic work on Vermeer for years to come.

  • Sales Rank: #1321457 in Books
  • Published on: 2002-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .78" w x 5.52" l,
  • Binding: Paperback
  • 256 pages

From Publishers Weekly
Longtime New Yorker writer Bailey has been an extremely prolific critic and biographer (Standing in the Sun: A Life of J.W.M. Turner, etc.). This study of the 17th-century Dutch painter Johannes Vermeer and Vermeer's times is his 22nd title. Highly dependent on books by specialist scholars like Albert Blankert and Svetlana Alpers, this overview also repeats a lot of the local color as evoked in splashy recent evocations of the Dutch Golden Age by the bestselling Simon Schama. Less posturing and operatic than Schama, Bailey constantly repeats the formulations "may have" and "might have" until the reader becomes aware of how little is still known about the mysterious Vermeer, who is widely considered one of the greatest painters ever, although only a few dozen of his works survive. Speculations even extend to humdrum details of whether or not Vermeer owned a pet, without focusing on the ultimate question of how this apparently dull and ordinary Dutchman created immortal masterpieces of art. Sometimes a little more historical context would be welcome, such as when Bailey criticizes the "ignorance" of 19th-century historian Jakob Burckhardt for dismissing untalented artistic imitators of Rembrandt, when it's generally well accepted that far too many 19th-century painters were dreary Rembrandt wannabes. The liveliest pages record the fondness for Vermeer of villains from Hitler to thieves from the IRA. Heavier on history than art appreciation, this fluent if unoriginal summing up of some current themes of Vermeer study will appeal to non-art historical readers in search of a journalistic compendium of the subject. Illus. not seen by PW. (Apr.) Forecast: With the blockbuster Vermeer retrospective more than a few years gone, and the Bailey name less in evidence on the New Yorker's pages, this book will have to rely on Vermeer enthusiasts searching it out. Yet Tracy Chevalier's popular fictionalization of the Vermeer household, Girl with a Pearl Earring (1999), shows they may do just that, and the book has few recent, generalist competitors.
Copyright 2001 Reed Business Information, Inc.

From Library Journal
Fluent essayist and New Yorker contributor Bailey (Standing in the Sun, LJ 1/99) gives a personalized overview of Johannes Vermeer, reading from the paintings to the man, and vice versa. Much of Bailey's factual underpinnings comes from the work of John Montias (Vermeer and His Milieu, 1989. o.p., and Artists and Artisans of Delft, 1982. o.p.), but he has a penetrating eye himself, and Vermeer, of whom so much is unknown, is a topic of perpetual interest. Organized around individual paintings, Bailey's essay begins with the great gunpowder explosion of 1654 and ends with the reverberations of Vermeer's art in the writings of Marcel Proust and the forgeries of Hans Van Meegeren. A meditative personal chapter follows, addressing Vermeer's seeming ability to stop time in his paintings. Bailey effectively retells much that is known about many of Vermeer's contemporaries, such as the scientist Antoni Van Leeuwenhoek, and speculates on his apparent Catholic faith in the Protestant Netherlands. Highly recommended for general collections and also for art history collections for its broad view and effective style. (Plates not seen.) Jack Perry Brown, Art Inst. of Chicago Libs.
Copyright 2001 Reed Business Information, Inc.

From Booklist
Bailey, a prolific, polished, and avid writer, last portrayed the landscape painter J. M. W. Turner and now fleshes out the life story of one of the most revered and elusive painters of all time, Vermeer, the artist-poet of light, serenity, the interior life, and womankind. A nimble and entertaining writer, Bailey makes up for a paucity of documentation of Vermeer's life and temperament by presenting an energetically detailed depiction of the painter's world, both the city of Delft and his chaotic household, musing on the mystery of how Vermeer achieved the quiet, even holy, perfection of his paintings with 11 young children underfoot. Bailey muses on Protestant Vermeer's marriage to a well-off Catholic and theorizes that he took over his father's art dealership, used a camera obscura, and knew the pioneering naturalist Anthony van Leeuwenhoek. Dead at 43 with 35 masterpieces ensuring his immortality, Vermeer's influence on art, literature, and even war (see Bailey's lively account of how the heroic forger, Anthonius van Meegeren, fooled Goring with a fake Vermeer and rescued 200 looted paintings) has been cosmic. Donna Seaman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
A wonderful read.
By Nancy A. Kelly
For anyone who is interested in Johannes Vermeer this book is a treasure trove of information. Mr. Bailey's writing flows effortlessly making it enjoyable as well as educational. I'd give it an A+.

51 of 51 people found the following review helpful.
THE MASTERY OF DELFT -- THE MASTERY OF ANTHONY BAILEY
By TheReader23
I'm certainly no expert on the non-fiction genre and definitely no expert on art history but I do know a well-researched and enjoyable piece of work when I come across it. I came in the backdoor on this one having become fascinated by Vermeer after reading Tracy Chevalier's Girl With A Pearl Earring. I followed that one up with Susan Vreeland's Girl In Hyacinth Blue and then came across Anthony Bailey's book. What a wonderful way to continue my journey into this author's own portrait of this master painter and what a surprise to find that it contains black and white and some color pictures of Vermeer's paintings as well.
While very little is known about Vermeer's life, through the genius of Bailey, you come away from this book feeling you know the man. What we do know is that he lived in the mid 17th century, was a Reformed Protestant until he married the Catholic Catharina Bolnes and fathered 11 children as well as 35 masterpieces. At a time when painters were in abundance in Delft and industry was striving, the picture of Vermeer is still that of a struggling artist trying to feed and clothe a large family. It is a wonder, Bailey points out, that amidst all the noise and commotion that must have gone on in his house and the financial problems that must have weighed heavily on his shoulders, that he was still able to paint such masterpieces that put the beholder at ease merely by their stillness. Vermeer was never an "all-inclusive artist" notes Bailey and none of his paintings incorporate a single flower. He favored the use of the "local colours" of yellow, white and blue. Bailey also notes that he was "fond of rendering the effects of sunlight and sometimes succeeded to the point of complete illusion."
The author mentions the trademarks found in Vermeer's paintings -- the white wine jug, the map on the wall, the bowl of fruit on a carpeted table, finials in the form of a lion's head at the back of the chair and, my personal favorite, the black and white floor tiles that helped the artist establish perspective. He also explains Vermeer's possible use of the camera obscura to focus his view. There were so many interesting things presented by the author, one of which was the different way Vermeer signed his name. Bailey shows five different signatures all playing around with the V and M in Vermeer's name. Another thing I found engrossing was how Vermeer put things into his paintings and then painted them out. We can only see this now because of modern X-ray and infrared equipment.
I could go on and on about all I learned after reading this book but some of the more interesting parts occur after Vermeer's death and have to do with Hitler's possession of some of these masterpieces as well as Van Meegeren's forgeries of Vermeer's works in the 1900's. Of the 35 known Vermeer works, one painting, The Concert, is still missing, having been stolen in 1990.
I culminated my fascination of Vermeer with a trip to the Metropolitan Museum of Art this week to see the Delft/Vermeer exhibit. Having just read Bailey's book, I felt quite knowledgeable not only concerning Vermeer but all things Delft in general. Upon exiting the exhibit, I walked directly into the gift shop where Anthony Bailey's book was not only on sale but being purchased by all those around me. So not only do I congratulate this author on a work well done, but also on the best timing possible for publication that one could imagine.
I'll end this review with my favorite lines from the book -- those that sum up Vermeer's life in the eyes of Anthony Bailey. "He remains in some respects, the missing man in some of his own paintings: the person who has just left the room, or who is expected at any moment. He is impatient to be found, to be seen, but while he waits, he paints stillness."
Anthony Bailey has made Johannes Vermeer come alive for me with interesting stories, things that might have been and a wonderfully descriptive Delft region by which Vermeer was obviously inspired. To me he is no longer lost, but found on the pages written by Bailey.

36 of 37 people found the following review helpful.
Gentle and Serene
By Joseph P. Donnelly
Anthony Bailey is the ideal author to write about Vermeer: like his subject's paintings his prose is quiet, calm, introspective, and serene. He illuminates Vermeer and his work, but as in the paintings discussed the light is gentle, and golden, never harsh - like a good poet, Bailey leaves plenty of room for the reader to reflect on his/her reality as he describes his subject.
It's wonderful to think of Vermeer painting his silence-drenched, calm and mysterious images amid the noise and tumult of his house filled with eleven children. Perhaps his paintings were a world of perfect order and quiet that he could retreat to when his messy and noisy surroundings became overwhelming. I also liked Bailey's point that perhaps Vermeer painted so few images because almost all of his best work had sunlight streaming through a window, and the Dutch climate doesn't offer too many sunny days to paint from!
The book opened with a bit more 15th and 16th century Dutch history than I would have cared for, but hold tight, once he switches his focus to Vermeer's paintings the book takes flight, and you will never look at the paintings in the same way again. The black and white reproductions don't do the paintings justice however - I'd recommend having a book of color reproductions of the paintings (there are only 37 known Vermeers!) next to you as Bailey gently helps you see these familiar images in wonderfully new ways.

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